Feature 77 – Preacher: “Pilot” (2016)

or “The Three People You Meet in Texas”

Featuring: Dominic “Agent Carter” Cooper , Joseph “Misfits” Gilgun , Ruth “Agents of S.H.I.E.L.D.” Negga

Directors: Evan “This Is the End” Goldberg , Seth “This Is the End” Rogen

Writers: Seth “The Green Hornet” Rogen , Evan “The Green Hornet” Goldberg , Sam “Breaking Bad” Catlin

Origin: USA

Review_____

”Sounds like the first verse of the worst country song ever written.”

I’m paranoid. In a good way. When I lay cheeks upon the porcelain seat, I check beforehand to make sure there’s more than two squares left on the tube and I peek the bowl to make sure no baby alligators or grinning ghoulies are waiting to make an appetizer out of my rump roast. I don’t wanna end up like that guy in Thailand whose excursion to the crapper resulted in a python trying to suck face with his trouser snake. For such occasions, always keep a machete in your magazine rack or just do what I’ve done and duct tape a meat cleaver to the handle of your plunger. Whether I need to waylay a wayward water moccasin or break-up a brown boa constrictor, I do not enter my wild kingdom unarmed. I am the T’Challa of the toilet room. Or, as we call it in The Tomb, the Elimination Chamber.

One thing my paranoia assures is that I go into any and every comic book movie or show with a gallon jug of trepidation. I have seen some of the greatest works of my generation reduced to smoldering ashes of regret and agony at the rape happy hands of studio executives that spun lengths of niche gold into panderous piles of mainstream straw that even the most starving of would-be consumer camels wouldn't give a second sniff, let alone ingest. Witnesses for the prosecution: The League of Extraordinary Gentlemen, Constantine, and Fant4stic are the easiest targets off the top of my pointy ears, though I’m sure any fanboys/fangirls worth their weight in first appearances can rattle off another easy dozen within a blink of Scott Summers’ eyes. Such is the approach I’ve chosen to take with AMC’s second stab at four color fortune (following “The Walking Dead” of course), an adaptation Vertigo Comics’ (R-rated DC) long defunct series Preacher.

Running for 66 issues (not counting the side stories) over a 5 year stretch, the series was my introduction to Garth Ennis, Steve Dillon, and Glen Fabry – a triumvirate of chaos aligned to create a perfect tapestry of entertainment. Ennis was the writer, Dillon was the illustrator, and Fabry painted the covers. Holy shit did he paint the ever lovin’ fuck outta those covers. By Ra’s balls. I wanted every one of those masterpieces on a poster or a t-shirt or painted on my car in high school. Here’s a taste.

I'm not going to delve into the finer points of the comic book or its many infamous tales of sexual debauchery, graphic violence, and hilarious heresy, so as to avoid ruining the reveal of whatever surprises the show might have in store for us. I'm also not going to butt vomit a whole buncha spoilers here since the fucking thing just aired less than two weeks ago! As with the “Ash Vs. Evil Dead” pilot, I also won’t be reviewing “Preacher” episode-by-episode. I’m just going to give my thoughts on the premiere, then maybe possibly think about giving consideration to the conceivably perchance reviewing of the first series as a whole, via this ass-a-hole. Got it? No? Good. Sally forth!

After 20 years of it being passed around as a potential feature film, a tv show turned out to be the easy answer to an adaptation. Garth Ennis himself thought it a better option than clown carring all of the comics’ major moments into a restrictive 2-3 hour runtime. There was a treatment by one John August (who wrote the Charlie’s Angels duece-ology and a lot of Timmy Burton’s movies since the turn of the century) being passed around Tinseltown that seemingly managed to do such a feat admirably, but to quote Ennis, “It taught me the lesson that it’s far too easy to overload this. If you do a straight adaptation, you are simply going to overload the story with grotesque characters and over-the-top bloodbath fight scenes. You’re going to create a whirling maelstrom that will simply bewilder a mainstream audience.” (From this interview)

The version we get is courtesy of longtime friends, creative collaborators, and self-professed super fans of the funnybooks, Seth Rogen and Evan Goldberg, teaming up with writer Sam Catlin who made such magic for AMC with “Breaking Bad”. Ennis and Dillon gave their okays on the show and get producer creds too, so a modicum of my fears were allayed right off the bat. All aboard!

Annville is a small town in the big, big, morbidly obese state of Texas. How small? If you’ve heard the term “one horse town” to define the smallness of a small town before, consider this a half-horse town. Not in the way that a centaur is half horse, but in the way that a horse’s body might get caught in the glue grinder at an Elmer’s plant, leaving the unprocessed half to just *shlup* out onto the floor. Like that. Anyway, this small ass smallest of small town towns has a very small church that provides the locals with their weekly dose of religious guilt and condescension. This modest house of worship dedicated to the words of the Six-Packed Savior (a.k.a. Christ the Cruncher, a.k.a. The Saint of Sit-Ups, a.k.a. The Abvocate) is run by town preacher Jesse Custer (Dominic Cooper). In case you’re curious (or just need confirmation that you’ve connected the dots properly), yes, Uncle Jesse is the man after which the series is named. Like most multimedia bearers of the cloth he’s grown weary of both his position (theological sex jokes here) and his congregation, and spends much of this hour long pilot (no commercials for me!) contemplating giving his invisible cloud boss his resignation. Will Jesse rediscover his lost light and earn back his wavering flock, or stroll into his next sermon with his middle fingers held high and his head adorned with a “Take this job and shove it!” trucker hat?

Father Custer picks up a pair of hitchhikers on the journey to his answer in the form of his wild and crazy guy ex-girlfriend Tulip (Ruth Negga) and an extremely Irish passer-by named Cassidy (Joseph Gilgun). The individual tales of how these two wind up crossing the Preacher’s path are both bat-shit crazy, hyper-violent, and perfectly appropriate for the dark humor the series is establishing. Without burying the leads, I’ll let you in on this much: Tulip’s a student of The Anarchist’s Cookbook and fights dirtier than Mike Tyson (that ain’t shawarma!), while Cassidy’s intro involves an umbrella, a cow, and more ultra-violence in 10 minutes than a gang of droogs could get up to in an entire month of Saturday nights!

Oh, and in case what I've told you so far hasn't been enough to sink a few cenobite hooks into your interest gland, there's also a mysterious screaming force from outer space that spends the majority of this introductory episode causing globetrotting savagery as it detonates various religious figures (including the greatest “in name only” cameo reference to a certain celebrity “spiritualist”ever) like human-sized carnage balloons! If that doesn't cinch in the aforementioned barbs, then I apologize for whatever devastating trauma you were subjected to that left you the soulless husk you are today…

FUCKING CARNAGE BALLOONS!

Roge and ‘Berg do far more justice to this project than they did with the flaming bag of Fido feces that was Green Hornet movie. So, though I appreciate anyone going into the show themselves with the proverbial pinch of sodium like myself, don’t get your blood pressure all Systolic Super Saiyan (“It’s over 9000!”) fretting. Sure, if you were hoping for a straight up adaptation, you’re shit outta luck. But, after watching the pilot, I feel the show’s in good hands. Good, perverse, sadistic, happy ending giving hands. And I’m going along with it. Much like “The Walking Dead”, I have an inkling of what’s in store, but my intrigue is piqued by knowing that the only thing that’s sure about “Preacher” is that nothing is for sure.

In a fun bit of “Connect the Dots” Trivia, our three main cast are interestingly linked to each other via prior roles. Cooper plays Tony Stark’s absentee poppa Howard in the Marvel Cinematic Universe, while Negga (what up, my Negga?) was a big part of “Agents of SHIELD” as Raina, a reoccurring villainess-turned-inhuman Shuna Sassi knock-off. The pair are also in the Warcraft movie, whose lore I know little-to-nothing aboot, so pardon my hairy ebon ass if my hype levels for said release are anemic as a vampire in a world where SkyNet wins… I think I just gave mental birth to a future Syfy Original. I should’ve terminated the pregnancy. Apologies.

Though Cooper doesn’t share a prior geek link with Gilgun, the exceedingly Irish sir’s resume does overlap in a career Venn diagram with Miss Negga, as they played Rudy Wade and Nikki respectively in the BBC X-Men-ish (or “Strangers-ish” if you’re Ultraverse nasty) tv series about super powered juvenile delinquents “Misfits”. The duo were never part of the show during the same series though, so this is their first time sharing the screen.

Speaking of the cast, are they any good? Yes. I like everybody. The main cast is great. I wasn’t sure about Cooper’s Custer, as the production stills didn’t thrill me on him looking the part, but I’m okay with it now. Same with Tulip being changed from a blonde white woman into the lovely Ethiopian equivalent of a grown up Clementine from Telltale’s The Walking Dead adventure games. A pleasant surprise. And Gilgun as Cassidy? Magic. Dark magic. Dark magic the likes of which would give John Constantine a toothache. Character-wise, I’m not big on the remodeling job done with Sheriff Root (W. Earl Brown) so far, as I liked him better as the stereotypical Texan hard-ass jerk-off of the books. I do like the inclusion of new character Emily (Lucy Griffiths), although her feelings for Jesse are irritatingly obvious despite her best efforts to hide them. I hope she’s meant for more than just to be the jealous would-be girlfriend now that Tulip’s back in town, but we’ll have to wait and see.

I’ll come back sometime after the first season to do a wrap-up of the whole she-bang, but right now I definitely recommend giving this show a shot. If you’re into supernatural, gritty-grimy-gory twisted dramedy type shit, “Preacher” should be square in your entertainment crosshairs. Bang bang.

Moral of the Story: Violence makes violence and Gods don’t hold grudges.

Screenshots_____

Including your ear holes. Jesus is big into the aural sex. Don’t worry about the ass thing though. You’re only expected to give butt stuff to him on Christmas.


“Did you ever notice that my name backwards is ‘god’?! Damn. That’s so weeeeeeeird. Pass the Funyuns, bro?”


