Episode 96 – Death Race 2050 (2017)

or “Faster, Frankenstein! Kill! Kill!”

Featuring: Manu “Arrow” Bennett , Marci “Days of Our Lives” Miller , Malcolm “A Clockwork Orange” McDowell

Director: GJ “Virtually Heroes” Echternkamp

Writers: GJ “Frank and Cindy” Echternkamp & Matt “Virtually Heroes” Yamashita

Origin: USA

Remake of:Death Race 2000

Also Known As:Roger Corman’s Death Race 2050

This Episode Personally Approved By: GJ Echternkamp (Director/Writer)!
“Your review of Death Race 2050 was one of the funniest things I’ve ever read… thanks for making my night!”

Review_____

“It’s like having sex with 500 men at once – awesome.”

So,we’re only two weeks into the new year and already David Blaine has shot himself in the mouth and Martin “Shcrotin” Shkreli has gotten a face full of doggy dung. Don’t do it, 2017. Don’t tease me like this. After all the bullshit that 2016 pulled, you’re gonna have to give me a LOT more than this to wash off the stink of your predecessor’s legacy! Now, if you were to have Blaine and Criss Angel kill each other off in some form of magician blood feud a la The Prestige and have Shkreli choke to death on a log of piping hot canine crap straight from the pooch’s poop chute, you’d score a fair bucket of cred with both myself and many others. But you’re on super double secret probation until at least mid-April, so keep your nose clean.

Speaking of 2016, despite the murder spree we all witnessed over the length of the last calendar, you know who survived the celebrity serial killer year-that-was? Roger Corman! The spiritual successor of Ed Wood hasn’t directed a flick in over 25 years, but that sure as shit hasn’t stopped the master of the minuscule budget from keeping the bad movie spawning beds bubbling atop his “Producer” chair throne. Much as my opinion of the man’s work ebbs and flows with the shifting of the sands, I will not deny that Cor-Man is the friggin’ Jack LaLanne of schlock. My all time favorite of his features? Without hesitation – Death Race 2000.

If you don’t know that which DR2K is about, it better be because you’re younger than the carton of cottage cheese long thought lost in the dark recesses of my fridge. Why haven’t I thrown it out yet? By the time I found it, I was too afraid to open it, let alone lay my hands upon it. Know what’s in there? Me neither. Let’s keep it that way. Back on topic, DR2K is a 1975 flick that plays like a live-action “Speed Racer” cartoon if it came with an ‘R’ rating and revolved around turning pedestrians into street meat. It was Cannonball Run meets Rollerball. So it was Rollerball Run, I guess. Also, it was already remade in 2008 as just Death Race, as some kind of edgy gay prison sex action-drama art house film starring Jason Statham and Tyrese Gibson also executive produced by Roger Corman. It had two sequels, with a third currently in production as of this review. Samuel L. Jackson that’s a lot of spin-offs for a movie that’s never had an actual sequel! Good on Mr. HardCorman for beating every last cent out of that dead horse. At least it’s his own and he’s not just Michael Bay-ing off of someone else’s work. Speaking of deceased equines, let’s saddle up this thoroughbred and see if it’s riding majestically into the sunset or shuffling off to the Elmer’s plant.

Oh yeah, so (not my) president Pissler and his turd reich are on their way into the White House soon, and though I had another movie in mind to mark the end of civilization as we know it, DR2050 dropped itself face first into my lap instead, and the timing was just too perfect not to unzip. As such, if you were shivering with antici………..pation for this as much as I was, well, urine luck!

For those who have already seen Death Race 2000, you can pretty much Choose Your Own Adventure the next few paragraphs and turn to “Page 32”. For those new to the game, continue on to “Page 7”.

Page 7

30 or so years in the future, the USA is a much different landscape. Well, it’ll probably be like looking in a mirror 4 or so years in the future from where we are now, but let’s all try to escape reality for a few minutes together and focus on the flick. Corporations have hijacked the land of milk and honey and turned it into Occupy Wall Street’s worst night terror, going so overboard as to rename the nation The United Corporations of America. This “re-branding” includes the replacement of the stars on the flag with dollar signs. Like the most constipated man in history would say, I shit you not. The states have been divided among the most elite of the 1% and also re-branded with new monikers to reflect their new owners, and in some cases strip mined of every available resource straight into hellholes that only extras from a Mad Max movie would be fit to survive in. Sitting atop this smoldering shit heap is the Chairman (Malcolm McDowell), whose goofy haircut, bold faced lies and constant disregard for the welfare of his citizens in favor of bilking every last cent out of their pockets make him an obvious parody of a certain baby-handed megalomaniac obsessed with swimming in gold, and I don’t mean the way Scrooge McDuck does.