If Jason Sudekis and Taylor Lautner (Remember him? Me neither. I had to look up his name for this joke.) had a baby, then abandoned it at the doorstep of a Protestant orphanage.


“It’s a new age of scholastic sports! In the Texas of the future, all high school athletics conflicts are settled by one-on-one battles between team representatives. This is the world of Charles Band’s Mascot Jox!”


Don’t chug your Triaminic like Cassidy, kids, or you’re just asking for a mess. There’s a reason the bottles come with that little plastic shot glass. Use as directed.


They’re writing out “SUCK IT, ALIEN QUEERS!”. Despite their ignorance and intolerance for extraterrestrial races, at least their spelling is accurate.


In an effort to bring in fans of the highly lauded and incredibly popular Walking Dead adventure games, AMC has added series star Clementine to the TV show’s next season.


“Could God Himself commit a sin so grave that even God won’t forgive?” That’s the exact face a pastor made when I asked him the same question. He then invited me back to his place to discuss it further over some sacramental wine and crackers that smelled strongly of chloroform. Did I go? Yes. Were his remains ever found? No.


Donald Trump has found his running mate – the Mayor of Texas!


Once again I need to remind our viewers that are chronic masturbators: if you can’t take a day off every week, then at least use some manner of fire retardant lubricant.

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Anubis will return next time in
“The Love Below”

Enjoy the review? Hate the review? Have a movie you’d like to see judged in The Tomb? Fill out the feedback form! Never has it been easier to make contact with a deitic being!

All materials found within this review are the intellectual properties and opinions of the original writer. The Tomb of Anubis claims no responsibility for the views expressed in this review, but we do lay a copyright claim on it beeyotch, so don’t steal from this shit or we’ll have to go all Farmer Vincent on your silly asses. © October 1st 2013 and beyond, not to be reproduced in any way without the express written consent of the reviewer and The Tomb of Anubis, or pain of a physical and legal nature will follow. Touch not lest ye be touched.

Feature 56 – Beneath Still Waters (2005)

or “Haunt of Horror”

Featuring: Michael “’Doctors‘” McKell , Raquel “Dagon” Meroño , Charlotte “’The Tudors‘” Salt

Director: Brian “Bride of Re-Animator” Yuzna

Writers: Mike “Asmodexia” Hostench & Ángel Sala

Origin: Spain

Also Known As: Evil Lake ; Lake of the Dead

Review_____

“You don’t care about me! And I don’t care!”

Summertime and the livin’s easy. The days of fun in the sun are over and for me that means a glorious return to weather where I don’t have to worry about my taint turning into the Okefenokee. Labor Day is here, and before we give the season its official “go fuck yourself”, be sure to share an ice cold bottle of the Coke product of your choice with the ones you love.

Two down and two to go: today’s episode is the third installment of our “Fantastic Four” reviews thing (semi-)event. After two less-than-stellar flicks in Faust and The Nun, can Beneath Still Waters pick us up, dust us off, and give us at least some regret that Yuzna’s short-lived production company is no more? Or, will the final film of their line further push the possibility that the Fantastic Factory’s failure was a mercy killing? Bailiff, bring in the jury and let’s get deliberatin’!

Not to be confused with the 2000 Harrison Ford & Michelle Pfeiffer supernatural murder mystery What Lies Beneath, our subject shares its name with the novel upon which it’s based. I know nothing about said novel though, as I’m illiterate (let that sink in for a moment or three), so at no point will I be citing comparisons between the two or critiquing the faithfulness of said adaptation. As you may expect though, I will be critiquing the crap out of the movie itself. With that said…

There’s a disturbing “the needs of the many outweigh the needs of the few” practice across the world in which growing populations will damn up rivers in valleys to create artificial aquatic bodies that provide said populaces with necessary water to continue their social expansions. Though not disturbing in and of itself (unless mankind mutilating entire ecosystems for their own convenience makes you queasy), sometimes this process involves the sacrifice of entire villages that made the mistake of setting themselves up in prime territory. Yep, the people are relocated, whatever they can’t carry is left behind, and the buildings are swallowed up, all because the bigger town needed to flush more toilets. “If it yellow, leave it mellow”? Up yours. That’s gross. Click >>HERE (http://weburbanist.com/2014/03/10/drowned-towns-10-underwater-ghost-cities-buildings/)<< to find out more!

Our movie centers around one such human sized aquarium. In 1964, the small Spanish town of Marienbad was sunken for the sake of its neighboring village of Desbaria. After an opening credits sequence that resembles first person drunk-o-vision dizzily staring at a mural WAY too closely (as a fog machine occasionally barfs out smoke nearby), we’re introduced to two boys from The Des’ – Teo (Santiago Pasaglia) and Luis (Omar Muñoz). Twenty years too early to get into video games and deprived of the outlet to show random strangers their genitalia via Snapchat, the lads (whose accents sound more French than Spanish) decide to play Goonies and explore the abandoned buildings early on in the process, before the place goes under. And maybe fit in a little window breaking vandalism fun while they’re at it. Inside one of the structures they find walls covered with ritualistic symbols and writings, along with demonic statues and a painting of a creepy looking old dude. In the basement, they also find a small group of people chained up around a flaming inverted pentagram altar in the floor. It’s basically Satan’s barbecue pit.

As the incarcerated beg for their release, a well-dressed figure with a black bag over his head calmly instructs the boys to ignore the others and come set him free instead. Obediently, Teo comes over and cuts the man’s hands free, despite the desperate pleas of his compadre Luis. Taking off his hood, the guy (Patrick Gordon) is revealed to be the menacing geezer from the painting. If Phantasm‘s Tall Man and The Final Sacrifice‘s Satoris both ejaculated into a cloning machine set to “British”, this guy would be what comes out. Hell, he dresses like he goes to the same tailor too! As a reward for being a good junior human and doing what he’s told, Unsweetened T gets his head torn open at the mouth like a meat Pez dispenser, while his horrified buddy beats feet right the fuck outta town. Literally.

Two score years (and some time lapse) later, the damn dam’s anniversary is on the horizon and shit’s about to get freaky. Desbaria native Clara Borgia (Charlotte Salt) has a weird daydream/vision about her grandpa Roberto (Antonio Portillo) emerging from the lake and warning her of a shadowy, sharp dressed man in a luxury car lurking nearby. But I thought every girl was crazy ’bout a sharp dressed man? Has everything we’ve learned from ZZ Top been a lie?! Are their sunglasses truly cheap?! Does the eponymous “she” even know how to use her legs!? I don’t know what to believe anymore!

When Gramps’ face melts away and his screaming skull falls off, Clar wakes up horrified on the beach of the body of water in question, but is affirmed by her friend Susana (Pilar Soto) that everything’s groovy. They have a brief conversation about death (Clar thinks death is just a straight up ending, while Suze is more the afterlife type) before opting to forget their cares with a swim! With Susana’s bikini in place, I approve this plan. Their friend Antonio (Damia Plensa) pops up for a fake scare and to show us his uncanny ability to apparently breathe underwater (seriously, how long was he under there?!), while I get flashbacks of Zombie Lake what with all these sub-aquatic camera angles of young women in their bathing suit attire. It’s not as bad here because it doesn’t go on for ten aimless minutes, but it’s also not as good because the ladies aren’t flashing exploitative levels of gratuitous boobs & bush. Yes, I know there are 8 trillion hours of free pornography I can access on the internet with 2 minutes and a free hand, but extraneous titillation of the lady flesh variety gives me pleasant memories of my high school days. Make like a KitKat and gimme a break, Debbie Downer.

Antonio’s antics antagonize the ladies at first, but Clar gives in and agrees to go with the d-bag for a ride on his jet ski. Not a euphemism, mind you, as his hydro-craft is parked nearby. He also strikes me as the type of dudebro who wouldn’t know what the fuck a “euphemism” is to begin with. When Suze is seized by seemingly sentient seaweed, her BFF saves her butt and brings her to shore. The aggressive algae leaves behind some bruising (both emotional and physical), but it’s nothing that can’t be fixed with a few puffs from Susana’s emergency cigarette, which she lights up immediately after. At least she doesn’t end up like Tony Toni Toné, who gets maimed by something else from the murky depths. The goober spills blood like an Exxon tanker before being dragged to his apparent deceasement. Good riddance to the movie’s big rubber dick.

Elsewhere, British (maybe?) investigative reporter Dan Quarry (Michael McKell) has come to town to do some diving and try to rake a bit of muck on the real reason that Marienbad was turned into a reservoir. I’d like to think that his name was originally intended to be Dan Query, given his occupation, but Matt Costello (the book’s author) chose to change it when he realized it would’ve been a bit too on-the-nose. Probably not, but oh well. Anway, while parusing the dam, our hero-to-be wanders into the personal space of local news reporter Teresa (Raquel Meroño), who also happens to be Clara’s madre. Ter’s shooting b-roll footage for their coverage of the preparations for the dam’s 40th anni cele. Sorry, trying a bit of the shorthand like the kids these days are so into. I feel I should cut my fingertips off now in penance.

The inevitable love interests introduce themselves while Dan preps for his first dive into the down below, until Ter gets a call from Clar about the Antonio emergency. She takes her camera crew with her in case there’s a story to be had, and Dan suits up so he can get to work. The movie’s underwater scenes are actually pretty well shot for a small budget affair, and earn the movie a fair bump in quality. Kudos to Yuzna and his crew for pulling them off. So far not bad for BSW!

While exploring, Dan finds the evil house of the evil people, including the evil painting of the evil old man, which is in evilly good shape for having been submerged in evil water for four evil decades. But, when he tries to delve into the building’s basement, a sinister swathe of seaweed gets tangled in his respirator! Clearing the intrusive plantlife from his breather, he sallies forth, completely missing the part where an entire human arm falls to the lake floor and brushes his shoulder in passing! Since the guy’s not getting the hint, the lake stops being subtle and flat out attacks Diver Dan with a black cloud of (poorly) computer generated goo. He was like a fresh faced barely legal letting a pervy old squid jizz on his face for heroin money. Sounds like the basis for some pornographic Snork fanfic. Nasty.

Back at the beach, a police rescue team searches for Tony’s leftovers while Teresa consoles her daughter in the wake of the tragedy. Their bonding time is cut short when mom opts to put career over family and bum rush Desbaria’s mayor Luca (Richard Borràs) for a statement. Luca took over the office after Teresa’s father passed away. He takes all of his political advice from Jaws‘s Mayor Vaughn, as every line out of his mouth is about covering up or excusing any and all incidents related to the lake’s devious deeds so as not to disrupt the big dam-iversary shindig. As he says, right before faux comforting Tony’s parents in a photo op, “The show must go on!”.

If he lives to the end credits, it will be both a miracle and a shame.

Dan surfaces amidst the combing, relieving us that he wasn’t taken by the inky digital cloud. The town’s hard-ass Police Captain, Keller (Carlos Castañón), wastes no time trying to arrest our protagonist as a suspect in Tony’s drowning. Teresa steps forward as his alibi, telling Keller that she was with Dan when Clara called her about the incident, so there’s no way he could’ve been involved. Being a spiteful fucker who was hoping to wrap this case up with little-to-no effort by imprisoning an outsider, Keller confiscates Danny’s video camera, only offering to return it once Mr. Quarry can provide proof of his diving permits. I’d make a joke here about what would’ve happened had Dan been black or Latino and Keller had been an American cop, but you can only make that joke so many times before it’s just too depressing to say anymore. I’m leaving those up to Larry Willmore. Now I’m going to have to go watch an “MST3K” episode just to get the figurative flavor of misery out of my mental taste buds. Blah.

[Two house later] Ah, that’s better! Nothing puts you in the spirit to ignore reality and piss on movies like Pumaman! Back to business! 😀

At the dam, the caretaker slash professional “George Eastman in Anthropophagus” lookalike Julio (Josep Maria Pou) has discovered a sizable crack in the structure that requires immediate attention. When he calls his supervisor though, a ghostly (and silly) voice on the phone claiming to be his dead wife Rosa convinces him to keep his trap shut, as he’s likely to lose his job and his pension if his drunken neglect is blamed for allowing such damage to get as bad as it is. I’m sad that there wasn’t a scene of Julio trying to patch the leak with bubblegum a la Chevy Chase in Vegas Vacation, but you can’t always get what you want. But if you try sometime, you just might find you get what you need. When our intrepid truth seekers stop by for a visit and a look around, Julio chats with Dan about the suspiciously sped up circumstances revolving around the town’s burial. Teresa gets defensive about their conspiracy speak, since her father was the one in charge of the whole thing. As he shows them everything but the huge crack (Niki Minaj butt joke goes here), a moderate tremor shakes the place up. Ter says they’re on top of a fault line, so this is normal and happens every few years. Me? I’m hoping for Kevin Bacon and Fred Ward to show up to fight Graboids for the rest of the movie. As per always, my hopes will be inevitably dashed upon the jagged rocks of reality.

The following morning, Clara has another vision about her melty faced grandpa. This time he approaches her in her kitchen, pushing some manner of grimoire on her and saying a Latin phrase that translates to “That which created you hold the seeds to your destruction” before she snaps out of it. An allusion to how the villain will be defeated in the final act, or a warning that her mother will be her own downfall? Maybe both? You could jump to the end of the review and find out, but I’d stick around. There are some pretty poor attempts at humor in the remaining paragraphs you won’t want to miss!

A short scene at Grandpa Roberto’s grave shows us that the malevolant man from the opening is already in the picture (no word on how, though), as he monologues his intentions to take everything Borgia created – his town, his people, his family, his social security checks, his speed boat, his vintage collection of “Black Tail” magazines…you get the idea. Back at the scene of Antonio’s death, Suze posits the “What do you think happens to you when you die?” query to Clar again, only to get the same “Nothing. You just don’t exist.” reply. Deeply disturbed by her friend’s atheistic answer, the blonde throws a fit, accuses Clar of not caring, then leaves. An upset Clara then confronts her mom for not being around that morning, accuses her of not caring, then leaves to go to her babysitting job. So she’s a babysitter, eh? That means she’ll either prove to be the movie’s true heroine, or end up running away from the villain. Or, she could WWLSD (What Would Laurie Strode Do) it and manage both!

Meanwhile, back at the ranch dam, Jules (who presumably lives in the massive structure since he’s seemingly never left) fishes his breakfast bottle of hooch from the keepin-it-cold lake water, only to be accosted by some hideous, loincloth clad monstrosity! Revisiting my earlier cloning machine comparison, this thing would be the subhumanoid offspring of a 3-way mating dance between Castle Freak, a C.H.U.D., and the alpha ghoul from [REC]. Coming out of the water, it makes the bathtub hag from The Shining look like Charlize Theron in Reindeer Games or Phoebe Cates in Fast Times at Ridgemont High. That sentence is making my penis all kinds of confused right now! Gah!

The beast refers to Julio by name, and he calls her Rosa, so I’m presuming this is a manifestation of the aforementioned dead wife, likely as the self-esteem robbing, soul crushing, emasculating bitch she was portrayed as during their prior “Twilight Zone – Night Call” telephone exchange. I’m hoping it’s not what his wife actually looked like when she died, though that would explain why Julio became a rancid alcoholic. Whatever the case, the cretinous creation corners Julio then drags him to his watery grave. Meh, it was quicker and less painful than the liver failure he was likely headed towards in the near future, so I consider it a mercy killing.

At the lake proper, Dan helps a pair of police divers search the hoary depths for Antonio’s remains. They find the evil house and are attacked by the same sinister squid squeezings that waylayed Daniel previously. Driven back to the surface, they bring with them the oddly decomposed severed head of Julio! The portlier of the pair catches a glimpse of some golden light effect across the water’s surface and it compels him to dive right back in, only to have his dismembered (and similarly oddly decomposed) bits and pieces float back to the surface shortly after. After all the pieces have been collected, the forensics officer on scene postulates that the mutilation could’ve been an animal attack or a bad date with the boat’s propeller. The latter being the most believable of the two (especially since an animal in the lake would just scare people away), the Mayor says that’s the story they’ll go with, and they’ll wait until after the celebration to file the report. Are we sure it’s the poor man’s Angus Scrimm that’s the villain of this flick!?

The pissed off Police Captain (now sporting a nasty looking and unexplained foreshadow wound across his right jaw!) blames Dan for this too, and threatens to throw him jail if he sees him in town again. Dan waves it off, saying he won’t be coming back once he gets his camera back. Being a massive prick, Keller returns said equipment, but proceeds to throw the recovered film into the lake as a big “FUCK YOU!”. Rather than letting Dan skip town like he intends, Teresa appeals to his investigative side and gets him to stay on the story (and on her, I’m sure) by following a possible lead: Luis, the boy who survived the opening scene, lives just outside of town and may be worth a look-up.

Elsewhere, Clara’s on the clock looking after a brother and sister pair – David (Alejandro de Nova) and Samantha (Gara Muñoz). Of course, the brat I share my human name with has to be a whiny little fit-throwing skidmark who hates popcorn. As if it weren’t already hard enough sharing my name with dick sneezes like David Duke and David Lee Roth. Also, my sole sibling’s name is Samantha, making this all the weirder for me. Naturally, snot bag David sneaks off to the lake while Clar’s nose deep in a book, but she realizes he’s gone just in time to save him from “playing” with a vision of the Rosa monster and presumably drowning himself. Why it couldn’t just pull him under like it did with Julio isn’t explained, but whatever. Also, the lake’s gotten oddly foggy in the two minutes since Dan and Ter were standing next to it…

On their drive to interview Luis (in adult form portrayed by Manuel Manquina), Dan describes the feeling of being in the black cloud as “the total absence of life”. He goes on to compare it to the same feeling he had when his young son fell through some ice and drowned. He attempted to save the kid, but gave in to instinct and went up for air, despite knowing that you have 30 seconds before your body starts to shut down under such conditions. So not only did Dan lose his sole heir, but he blames himself for not saving him when his logical mind knew he could have. Since Dan’s an experienced diver, his failure and subsequent loss is made all the more tragic. He also casually drops that his marriage ended shortly thereafter, subtly giving Teresa the go ahead to get jiggy with his banger and mash, should the urge take her. *wink*wink*

Upset over the near death-by-negligence of David, Clar calls mom for moral support. Ter agrees to meet her shortly. But when Dan offers to hold off on checking out Luis so she can go to her daughter’s side immediately, mom opts to widen the rift with her offspring in favor of sticking with her new beau-to-be. She none-too-subtley drops her own hints of intention, telling Dan that she regrets that she could never give Clara a “proper family”, and that her own mother’s death left her feeling alone and scared. Cue the first kiss as the two make out in front of Luis’s Fred Sanford lookin’ junk pile hoard of a front yard. Luis introduces himself by interrupting their tongue wrestling to spout Crazy Ralph style portents of the dam bursting and flushing the whole town to Hell. If I had a dollar for every time I was cockblocked by a crazy guy spouting veiled threats at me, I’d have a dollar. Shit you not, it happened to me once while I was making out with a lady friend on the subway platform. A drunk old white guy shouted something racist about how god would bury us in a landfill for our mixed-breed mouth play. It was too fucking weird to even get angry about. We just thanked him for the warning and went back to it. In my head, his story ended when he was pushed in front of the D train by Black Dynamite.

Luis confirms that Grandpa Borgia and his associates were indeed responsible for flooding Marienbad, and they did indeed use less0than-legal methods in both purchasing the land out from under the township and in pushing the project through as fast as possible. However, it wasn’t just a real estate scam, as Dan surmises. Borgia knew that there was evil going on in the town. Evil that he had spent his life fighting, and evil that Luis posits he’s still fighting “from beyond the grave” (i.e., via the visions that Clara’s been having). This includes her latest, in which Grandpa, on his deathbed, tells her “When I die, he’ll come for you. Clara, don’t submit. You have the power to resist”, before she’s started back into consciousness by the sight of Tall Man Light (Great taste, less killing!)