With the advancement of medical technology, mankind has managed to eliminate life-threatening diseases like cancer, while also giving the people an Extended Play in the game of life, with most living into the triple digits like it’s no big deal. The resultant unexpected population explosion (remember, guys like the Chairman don’t listen to any science that doesn’t bump up their profit margin) left the nation with an immediate need to relocate their excess citizenry. But, since the UCA grabbed the other nations of the world by their pussies with nuclear rape hands, the remainder of the planet’s kinda unlivable. Hence, violent competitions were established where the participants murder the peasantry en masse for the entertainment of said peasantry smart enough to stay home and watch instead. On that note, cue the theme music as we present you with Death Race: a cross-country rally style automotive conflict whose drivers (and their navigators/co-pilots) do their damnedest to turn every person along the path into meat bag versions of the Incredible Crash Dummies. You know, the characters from that weird ’90s cartoon/toy line, not that weird ’90s band/reason I uncontrollably punch people who hum as hard as I can in the face… with a knife.

Not everybody in the UCA is down with an entertainment industry based on a “re-envisioning” of the Roman Colosseum days. Said like-minded individuals have become a like-minded institution of rebels working toward the common goal of “waking up the sheeple” (I hate young people) and uniting the common folk against their corporate oppressors. How? By stopping the Death Race! How? By killing the drivers! These inept understudies from an off-Broadway musical version of Beyond Thunderdome are lead by an ex government Head of Programming-turned-revolutionary hard-ass named Alexis, who’s played by the former starlet of TNT’s ”Witchblade” TV series – Yancy Butler! Oh, nobody remembers ”Witchblade”? Well, fist my ass.


NOT WITH THAT!

Page 32

And now, your Death Race racer roster!

Frankenstein (Manu Bennett) – Dressed up like a leather daddy wearing a lava golem mask that may or may not be made from re-purposed tire rubber, this four time winner of Death Races past is a manly man budget version of Tom Hardy and the franchise hero of the coast-to-coast abattoir. Bearing the title of Mary Shelley’s most memorable monster (Victor, not his patchwork zombie “son”), he’s survived his fair share of fender benders thanks to the advanced cyber-prosthesis that have left him a mechanical man. Query: though this explains the Frankenstein name, was his name always Frankenstein, even before he became a walking quilt of flesh and circuitry? Enquiring minds are mildly curious! His co-pilot Annie (Marci Miller) is our main man’s mandatory love interest, so try not to be surprised when their elementary school playground name calling and verbal sparring turns into a begrudging union of souls. Finally, am I the only one who looks at Frankie’s car and can’t stop seeing the TMNT Footski toy?

Jed Perfectus (Burt Grinstead) – The self-proclaimed apex of manliness and a nonstop testosterone factory, Perfectus is the test tube baby byproduct of a genetic engineering experiment tasked with making the ultimate male. He’s determined to defeat Frankenstein (to the point of obsession) and prove himself the new hero that the Death Race fans deserve. A blond-haired, blue-eyed Aryan asshole, this personification of the Übermensch would have Hitler creaming his pants so hard you’d think he’d just poured bottles of Coffee-Mate down both pockets. All that aggressive man juice pumping through his brain makes Jed a bit of a psycho though, so when he strips down to his golden Rocky Horror skivvies and his mole-covered pecs get to flexing, prepare for some of the old ultra-violence. Though the gay jokes are frequent and expected, in spite of them, Jed’s fractured mental state is actually an interesting study in the dangers of toxic masculinity. Unlike the prior picture’s antagonist, Machine Gun Joe, Jed opts for a spear gun over a Tommy Gun. Given the whole “insecure man” angle, I’m sure that’s not just a Freudian slip on the peel of a Freudian banana. Wakka wakka!

Tammy (Anessa Ramsey) – Also known by the nom de carnage of “Tammy the Terrorist”, I’m pretty sure this mid-western religious nut heralded by the stink of brimstone and burnt rubber is named after the infamous Tammy Faye-Bakker. Then again, her lack of comically heavy makeup could indicate otherwise. Whatever the case, Tammy here bears no small resemblance to an out-of-work Jaime Pressly. She’s dressed to the nines in her eye-blisteringly “’MERICA!” outfit that approximates a grown-up version of something you’d see at one of those creepy Dallas prostitot beauty pageants that I’m pretty sure are just massive bait traps for pedophiles. Her white trash Barbarella fashion senselessness aside, Tammy’s defining trait is that she’s the leader of a religious extremist group (i.e. suicide bombers) who worship dead celebrities from the past, so expect numerous name drops along the lines of James Dean, David Bowie, Elvis Presley and Dwayne “The Rock” Johnson. In case it wasn’t blatant enough for you (or you just weren’t paying attention), she represents the ridiculous forms that celebrity worship can take and the dangers that faith can lead to in the wrong hands.