Luis further fills in the backstory, telling Dan and Teresa about one Mordecai Salas. Bingo, our antagonist has a name-o. Mord was in cahoots with a disciple of noted English occultist Aleister Crowley, who was NOT a Satanist as most people think, but the founder of Thelema. Thelema is a philosophy very much like actual modern Satanism which has nothing to do with Christianity, but simply revolves around the Brad Goodman “Be like the boy/Do as you feel” credo; and promotes aligning yourself with your personal “True Will” through the practice of sorcery. Anyway, Salas learned dark magic from this unnamed disciple until said lackey mysteriously croaked it during one of the rituals. After that, Mordy came back to Marienbad with the grimoire from Clara’s hallucinations, upon whose pages he wrote his spells in blood. No word on if the book was also bound in human flesh, but I would imagine so, as it was the style at the time.

Through his newfound who-doo magicks, the creep summoned an insidious campfire powered by the Devil’s own farts that gave he and his followers great power and prosperity. Much like Dagon would teach us a few years previously, unholy prosperity comes with unholy punishment: drought, infection, deformed babies and the corrupting black sludge spread across the town. Citizens dropped out of church to instead relish in the sadistic sex parties and gore-soaked blood orgies of Mordecai’s fruity little club. Cannibalism, torture, child murder…they had it all! Then, of course, Borgia and his buddies party-pooped all over it. They chained the cultists up in the basement of their sin shack and buried Salas’ Encyclopedia Satanica within the sanctified grounds of the town church to weaken him so he couldn’t escape the oncoming flood.

Back to the rest of our cast. Susana confronts Clara for a third time about Antonio, asking her: “What do you do when you never got the chance to say ‘I love you’?”. Clara yet again replies with something less than comforting, which (yet again) incites Suze to denounce her as cold and callous, before kissing her on the cheek and giving her one of those “I’m going to kill myself now” goodbyes. More irritated than concerned, Clar says nothing and goes back to babysitting. That night, when the kids’ mom returns home, David’s disappeared again while Clara was sleeping. I don’t see her getting a good reference out of this job! Mrs. Martin goes off to look for him in a panic, ending up getting romanced Evil Dead style on the forest floor by some persistent fauna consisting of a Cronenbergian flesh pod (that sprays her in the face with an aerosol Rohypnol) and some eye-peelingly poor computer generated seaweed vines that cocoon around her. Meanwhile, David pops up at home, asking Clara what happened. Maybe before running off into the forest, someone should’ve checked to see if the kid was just on the crapper?!

Nearby, Susana’s having a one-woman pity party on the beach, getting drunk and screaming “ANTONIO!” while throwing beers into the lake in case the dead guy gets thirsty. In a fit of inebriated post-tragedy horniness, she takes off her clothes (revealing surgically mutilated fake breasts) so they can have “one last swim together”. As she’s getting in, demonic one-armed zombie Antonio (looking impressively horrific) rises from the depths! Unlike Julio, who tried to escape his mutant wife monster, Suze doesn’t have a single fuck to spare and just lays down spread eagle in the sand, ready for some of that sweet rotten corpse dick (barnacled for her pleasure!). Instead, she gets a mouthful of her neck torn out, which seems like the scenario most people would prefer when considering what she wanted to happen. Such is the power of love and cheap beer, I suppose.

When Dan and Teresa write Luis off as a nutcase, he takes her hostage with a metal cross/shortsword to her throat and demands Dan drive them to the dam. Just as they’re about to make their escape from the loony toon, Mordecai appears in the middle of the road while Dan does the stupid thing and STOPS! When you’re in a horror movie and something appears from nowhere directly in the path of your car, you RUN IT OVER and keep on driving! I don’t endorse doing that in real life though, so don’t try to pin your vehicular manslaughter charges on me. I’m looking at YOU, Chad. Anyway, the trio’s confrontation with dime store Lurch doesn’t go well for Luis, as the baddie uses his Satanic Force powers to pull the poor man through a car window, forces him to slit his own Achilles tendons, lifts him into the air, spins him around playfully, then bends both his arms backwards at the elbows like a bad guy in a Steven Seagal movie and explodes his torso! Devil Man adds insult to injury by dropping what’s left of Luis to the ground and doing that weird jaw rip he gave Teo. Not unlike the maiming a disguised MechaGodzilla gave to Godzilla cronie/homie Anguirus in Godzilla vs. MechaGodzilla. As a final gross-out insult, Mord also rips Luis’ tongue out with and eats it! By Ra’s balls, it’s one of the most brutal death scenes I’ve seen in a good long while! I have to add an extra 2/3 of a rating point just for that.

Gambling his fortunes needlessly, Mord chooses to let Dan and Teresa go, making fun of them for Dan’s dead son and Teresa’s shitty parenting rather than turning them inside out. He pulls the Bond villain move of declaring his intentions to take Clara as his own, then walks back to his car and leaves. Proving the ghoul’s point, Teresa hesistates going to protect Clara as she’s more concerned with Dan’s well being and wants to go with him. He tells her he’s got a plan and sends her to go find her daughter, which she begrudgingly concedes to. As for the rest of town, while the crack in the dam embiggens, the revelers at the dam-iversary are elevating from “drunken merrymaking” to full-on “seven deadly sins”. The bacchanal sees people writhe nekkidly together whilst whipping each other, a woman squishes her tits into the celebratory cake (that looks like someone picked up for $5 at the sketchy old grocery store in the poor section of town), a priest gets ready to fuck (or be fucked by) a black goat, a chicken squawks frighteningly at what’s likely going to happen to it, and so forth. What of those not socializing with Satan? They’re turning into violent, laughing maniacs who are mutilating themselves and killing each other, which is one of my favorite scenarios! It reminds me of the phenomenally unsettling PlayStation 3 game Siren: Blood Curse. If you don’t know what this is, I prescribe the following video and wish you best of luck with the resultant night terrors it’s likely to give you.

The possessed Police Captain herds Clara and the kids toward the waiting Mordecai in one of those fun “people running with flashlights” chase scenes (It’s the NBC Sunday Night Mystery Movie!), while Teresa is at the Martin house acquiring a gun from some fat cop she finds sawing off his own limbs. Mord threatens to show Clar and the children just what comes after death for realsies if she doesn’t submit to him and become his Bride of Boogedy. Not wanting to die herself, she goes with the gaunt gentleman as he walks her across the lake’s surface toward their unholy honeymoon, offering her immortality and a world of lust and violence once the dam breaks and Marienbad rises from its tomb. Ter shows up just in time to beg Mord to take her instead, then tells Clar to move while she tries to get a clear shot on the bad guy. Like any teen, Clara defies her mother and chooses to go through with the “marriage” to the creepy old creep instead. Reason number 452 as to why I’ll never reproduce.

Down below them, Dan’s plan is to do another night dive into the remains of Marienbad, search the church for Mord’s tome and return it to the eternal infernal flame from whence it came. As soon as he removes it from its resting place, the evil trapped below is freed. A weird dimensional bubble forms around the evil basement apartment/ritual room that not only gives life to the deformed corpses still chained there, but also creates a breathable dry area in which Dan can go about his deed without need of his breathing mask. Though I’d probably keep it on were it me, as I can’t imagine desiccated mutant re-animates would smell too good after soaking in filthy lake water for 40 years. Dan’s dead son comes from nowhere (obviously an illusion) and pleads with dear old dad not to toss the book into the fire. Realizing that this is all bullshit, Dan spurns the mop-headed turd and makes Fredric Wertham proud by tossing the evil book into the evil fire. This, of course, makes Salas vulnerable, which is the perfect time for Teresa to show off her crack shot skills, putting a slug right between his eyes. She actually fires of several rounds, only one of which hits him. Clara is miraculously unscathed. Mord could teach Darth Anakin a few things about shouting “NOOOOOO!”, as the lake smokes around him and he sinks into the dark water to his end.

Clara goes down with him, but Dan gets to redeem himself for his failure to save his son as he grabs his future stepdaughter on his ascent and saves her. She’s laid out on the beach and manages to barf up a bunch of ingested water, bringing herself back to consciousness. Good thing too, since NOBODY attempted to give her CPR! Teresa gets my vote for Shittiest Mom of the Year. Back at the anniversary celebration, everyone passes out, only to wake up feeling strange and with massive hangovers. They’re left wondering why everyone’s naked, covered in food, blood, and welts, and who impregnated all of the livestock. I’d be curious to see what kind of Village of the Damned type follow up this party would have led to, if only we’d been given a sequel.

Just when you think everything’s wrapped up in a nice little package, it turns out nobody paid the Thai masseuse for a happy ending! David lowers his head, flashes a “you’re fucked now” look like Damian, mutters “I hate them.”, then his eyes light up with fire and the dam explodes anyway! It’s not entirely out of left field though, as upon my second viewing I noticed that Mordecai and Dave have a brief moment while the ne’er-do-well is dying where their eyes lock. Weird that he’d choose to inhabit the body of a kid, though that could just be because kids don’t have strong enough wills to resist him. Then again, being a whiny, selfish little dickhead, you’d think his will might be a little too strong. Whatever. I appreciate endings where the villain triumphs, but this came off a little too deus ex machina for my taste buds.

Of the Fantastic Factory flicks I’ve featured so far, Beneath Still Waters is the top of the group. I love the concept of a drowned ghost town full of closet skeletons and evil cultists. Though if I’m being honest, were I Grandpa Borgia, I think I would’ve burned the joint down in a “mysterious fire”, as opposed to going through the drawn out process of submerging it. This would’ve killed the novelty of the story though, so fuck me. I also enjoy the knock off Tall Man, especially given that we haven’t had nearly enough of the genuine article for years, so a stand-in can be appreciated. It’s not unlike cheating on a spouse during the decade they’ve been in outer space. We horror fans have needs that require addressing and Mordecai Salas does that for me. That being said, I do have a nitpick or two to put forward on the man. For starters, where the Hel was the guy for the last 40 years?! Also, if he had the Midichlorian/Midi-chlorian count to be able to slaughter Luis the way he did, why wouldn’t he just wreck everybody the same way?! I get that he kept Teresa alive so she could watch him corrupt Clara all for his petty vendetta to fill the Borgia family tree with gypsy moths and termites, but why bother leaving Dan intact? You’d think Mordy would’ve been smart enough to consider that the solitary person capable of stopping him would be the only skilled diver left in the entire fucking township!

Patrick Gordon’s voice is exceedingly British. It sounds exactly like the Michael Caine-ish actor playing Homer in the video Mr. Burns uses to convince Bart that his family no longer loves him in the “Burns’ Heir” episode of “The Simpsons”. I keep waiting for him to say “I mean, what the hell am I doing here?!”. Gordon and McKell (whose IMDB bio says was a “prolific singer and songwriter in the ‘80s)’s line readings were the only ones I really cared for, because just like every other FF movie, half the cast is dubbed and the other half speak poor English through heavy inflections. I’d rather they made the movies in Spanish and subtitled the dam things (see what I did there?) instead. After these last few weeks, I’d be happy to never have to listen to another Spanish person speaking English again. No diggity. I’ve overkilled my ear canals with the aural labor of listening to these bad line readers and even worse dubbings. By the time this gimmick’s run its course, not even Satanico Pandemonium herself will be able to charm my trouser snake with that accent. On the plus side though, we always get at least one amazing overdramatic reading that you can’t help but laugh at every time. Today’s line comes courtesy of Clara, and is posted at the top of the review. Hilarious.

The music tends to not be great in these flicks either. Most of the soundtrack here is not too awful, while some of it’s just uncut bricks of terrible and wholly out of place. It sounds like it was lifted from a ’90s Full Moon horror-comedy, with too much “farty trombone” for a seriously toned tale such as this. You know what wasn’t a letdown though? The practical makeup effects! The CG stuff will sear your corneas off if you stare directly at it for too long, but the monster makeup is REALLY good! Many thanks to Pedro de Diego (also worked on Beyond Re-Animator and The Machinist), Pedro Rodriguez, and David Ambit (also worked on all four [REC] movies!), who all received top billing in the end credits! And rightfully so! The severed heads weren’t the greatest, but by the many tantacles of Nyarlathotep, the Rosa monster, zombie Antonio, decayed zombie cultists, and maimed Luis designs are something to drool over! The general gore was well done too, so A+ to these gents.

On a completely pointless note, I’d like to bring it to your attention that one of the writers’ names is Hostench. Whatever the proper pronunciation, I read it as “ho stench”. Uggh. I just threw up in my mouth. Wait, maybe his name’s pronounced something like “Raymond Luxury Yacht” or “Throat Warbler Man Grove”. Those wouldn’t be so bad. Unlike this joke, which is no doubt dying for everyone reading it, aside from the two or three who get the Monty Python reference. Oh well. And now for something completely different.

Incidentally, whilst doing the basest of base research on Fantastic Factory’s origin nation, I discovered that Spain’s motto is “Further Beyond”. If Brian Yuzna (or someone who has his ear) should happen to be reading this, “Further Beyond” is an amazing name for a From Beyond sequel. Take the hint!

Before I go, here’s my pair of pennies on the passing of horror icon Wes Craven. The guy gave us The Last House on the Left, The Hills Have Eyes, and A Nightmare on Elm Street. For these I thank him. Hell, I’ll even give him a postmortem high five for Shocker. Unfortunately, he also threw shit like Hills Have Eyes Part II, New Nightmare, Vampire in Brooklyn, and all four fucking Scream movies into our faces. Don’t start me on the fucking door that Scream opened, allowing scads of Hollywood shit show teeny-bopper slasher garbage to ruin the ’90s. I blame Craven for all of those. Of his 40-year career, he spent the last 30 burying the successes of the first 10 with a legacy of mediocrity.

If you read any of The ToA’s original site, my frustration with Craven is well documented. Okay, was well documented before I let it all disappear into the digital ether and La Quinta Hotels bought my domain name out from under me. I’d like to think that the man’s unfortunate passing after a painful feud with brain cancer (that I may or may not have wished upon him back in college, I honestly don’t remember) will bring an end to every horror movie critic publicly sucking his cock, but I’m sure it won’t. Hell, that fucking “Scream” TV show will continue assaulting the proverbial expired equine, so Craven’s influence will continue to be a barb wire chastity cage on me for years to come. Blart.

So, my condolences to his friends and family. But, as far as I’m concerned (which doesn’t matter outside of the context of this website), it’s not really a “loss”. Probably not a popular opinion, but if I cared about people liking me, I would’ve ended this site two months after starting it!

And so, with the sound of a dozen or so “unlikes” now echoing through the internets, I take my leave. Tune in next time (or don’t) when this Fantastic Four reviews thing is also put to rest. Until then, have a drink on me, shoot to thrill, give the dog a bone, shake a leg, and let me put my love into you. Hasta luego, folladoras!

Moral of the Story: No matter how good your blueprints may be, if you build your house out of chicken wire, plastic wrap, and craft paste, the best you can hope for is a pile of garbage that won’t be washed away by the next rainstorm.
Screenshots_____

Call me crazy, but I feel his menace is undercut a bit by his bow tie.


“Holy cow! Is that the Ark of the Covenant they’re opening over there?!”


“Yep. That’s definitely the Ark of the Covenant…”


Give her a Mohawk and a big viking beard and that’s the exact same face I give old Italian women when they try to pass religious pamphlets to me at the thrift store on Sundays.


“I don’t know, Zadok. Maybe catching nothing but human-mutant fish babies for the last few days is a good sign we need to start fishing a different lake.”


Looks like somebody accidentally put Smilex in her coffee this morning!


“Suicide hotline? Yes, it’s me again. Huh? What do you mean ‘just kill yourself already’?!”


“Who wants to give grandma some sugar!?”


“Captain! The other officers are making fun of my diving suit! Make them stop!”


Yikes! Shit like that is why you’re only supposed to use disposable razors ONCE!


“Dear diary, you’ll never guess who I ran into at the Stop ‘N Gulp today – Diane from pottery class!”


Mold can creep up on you when you least expect it! Keep your bathroom safe with Mold Away™!


“I came back from the dead for you, baby, because I love y… wait… you’ve got fake tits?! Fuck. I’ve made a terrible mistake.”


I know it’s easy to get “too into the mood”, but trust me folks: always use a condom! Because even if you think they look clean, you can never know for sure.


“I called dibs on the last brownie, you bastard! Give it back! GIVE IT BACK!”


“You guys gotta have some of these ribs before I eat ’em all! There’s plates and napkins over there. Beers are in the fridge. Help yourself!”


Parents, this is the face of a kid who gets a PlayStation 4 box full of socks and underwear for Christmas. It’s not funny, and if you want to live to see New Year’s, I would definitely recommend against doing so. Fair warning.

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Anubis will return next time in
“Where Monsters Dwell”

Enjoy the review? Hate the review? Have a movie you’d like to see judged in The Tomb? Fill out the feedback form! Never has it been easier to make contact with a deitic being!

 

All materials found within this review are the intellectual properties and opinions of the original writer. The Tomb of Anubis claims no responsibility for the views expressed in this review, but we do lay a copyright claim on it beeyotch, so don’t steal from this shit or we’ll have to go all Farmer Vincent on your silly asses. © October 1st 2013 and beyond, not to be reproduced in any way without the express written consent of the reviewer and The Tomb of Anubis, or pain of a physical and legal nature will follow. Touch not lest ye be touched.

Feature 45 – Pro Wrestlers Vs. Zombies (2014)

or “The Wrestling Dead”

Featuring: Roddy “Hell Comes to Frogtown” Piper , Shane “Divided Loyalties” Douglas , Kurt “Sharknado 2: The Second One” Angle

Director & Writer: Cody “Lucifer’s Unholy Desire” Knotts

Origin: USA

This Episode Personally Approved By: Cody Knotts (Director/Writer)!
“While I wish you would have enjoyed it…I loved reading your review…I laughed and laughed. You have a talent for writing funny reviews (though I would focus less on references to feces..you have a real talent for whit).
Anyways, thanks for the review, even though it wasn’t good.”

Review_____

“Jobbers die, NOT main eventers!”

Did you know that gods have gods? Yep. You know that old adage “Respect your elders”? Same applies to us, hence the term “Elder Gods”. The elderest of gods, Cthulhu, recently blessed me for my Cthulhumas sacrifices by gifting me with the second highest item on my tribute want list: Pro Wrestlers Vs. Zombies. The highest? Same as it always is: 1985 Barbara Crampton. But, like the little girl who asks for a pony every year (looking at you, Demeter), I’m destined to never get the one gift I really want. Oh well, time to get the disappointment out of my system by kicking the tar out of my silver medal!

By the way, as a lifelong pro wrestling geek, I had a few dozen wrestling related jokes to make through this episode. However, I didn’t want to alienate 90% of my audience, so I’ll be making an effort to stick to the general garbage movie defecation commentary you normally get out of me. Consider it your New Years endowment from moi.

Battling Billy (Michael H. Richmond, whose missing credit I actually had to submit to the IMDB cast listing!) is a professional wrestler. Well, given that performing in high school gymnasiums in front of 15-20 people at a time can’t possibly provided him enough money to survive on, “professional” probably isn’t the right word. Let’s just say Billy’s a wrestler. Period. Semantics aside (not to be confused with “semen ticks inside”, which makes my ebony fur stand on end just typing the words), Billy’s ring name is a big fat blumpkin in the realm of grappler monikers. Given that this was written by an obvious wrestling fan, “Bruiser Billy” would’ve been a much better alias. Not just because “Battling Billy” sounds like some kid’s submission to a Masters of the Universe create-a-character contest, but because “Bruiser Billy” would’ve been a decent call back to Bruiser Brody, whose murder is one of wrestling’s most infamous instances. It’s serious “Diagnosis Murder” type shit. Check out the following link to get the story from wrestling industry mainstay “Dirty” Dutch Mantell, who currently goes by the Tea Party conservative parody persona Zeb Colter in WWE.