Minerva Jefferson (Folake Olowofoyeku) – The obvious foil for Miss Tammy, Minerva is a hard-nosed hip hop harlot draped in bad girl bling who’s made a career out of calling for the killing of white people. Not “Whitey” or “The Man” in particular, mind you, but Caucasians as a whole. And no, not Caucasian ass-a-holes specifically, hyuk hyuk. Though I’m a member of the “rap is crap” mentality, as a self-hating honky I probably relate more to Minerva’s motivations than any of the other drivers’. Her car (the Whitey Whacker) has a pair of external speakers that are supposedly so loud they can make peoples’ heads explode, but I’m not sure that’s how sound waves work. Minerva’s latest hit single is in honor of her enrollment in the competition and it’s no surprise that it’s just her chanting “Drive! Drive! Kill! Kill!” to a generic backing track. It’s all a flagrant rip-off of a Homer Is B.I.G. track, anyway.

ABE (voiced by D.C. Douglas) – The fifth and final perforator of pedestrian entrails in this endeavor is even less human than Jed! That’s because this driver is actually the K.I.T.T. of the movie, minus Mr. Feeny’s voice or Mitch Buchannon’s ass in its face. The AI’s creator/co-pilot/girlfriend is Dr. Von
Creamer (Helen Loris)… wait… “girlfriend”? Yep. Though we’re given no background on the self-driving murder machine’s origins, going by Creamy’s frequent usage of its passenger pleasure functions, I’m gonna go with the safe bet that the doctor’s obsession with creating the ultimate vibrator got so out-of-hand that she couldn’t keep it a secret from whoever supplied her research grant, so she just said it was a Death Race car and ended up here. Interestingly enough, ABE (the meaning of whose acronym is also ignored) presents us with the ages old “What’s the meaning of life?” query as applied to an AI. Curiouser and curiouser.

And that’s as deep as I’m gonna delve into this gumball rally of gore. For returning audiences wondering where the flick’s endgame lies, it’s both familiar and new. Not soul crushingly new like New Coke, but more “better than we feared” new like the New Mutants. Also, no, that certain beloved pun-based explosive device (you know the one) does not make a return, despite it fitting this flicks goofy-as-fuck tone. A tad sad, but that’s just the way it is. At least we got this guy, so it’s not like we’re left empty handed!


Find someone who loves you the way this guy loves his giant fiberglass wiener.

So there you have it – Death Race 2050. I’m not gonna lie to you (or am I?), but upon my first viewing of it, I was the kid on Cthulhumas morning who was anticipating a severed head awaiting me under the burning tree of madness, only to find a basket of graphically soiled hobo underwear instead. I was hoping for a movie more akin to Death Race 2000 – a lower budget think piece disguised as a campy celebration of the normalization of violence. What I got was a slightly higher budgeted version of Death Racers with much the same eye violatingly miserable digital effects, written by people to whom the word “subtlety” seems to have a “that which shall not be named” air to it. An embodiment of every vulgarity Echternkamp and Yamashita recoiled at during their formative years, and have since become straight phobias. An offense equal to shitting into their respective grandmothers’ mouths.

Upon my second viewing though, I had one of those RARE changes of heart. Having suffered the shit tier special effects once and watching it with my expectational loins properly girded, I was able to ignore the visual garbage fire and really enjoy the extreme lengths to which Brand Echt and Holy ‘Shita didn’t just put their plans out there for us to see, but fired them into our faces via figurative bazooka. Their revulsion of subtlety works in their favor! It gives the whole movie a boost of Idiocracy style absurdity with a hot beef injection of Troma type energy, blatant sociopolitical subject matter, and tongues so firmly in-cheek that they’re seeing daylight. And in today’s climate? Being released mere days before Pissler’s inauguration? You couldn’t have picked a better time to release a movie like this if you had a DeLorean with a souped-up Mr. Coffee strapped to it. It’s one of those movies whose dialogue is endlessly quotable too, so if you hate flicks that focus on snappy-like-a-mousetrap exchanges and one-liners over more realistic speak, take your bland ass elsewhere.