Brody’s murder aside, wrestlers like to claim that they’re a brotherhood in the locker room, but they’re really just like any other boys’ club: at each other’s throats the minute money or pussy comes into the picture. Such is the case when Billy crosses washed up (actual) professional wrestler Shane “the Franchise” Douglas (playing himself) by dipping his pen in Dougie’s ink…by which I mean Mr. Battling is tossing his hot dog down Shane’s hallway. Well, not his hallway. I mean the upstart’s fucking the old man’s girlfriend, Taya (playing herself)!

Anyway, catching Tay wrapped around the younger man’s waist like a cheap replica championship belt, Shane doesn’t take too well to the scene. Rather than breaking up with her like an adult though, he instead breaks Billy’s neck during their match with a “botched” tombstone piledriver move. Yep, he kills him with a move called a “tombstone”. No room in the budget for subtlety, I’m afraid.

An indeterminate amount of time later (I guess screen subtitling ended up next to subtlety on the budgetary kill floor), Billy’s brother Angus (Ashton Amhurst) hires promoter Cody Knotts (yep, it’s the director playing himself) and his Extreme Rising wrestling promotion to set up an indie show at an abandoned penitentiary. Anus, errr Angus, insists that Douglas and Taya headline the event, then lets Dog Knotts fill in (yeah, as a man-dog I hear dog knots are pretty filling…) the rest of the card with other has-been grapplers like Roddy Piper and Hacksaw Jim Duggan, still active (just barely) guys like Matt Hardy and Kurt Angle, and some never-weres like what’s-his-name, who’s-it, and you know, that guy. Always wore a shirt? Yeah, him. All of which are self-players as well.

Quick time out. Angus’s ear raping Scottish accent would make Scrooge McDuck and Haggis McHaggis weep with disgust. Someone named Scott Miller gets credit for doing said voice, so Amherst didn’t even do his own lines?! What is this, Horror of Party Beach!? Scratch that. Party Beach‘s monsters were more realistic than the zombies we end up with here. They look like they were made up by a buncha brats during “Bring Your Kids to Work Day” at the Savini School. Blart. Anyway, as we were.

Shane’s given a scene with his extended family shortly after, where he indoctrinates his nephew to be a total Franchise mark. It’s supposed to somehow humanize a bloated sack of shit who we already know is responsible for MURDERING another man just because they became Eskimo brothers (look it up). All this interlude managed to do was make me want to slap the Fruit Loops out of the kid’s mouth, but the urge to backhand kids in movies is normal for me. Annoying turds. Once this is over, Shane and Roddy Piper have a scene where we learn that the two are apparently long term buddies, which is fine. My problem with the scene is the mob of children crowded around Piper begging for autographs. It’s not the kids themselves where my problem lies, it’s that nobody under the age of 25 even knows who the fuck Roddy Piper is! Maybe they mistook him for one of the creatures on “Yo Gabba Gabba!”? Sure, slap a kilt on him and replace his head with a bagpipe with huge googly eyes glued to it and I could see this being a thing.

Reunited for the show, Dougie Fresh and Skanky Not-So-Fresh hook up just like old times…which may very well have been anywhere from a few days ago to a few years. Again, it’s not clear how long it’s been since Billy got broke. Meanwhile, Piper makes friendly with a woman named Sarah (Adrienne Fischer), who’s just been hired as the new Extreme Rising head of marketing. Her whole hook for getting hired is that she promises Snotts (who spends their entire meeting feeling her up like he was that creepy uncle that isn’t invited to family gatherings) that she can make their little wrestling organization the biggest in the world…no. In a movie about zombies fighting men in tights, THAT statement is the most unrealistic thing in these entire 90 minutes. Suspending disbelief is one thing, but that’s the kind of crap that requires utter expulsion of your disbelief into the vacuum of deep space. I’ll let the Iron Sheik express my thoughts further on this one:


Thanks, Adnan!

In a weird bit of idiocy, when the wrestlers’ bus arrives at the prison (nobody can afford their own cars, it seems), they’re randomly offered a chance to “challenge the gods” and “achieve their destiny” by doing combat “in the arena”. Are they performing in an abandoned prison or at Medieval Times?! Before they’re allowed off the bus though, they’re ordered to hand over their cell phones. Horror movie much? Well, that addresses why no one will be able to call for help later when they’re chin deep in living dead. Stupidly addresses, but addresses none the less. No sooner do our faces (wrestling terminology for good guys) get inside, then they’re confronted by Angus’s personal horde of necromanced undead heels (wrestling’s bad guys) and the movie finally lives up to its title. Well, it only took half an hour to get there, so my “finally” may have been a tad unnecessary. Wait a sec. Now that the zombie rampage has already started, what the fuck are they gonna spend the next hour on?! Uh-oh…

Yep, that’s it. The final 2/3 of the movie is really just a series of sequences wherein hordes of zombified extras chase the wrestlers and other cast members, killing them one-by-one, then moving onto the next. Do I look like a shitter? Because I shit you not. The script has to be about 10 pages long. Well, at least they give what they advertise, so that’s something, right? It’s like going into a place called “Ruptured Balls” and not expecting to get your testicles destroyed. They never said it was going to be enjoyable, they just advertised ruptured balls. Just like nobody advertised an enjoyable movie, just one where pro wrestlers go up against zombies. Hey, at least I can admit when my suffering is my own fault!

Sure, at one point Tying Knotts tries to write in that touching zombie movie staple where one of the survivors has to kill his best friend-turned-living dead a la Pete and Rog in Dawn of the Dead. The Romero one, you animals! But given how little time the movie actually dedicates to trying to make us give a shit about any of the cast on a personal level, NO time was spent showing us ANY connection between the two characters in question! Come on, guys. You invite us over to your place for a party, tell us it was a ruse to get us to help you move out of your 5th floor walk-up when we get there, then expect us to do all of the heavy lifting?! Fuck your couch. This is me throwing it through your big stupid picture window. Good luck getting your security deposit back!…and explaining to the cops how your couch ended up smashing your neighbor’s Lexus. I’m out!

Okay, I’m not out. I’ve still got pissing to piss, moaning to moan and bitching to bitch. While I’m on the topic of failed attempts to connect with the audience on a deeper level, there are a few more that shit the bed just as bad. Think Spud’s big brown breakfast in Trainspotting. These emotional moments resonate about as well as farts muffled by a pillow. Even the “will they die or won’t they?” scenes of manufactured tension end up as botched spots (wrestling lingo for failed moves). You know who’s gonna see the end credits and who’s just gonna wind up as the “meat” in an Arby’s pulled pork. Best example? At one point, Sarah’s overcome by a mob of grabby handed ghouls and struggles on the ground for several minutes as they paw at her. She eventually manages to escape without a scratch though because, surprise surprise, she’s scripted to have a future that doesn’t involve being fast food. Oh yeah, spoiler. Oops. Meh, you’ll get over it.

Speaking of pulled pork, whatever the effects guys spent on their “severed legs and torso” prop, they definitely got their money’s worth. Not based on the quality, mind you, just the number of scenes they use the stupid thing in. Remember that amazing scene where the asshole militant guy in Day of the Dead is torn in half while screaming “CHOKE ON IT!”? It was one of the movie’s greatest moments between his defiant death screams, the graphic realistic violence of the effects work and the fact that PEOPLE WEREN’T BEING TORN IN HALF EVERY 10 MINUTES. Sadly, the blood and gore is what you’d expect from a movie whose budget went to hiring out-of-work ex-wrestlers as its stars. It’s a whole bunch of red kero syrup and the occasional prop internal organs. Real effects zombie makeup and gore are an art. As stated prior, here it’s a shart. Multiple sharts, actually. Unrelenting, left and right, up and down, sharts. If it were to be named after a wrestling company, it’d be TNA: Total Nonstop Assblasters. Shhhhhhhhhhhhhhhhhharts!

SHARTS

Speaking of pulled pork…I mean, speaking of sharts, how about that soundtrack?! The music is generic half-assed metal that brings to mind a garage band trying to emulate Monster Magnet. Then there’s the ear bleeding bagpipe thrash shit. Holy Lucky Charms in a Guinness, Dropkick Murphys it ain’t. On top of that, of all the covers I’ve heard of “Amazing Grace” in my eons, this movie’s end credits easily has the worst. Worse even than when Mike Tyson did it on that clip from the Arsenio Hall Show that never aired. While my ears are still bleeding, let me call out the audio mixing here too, because it’s TERRIBLE! A lot of the lines sound like they were re-dubbed in post, while the music just explodes in your ears at random at a few decibels higher than the dialog. I shouldn’t have to have my stereo remote within talon’s reach when I’m watching a movie to keep the old lady in the tomb downstairs from banging on the ceiling with her broom.

Despite the few exceptions, there’s a general rule in the wrestling business that actors shouldn’t cut wrestling promos and wrestlers shouldn’t act. PWVZ reminds us why that is. Even if this dialogue weren’t…damn it. It’s hard to come up with a dozen different synonyms for feces. It’s just bad, okay? I don’t know how much of it is written and how much, if any, is ad-libbed by the performers, but it’s awful. Anyway, the acting. Mercifully, at least most of the wrestlers only have a few short lines before they’re killed off. The majority of the work comes from Piper and Douglas. At least Douglas lives up to his infamously self-serving real-life personality by fucking everybody else over left and right, letting other people take the fall for his bullshit, and trying to set himself up as the big hero. Not sure if the guy was acting or just being followed with a camera. Very convincing. Fuck you “Dean”.

Then there’s Piper. It’s so depressing to think that Roddy went from They Live to this. Or hell, from Hell Comes to Frogtown to this! The cantankerous Canadian who made his career pretending to be a scandalous Scot (didja enjoy the mind blowing I just put on your brain?) has been through a lot in recent years, beating cancer (as did Hacksaw!) and making appearances on “It’s Always Sunny in Philadelphia”, but the guy’s lost a few steps. It’s a little too hard to believe someone who can barely walk (damn hip surgery…and age) fending off waves of the ravenous dead just because he’s the best actor on the call sheet. Then again, he does have the uncanny and possibly mystical ability to pull a crowbar out of thin air to plant into a ghoul’s head when the need arrives for one scene, so maybe that’s reason enough he would be able to survive. Wish I could pull that trick right now and put it through my computer screen!