Speaking of great lines, they’re nothing without proper delivery, which is where our cast comes in. And what a cast they are! All of the racers feel fleshed out, with their own defining moments and personal conflicts. The political participants and co-pilots (except Annie of course) have less dimensions than the characters in Megan Fox’s filmography, but the main cast tow the film fine on their own. The lines feel so natural coming out of their mouths that you almost feel like the characters themselves were tailored for the actors. It’s not high drama Oscar stuff. We’re not seeing the next generation of Streeps and DiCaprios here, but for what the roles required, I don’t think we could’ve gotten better than this batch of relative nobodies. That might sound like faint praise, but coming from someone who’d rather cuddle David Carradine’s bloated corpse in a closet for a night than watch The Departed again, consider it my official approval. Officially.

No matter how much I can indulge in everything else though, none of this helps wipe away the stain of DR2050‘s hideous coat of shit colored digital paint. It hangs heavy over the whole thing like a big brown cloud blotting out the sun. I hate the person who invented computer generated cars. And computer generated explosions. And computer generated gore. Fuck he/she/them with a baseball bat wrapped in barbed wire and soaked in ghost pepper sauce. I blame The Fast and the Furious: Tokyo Drift, but then I tend to blame Tokyo Drift for most of the problems in my life. Every time I stub my toe or get a paper cut, you can usually hear me shouting “TOKYO DRIFT!” at the top of my lungs. ‘Struth.

In case It wasn’t obvious, I’m recommending this movie for those readers looking to have a laugh with a VERY liberal lean. Just go in expecting Syfy Original “quality” computer effects and you’re less likely to be as mortified as I was at first. If you’re looking for more serious car combat, watch Death Race instead (or again), or just let Fury Road blow your mind for the 20th time. Either way, I’ve had my say, so here’s to hoping it made your day. Later, taters!

Moral of the Story: God is a woman, and she is black as fuck.

Screenshots_____


“What’s new, pussycat? Whoooooa oh oooooooh!”


Prop Corn”? What, they couldn’t afford the real stuff? I’m not saying it had to be a case of that fancy Redenbacher bastard’s stuff, but nobody could just pony up for a few bags of generic store brand popcorn?!


In the future, people will be able to splice their genes with other species, Moreau style. Amanda here has just started her transition into a Lepus-American, and we at The Tomb wish her all the best!


Sadly, it’s not whether the black and Asian characters will be killed off, but which one will die first. Sorry, minorities.


“Oh no, darling. This isn’t an oral exam camera. Turn around and think warm thoughts!”


Our hero looks like the gimp from an intergalactic Ilsa movie.


Frankenstein and his car pose for their action figure box art.


From an alternate reality in which Michael Jackson lived well into his 80s and became not just the king of pop, but the king of the world.


NOT the type of face you want to wake up to! Or step out of the shower to! Or… come home to… or… you know what, no one should ever have to see that face… ever.


“How’s our repeal of The Constitution coming along? What do you mean ‘What are we going to replace it with’? No we don’t have anything to replace it with! That didn’t stop us from repealing Obamacare or Social Services, why should it stop us now?!”


“They actually think the audience is going to believe these painted dollar store swimming goggles are VR glasses! Ha ha ha ha ha!”


Presenting Mister & Missus Carl’s Jr. 2017!


“You see these sunglasses? They cost more than your car! Why? What’s so great about them? I DON’T FUCKING KNOW! IT DOESN’T MATTER! They cost more than any other pair of sunglasses, so that makes them (and by proxy ME) better!”


When your shadowcast’s Riff Raff calls in sick and Rocky has to pull double duty.


Gah! I’m being haunted by the ghost of Liberace!


I once ate a rancid can of alphabet soup on a dare, and the resultant game of gastric Scrabble I played in the toilet afterward spelled out something like that.

———————————————————
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Anubis will return next time in
“How Gurdy Got His Groove Back”

Enjoy the review? Hate the review? Have a movie you’d like to see judged in The Tomb? Fill out the feedback form! Never has it been easier to make contact with a deitic being!

All materials found within this review are the intellectual properties and opinions of the original writer. The Tomb of Anubis claims no responsibility for the views expressed in this review, but we do lay a copyright claim on it beeyotch, so don’t steal from this shit or we’ll have to go all Farmer Vincent on your silly asses. © October 1st 2013 and beyond, not to be reproduced in any way without the express written consent of the reviewer and The Tomb of Anubis, or pain of a physical and legal nature will follow. Touch not lest ye be touched.

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