Before I finish off this episode and wipe its residual remnants off of me with a moist towelette, I wanted to point out that Piper calls Angus a “red-headed stepchild Danny Bonaduche fuckin’ throwback red-headed Carrot Top fuck him reason for legal fuckin’ abortions”. It might be amazing, it might be awful, but whatever it is, there it is. He also declares that Angus is just an “All-American bully”, then proclaims his intentions to thrash him for being as such, despite Piper establishing his entire career on being a bully bad guy character who kicked Cyndi Lauper across a wrestling ring and smashed a coconut over Jimmy Snuka’s face before whipping him with a belt. Such is the inherent hypocrisy of the face turn (what it’s called when a bad guy becomes a good guy).

So Pro Wrestlers Vs. Zombies, a movie I anticipated for the better part of a year. It sucked on toes worse than even I had feared it would. Yet Troma still picked it up for distribution, when it couldn’t hang with Troma originals on their worst days. Hell, Troma’s trailer is better than the movie just by tacking Toxie’s face onto it and making a title card that DOESN’T feel like the Great Muta spewed green mist into my eyes while looking at it. For your perusal:

In closing, I’d like to play a round of The Dozens, strictly for my fellow industry nerds on the wrestling memes boards. The rest of you can skip ahead to the screen cap-caps (captures and captions).

And…go! This movie’s so bad, Kevin Nash tore his quad while watching it! It’s so bad, if it had double d titties, even Dean Ambrose wouldn’t wanna master ’em! It’s so bad, it made Rob Van Dam stop smoking weed and made CM Punk start! It’s so bad, it made Shawn Michaels an atheist! It’s so bad, it doesn’t even need Triple H to bury it, cuz it buries ITSELF! It’s so bad, it must’ve been written by Vince Russo and directed by Eric Bischoff! It’s so bad, it botches more in 90 minutes than Sin Cara did in all of 2013! It’s so bad, it made Terry Funk retire FOR GOOD! It’s so bad, it made Jake Roberts AND Scott (Scotch) Hall relapse! It’s so bad, even Dolph Ziggler won’t sell for it! It’s so bad, it makes The Dead Hate the Living look strong!.. but does nothing for Roman Reigns. Fuck you, Reigns. Your new outfit looks like some shitty Tron cosplay that you couldn’t get to light up. Your “Superman Punch” is a twat move.

Moral of the Story: Pittsburghers know how to kill the undead…though “Pittsburghers” sounds like a burger franchise mascoted by a filthy diner cook with pit cheese (complete with pet flies) who squishes the meat into patty form under his arms…pardon me, I need to pay a visit to Thunderbucket now.

Screenshots_____

Unless you’re a celebrity, a politician, or just rich. Then you can kill people wherever you want.


Looks like somebody just discovered Photoshop’s font options.


Grown men (well, adult men) dangerously throwing each other around for the entertainment of a dozen or so strangers in a gymnasium. Living the dream.


Tea bagging an unconscious guy while flipping everybody in the audience the bird? I see Sammy Hagar’s finished “quality testing” his latest batch of Cabo Wabo.


Your writer-director, ladies and gentlemen of the audience. Just as shabbily thrown together as his movie.


“Taz Jaguar”? Is that your father’s name, or did you take your mother’s maiden name after the divorce?


Black Mass Ceremonial Parkas (white only): just $4.99 this week, only at KMart!


“Forget it, kid. You might as well call me Hulk Hogan because I don’t put ANYBODY over!”


Extreme Rising corporate headquarters. Except on weekends, when it’s the gift shop for the historical reenactment village they rent the space from.


“Come on, Roddy. This guy says he wants to Kickstart a Frogtown reboot and he wants us to star! This could be my big break! I mean, OUR big break!”


To hell with expensive CGI effects. Just paint him green and Kurt Angle could star in the next Teenage Mutant Ninja Turtles movie!


Bet Dennis Rodman wishes he would’ve stay in North Korea.


Apparently these zombies don’t crave brains. They just want to sink their teeth into man asses packed into shiny gold trunks like big ol’ Hershey Kisses.


“Stronger Than Death”? Fuck you, Matt Hardy. We’ll see who’s stronger this Sunday in our steel cage showdown!


“With a name like Smuckers, our zombies HAVE to be good!”


“God damn it, Shane! You are NOT going to die owning me fifty bucks! Gimme my damn money, you asshole!”


Roddy Piper reflects on his movie career decisions and wonders if maybe he’s finally fallen to the point that he should’ve just let the cancer take him.


“You don’t need to spend ten grand on a facelift, baby. I’ll just pull back your face like this, slap on a little rubber cement, and you’ll look ten years younger!”


“Shhhh! Don’t let any of the other guys here you say wrestling’s fake or they’ll piledrive your head into your lungs! It’s a very sensitive subject!”


Looks like somebody wandered away from the Nightmare City set.


And this guy used to be the NWA World Heavyweight Champion.


Bet Roddy REALLY wishes he’d left the house in his kilt today, rather than suffer the undead wedgie of doom!

———————————————————
———————————————————

Anubis will return next time in
“Radio Ga Ga, Eh?”

Enjoy the review? Hate the review? Have a movie you’d like to see judged in The Tomb? Fill out the feedback form! Never has it been easier to make contact with a deitic being!

All materials found within this review are the intellectual properties and opinions of the original writer. The Tomb of Anubis claims no responsibility for the views expressed in this review, but we do lay a copyright claim on it beeyotch, so don’t steal from this shit or we’ll have to go all Farmer Vincent on your silly asses. © October 1st 2013 and beyond, not to be reproduced in any way without the express written consent of the reviewer and The Tomb of Anubis, or pain of a physical and legal nature will follow. Touch not lest ye be touched.

Feature 09 – 1313: Bigfoot Island (2012)

or “Poppin’ a ‘Squatch”

poop

Featuring:  Kathryn “Hanna’s Gold” Collins … and a bunch of shirtless boys.

Director:  David “Creepozoids” DeCoteau

Writers:  David “Creepozoids” DeCoteau  &  Charlie “Badass Showdown” Meadows

Origin:  Canada

Review_____

“I promise we’ll have a nice boring time.”

So ends The Tomb of Anubis’s first (of many?) “Turkey Day Month”. In the tried and true traditions and tribulations of the Satellite of Love, Deep 13, and the Gizmonics Institute, I’ve subjected myself to crap from both ends of the shit spectrum – brain peelingly pathetic (Rise of the Zombies) and sensory numbingly bland (A Haunted House). As such, it’s only fitting that my final feature should sup liberally from both buffets of misery, being both boring and awful. Bawful, if you will. Mourn not for me, my friends. Mourn instead for Canada, from whom’s womb this “barely qualifies for a movie” movie was brought into the world with zero fanfare and infinite apathy. Canada. Dear, sweet, Canada. First, I curse you by making Monster Brawl my first review representative of your land here in the new Tomb. Then, rather than make it up to you by reviewing something face meltingly amazing, I just end up insulting you once again with 1313: Bigfoot Island. In front of your friends and family. On Thanksgiving. Our Thanksgiving, not yours. Yours doesn’t count. Like most Canadian things. I’m sorry. I am SO sorry! I didn’t plan for it to happen like this! I’d never want it to happen this way, it just did! It’s not you, it’s me! Here, just let me do this review and I promise to sign the divorce papers…

David DeCoteau, the co-writer/director for today’s affair, used to do a lot of mercenary work for Charles Band, dating all the way back to the pre-Full Moon days of Empire Pictures. For anyone who doesn’t know what that means, Band was the Roger Corman of the ’90s, and Full Moon was the banner under which he cast his dark arts, with Empire being his stepping stone to his later, greater infamy. For anyone who doesn’t know who Roger Corman is, go read a fucking book… just make sure it’s about Roger Corman, cuz just reading a random book isn’t gonna do shit for filling in the Roger Corman portion of your personal bad movie lexicon. Speaking of Corman, he actually gave Dave his start in the artistry of less-than-fine films by hiring a barely legal DeCoteau as a production assistant at New World Pictures in 1980. Eventually he would go on to fame and acclaim obscurity by directing a dozen or so pornos (mostly gay… so I’m told) that he shot from ’85 to ’87, starting with New Wave Hustlers and ending with Little Miss Innocence, under the aliases of two Davids – Doe and McCabe. In ’86, producer Charles Band let him direct a crazy movie called Dreamaniac, aboot (ya hosers) a heavy metal musician who feeds his groupies to a succubus in exchange for success. This led to further Band collaborations like Creepozoids, Sorority Babes in the Slimeball Bowl-O-Rama, and Puppet Master III: Toulon’s Revenge, which DeCoteau was given, quoting his own words, “by default since I was in Romania and available to shoot.” PM3 is easily my favorite installment of the series, so even in the wake of something like Bigfoot Island, Double D will always have a special pedestal in my personal bad movie love shack. Speaking of love shacks…

1313: Bigfoot Island takes place on an island. Mind blowing, right? On this island is… a Bigfoot? Why, yes there is! Very insightful of you. Truly you are the Chosen One the legends have spoken of since time immemorial. I like big butts and I cannot lie. Anyway, aside from the skunk ape, this island also has a cabin, hence that “love shacks” thing 4 or 5 sentences ago. My sorries for the delay in segue. About that cabin, it’s the annual hangout for a posse of strapping young lads who like to have a “boys weekend” every summer. We’ll just call ’em Bruce, Lance, Fabian, Kyle, Troy, and Twinky for posterity, though neither of them will be mentioned by name for the rest of the review anyway, so who gives a fuck. They’re all physically fit college kids in the prime of their lives, but all six suffer from an apparent allergy to shirts. They probably met in a related support group or something. Like Never Nudes, only the opposite. Like… Never Tops. Anyway. the gents interact with each other through a series of brief phone calls that drop hints about how things at their last annual get together “got out-of-hand”, and refer to a girl who may or may not have “gotten what she deserved”. Danielle is our “deserver” in question, and whatever it is that she “got” (I’m going to assume it was rape… though one boy’s flashbacks indicate sugar to be a possible “got”), she looks to be ready to repay the lads in the form of a murderous spirit of vengeance she summons from the forest. Think less “flaming headed Ghost Rider” spirit of vengeance though, and more “guy in the worst rubber faced Sasquatch costume since The Alien Factor” spirit of vengeance. Give me $10 and 20 minutes at the nearest Salvation Army store, and I’ll give you something way better. I’ll give you something to cure your grandma’s constipation!… and probably give her catastrophic heart failure… make sure her will’s in order… and try to have her leave me something nice too… it only seems fair.

By the way, that last paragraph? Yeah, that’s the entire story. Sadder still? If I hadn’t filled that paragraph with inane sentences of bullshit that had nothing to do with the movie itself, it wouldn’t even have qualified as a paragraph. Though it runs a full 75 minutes (and feels like 175), the script couldn’t be more than a page and a half. There’s EXACTLY how it plays out for 5 of the 6 boys – each shows up on the island separate from the others (neither of which is carrying any luggage for this weekend getaway…), calls one of the others to let them know they’ve arrived, then makes his way to the cabin. Rather than hang out and wait for the others, they each go for a walk/run through the local scenery (except for one, who makes sure to take a shower first, cuz, you know, showers) until they’re eventually chased down and killed by our titular beast of excessive shoe girth. At some point during the “stalk, chase, kill” sequence, Danielle has a weird blue-hued “angelic molester” flashback about the boy where he says something vaguely rapey during a close up like “Look at her. She totally wants it.” or “I’m going to forcibly enter your vaginal cavity with my penis against your will, and will not stop despite your efforts to deter me.” Copy and paste that scenario several times, and that’s enough to qualify as a movie to some people. If David DeCoteau can do that, I should just copy and paste “This movie is a piece of shit and everyone involved needs their testicles tased” a few dozen times and let that be the end of it. However, unlike DeCoteau, I appreciate whatever audience I can get and will actually make an effort to entertain you by continuing to review!… and to whoever said “What are you gonna do, END THE REVIEW NOW?!” in a heckling effort, remember two things – you don’t have to keep reading if you don’t want to, and yes, I can hear everything you’re saying because I’ve filled your home with cameras so I can stalk your every action. Also, I’ve been jerking off in your orange juice when you leave the house. Every time you leave the house. How does it feel to have me swimming inside you, (Your Name Here)?

I know the old adage of movie makers is that “even the cheapest, crappiest horror movie will make a profit based on the sole distinction that it’s a horror movie”, but… for fuck’s sake! This is barely enough material for a shitty short film, let alone this fugly feature lengther! There’s so little dialog and story that explaining how this movie needed TWO writers requires a level of homological algebra (real thing, not a gay joke… well, not JUST a gay joke) that would make Einstein’s asshole clench, so don’t waste your time. I’m only a theoretical physicist myself… theoretically. Whatever your field of mathematical prowess, “Charlie Meadows” is probably just another DeCoteau alias and he’s using this whole “co-writer” bullshit as some sneaky tax dodge. Don’t ask me how it works, I’m a Death God and a self-worshipper. I’m my own religion, so I’ve been tax exempt since before taxes were a thing.

You know what’s REALLY weird about this movie? Beyond the half naked barely legal boy toys and shabby piles of peed-on rugs someone found at the dump and thought would make a menacing, bloodthirsty bigfoot? Other than the final scene, where Cute Boy #6 is confronted by Danielle, NONE of the actors are ever filmed together! Could it be a subtle commentary on how technology has isolated us from each other in this age where everybody has a cell phone and social media has allowed us to connect with people across the world, yet simultaneously causes us to shutter ourselves in our homes away from actual society? I’m more inclined to believe it’s because DeCoteau wanted their scenes shot in no more than an afternoon, and the lads all had separate lunch breaks from their jobs at the local Buy & Bag… which probably makes 97% of their revenue from middle-aged women. Their prices are a bit higher, but the “service” can’t be beat! I hear they do home deliveries now too, wink wink.

Anyway, even when “the spirit of the forest” enacts his deadly penance upon the perpetrators, NOBODY APPEARS ON CAMERA TOGETHER! Was DeCoteau going for a “less is more” method, where the audience fills in the deaths with their own gruesome imaginations, or was he just worried that the kids would ruin their scenes by laughing uncontrollably upon finally seeing what the movie’s antagonist turns out to be!? You couldn’t really blame them if they did. I mean, George Clooney, seasoned veteran of Return of the Killer Tomatoes he may be, would have a hard time keeping a straight face if a guy dressed in the mangled remnants of a shag carpet from some ’70s swinger couple’s “social room” got in his face, reeking of spilled beers, cigarette burns, and cum stains past, staring at him through the eye-holes of the rubber dollar store monster mask hot glued to said shag… can you imagine the smell of that filthy forty year-old carpet burned with hot glue? Like, really cheap, nasty hot glue whose overpowering chemical odor you can smell from across the street and will still be stinking up your clothes long after you donate them to the homeless shelter ten years from now following an attic clean up.

The thought alone makes my Thanksgiving dinner wanna refute its marching orders and beat a hasty retreat. I feel the pumpkin pie making a violent escape through Esophageal Ridge as I type this. Let’s save me the trouble of mopped mashed potatoes and barf off of my bathroom floor and stop talking about it.

Now to address the big shirtless elephant in the room – is this movie geared toward a gay audience? The initial reaction to the DVD cover (the cast sans chestal coverings) from most people I’ve mentioned it to has been “Is this gay softcore?”. Unafraid of the homoerotic (I lived in NYC for a decade and I’ve seen Rocky Horror Picture Show enough times to explode Rush Limbaugh’s fat bigoted hate demon skull), I too expected it to be a big gay monster orgy, and was actually very surprised that the guys are all (at least portrayed as) heteros. Hetero rapists, granted, but heteros none-the-less. There also aren’t any dicks flopping around, which leaves this as a very PG-13 production. As such, this definitely isn’t a gay movie, but I think it’s definitely a bait flick. By not showing these youngbloods as anything other than attractive shirtless dudes (who, again, MAY have gang raped a girl), the movie appeals to not only a gay audience, but also the female demographic, ranging from young girls looking for “safe skin”, all the way up to mothers and grannies looking to slap their squishies to a bevy of virile lads without a full-on dick display. DeCoteau’s seemingly gotten into the market for male cheesecake, capitalizing on garbage like Twilight and “the Cougar Movement” while the horror flicks he’s made his career on now taking a distant backseat. It’s like those “Divas” videos that WWF did back in the ’90s – a professional wrestling company releasing videotapes of women in bikinis cavorting in exotic locales that have nothing to do with professional wrestling beyond said bikini models appearing in wrestling rings when they’re not posing for calenders and more bikini videos. And that’s the best possible analogy for Bigfoot Island: it’s young male models running around without shirts with brief moments of Sasquatch murder happening between scenes of more young male models running around without shirts on and pretending to act. Technically there’s little bits of horror in this stew, but you need to wade through a lot of okra and spoiled cauliflower to find any of it. And when you do, it’s never satisfying enough to warrant all the shit you had to eat to get there.

Finally, I have no idea what the “1313” comes from in the title beyond it being the name for DeCoteau’s series of similarly themed “shirtless guys” movies. It could be some obscure gay code, it could be the numerical equivalent of “BB”, which could stand for any numbers of things (I’m guessing “Boys” or “Beefcakes” or “Buttsex” being one of them). Whatever the case, I don’t have the fucking slightest. I tried to find ANY reference to its definition and/or roots on the internet, and came up with nothing. NOTHING. Even the production company’s website makes no attempt at explaining the significance. In a world where every shred of information and every embarrassment anyone has ever committed ever is forever etched in a universe of digital granite, you either need to generate an Absolute Zero level of interest from the rest of the world,  be an international spy of the 007 caliber to keep your shit out of the worldwide wasteland, or make a weekly sacrifice of a dozen chickens and goat to the Elder Gods to have them wipe your sins clean… every Tuesday night at 9… followed by a brand new “Herman’s Head” at 9:30! Did you know “Herman’s Head” aired the first television advertisement for condoms in the US? There, you’ve now learned something from this review whether you wanted to or not. I get to retain my teaching license for another year. Time to go file for some educational grants while you go choke your giblets or something. Later, taters!

Moral of the Story:  Does anybody else find it odd that Mother Nature’s tool of revenge is made entirely of synthetic materials?

 
Screenshots_____
I looked all over the internet (well, 3 sites that I trust) for a Bigfoot Island torrent I could take screen shots from and came up empty taloned. And I sure as shit wasn’t going to spend $5 on a DVD from Wal*Shart just to take pics… though I would’ve worn a hidden camera just to get the register jockey’s reaction once they looked at the DVD cover. Anyway, not wanting to come into your home with nothing to offer, I instead present you with the following trailer. If you still have any interest in seeing 1313: Bigfoot Island after seeing it, hammer a few nails through your nipples and send me the pictures.

 

Anubis will return next time in
“Walk Like Aman, Talk Like Aman, Kill Like Aman”

Enjoy the review? Hate the review? Have a movie you’d like to see judged in The Tomb? Fill out the feedback form! Never has it been easier to make contact with a deitic being!

All materials found within this review are the intellectual properties and opinions of the original writer. The Tomb of Anubis claims no responsibility for the views expressed in this review, but we do lay a copyright claim on it beeyotch, so don’t steal from this shit or we’ll have to go all Farmer Vincent on your silly asses. © October 1st 2013 and beyond, not to be reproduced in any way without the express written consent of the reviewer and The Tomb of Anubis, or pain of a physical and legal nature will follow. Touch not lest ye be touched.