Featuring: Manu “Arrow” Bennett , Marci “Days of Our Lives” Miller , Malcolm “A Clockwork Orange” McDowell
Director: GJ “Virtually Heroes” Echternkamp
Writers: GJ “Frank and Cindy” Echternkamp & Matt “Virtually Heroes” Yamashita
Remake of:Death Race 2000
Also Known As:Roger Corman’s Death Race 2050
“Your review of Death Race 2050 was one of the funniest things I’ve ever read… thanks for making my night!”
So,we’re only two weeks into the new year and already David Blaine has shot himself in the mouth and Martin “Shcrotin” Shkreli has gotten a face full of doggy dung. Don’t do it, 2017. Don’t tease me like this. After all the bullshit that 2016 pulled, you’re gonna have to give me a LOT more than this to wash off the stink of your predecessor’s legacy! Now, if you were to have Blaine and Criss Angel kill each other off in some form of magician blood feud a la The Prestige and have Shkreli choke to death on a log of piping hot canine crap straight from the pooch’s poop chute, you’d score a fair bucket of cred with both myself and many others. But you’re on super double secret probation until at least mid-April, so keep your nose clean.
Speaking of 2016, despite the murder spree we all witnessed over the length of the last calendar, you know who survived the celebrity serial killer year-that-was? Roger Corman! The spiritual successor of Ed Wood hasn’t directed a flick in over 25 years, but that sure as shit hasn’t stopped the master of the minuscule budget from keeping the bad movie spawning beds bubbling atop his “Producer” chair throne. Much as my opinion of the man’s work ebbs and flows with the shifting of the sands, I will not deny that Cor-Man is the friggin’ Jack LaLanne of schlock. My all time favorite of his features? Without hesitation – Death Race 2000.
If you don’t know that which DR2K is about, it better be because you’re younger than the carton of cottage cheese long thought lost in the dark recesses of my fridge. Why haven’t I thrown it out yet? By the time I found it, I was too afraid to open it, let alone lay my hands upon it. Know what’s in there? Me neither. Let’s keep it that way. Back on topic, DR2K is a 1975 flick that plays like a live-action “Speed Racer” cartoon if it came with an ‘R’ rating and revolved around turning pedestrians into street meat. It was Cannonball Run meets Rollerball. So it was Rollerball Run, I guess. Also, it was already remade in 2008 as just Death Race, as some kind of edgy gay prison sex action-drama art house film starring Jason Statham and Tyrese Gibson also executive produced by Roger Corman. It had two sequels, with a third currently in production as of this review. Samuel L. Jackson that’s a lot of spin-offs for a movie that’s never had an actual sequel! Good on Mr. HardCorman for beating every last cent out of that dead horse. At least it’s his own and he’s not just Michael Bay-ing off of someone else’s work. Speaking of deceased equines, let’s saddle up this thoroughbred and see if it’s riding majestically into the sunset or shuffling off to the Elmer’s plant.
Oh yeah, so (not my) president Pissler and his turd reich are on their way into the White House soon, and though I had another movie in mind to mark the end of civilization as we know it, DR2050 dropped itself face first into my lap instead, and the timing was just too perfect not to unzip. As such, if you were shivering with antici………..pation for this as much as I was, well, urine luck!
For those who have already seen Death Race 2000, you can pretty much Choose Your Own Adventure the next few paragraphs and turn to “Page 32”. For those new to the game, continue on to “Page 7”.
30 or so years in the future, the USA is a much different landscape. Well, it’ll probably be like looking in a mirror 4 or so years in the future from where we are now, but let’s all try to escape reality for a few minutes together and focus on the flick. Corporations have hijacked the land of milk and honey and turned it into Occupy Wall Street’s worst night terror, going so overboard as to rename the nation The United Corporations of America. This “re-branding” includes the replacement of the stars on the flag with dollar signs. Like the most constipated man in history would say, I shit you not. The states have been divided among the most elite of the 1% and also re-branded with new monikers to reflect their new owners, and in some cases strip mined of every available resource straight into hellholes that only extras from a Mad Max movie would be fit to survive in. Sitting atop this smoldering shit heap is the Chairman (Malcolm McDowell), whose goofy haircut, bold faced lies and constant disregard for the welfare of his citizens in favor of bilking every last cent out of their pockets make him an obvious parody of a certain baby-handed megalomaniac obsessed with swimming in gold, and I don’t mean the way Scrooge McDuck does.
With the advancement of medical technology, mankind has managed to eliminate life-threatening diseases like cancer, while also giving the people an Extended Play in the game of life, with most living into the triple digits like it’s no big deal. The resultant unexpected population explosion (remember, guys like the Chairman don’t listen to any science that doesn’t bump up their profit margin) left the nation with an immediate need to relocate their excess citizenry. But, since the UCA grabbed the other nations of the world by their pussies with nuclear rape hands, the remainder of the planet’s kinda unlivable. Hence, violent competitions were established where the participants murder the peasantry en masse for the entertainment of said peasantry smart enough to stay home and watch instead. On that note, cue the theme music as we present you with Death Race: a cross-country rally style automotive conflict whose drivers (and their navigators/co-pilots) do their damnedest to turn every person along the path into meat bag versions of the Incredible Crash Dummies. You know, the characters from that weird ’90s cartoon/toy line, not that weird ’90s band/reason I uncontrollably punch people who hum as hard as I can in the face… with a knife.
Not everybody in the UCA is down with an entertainment industry based on a “re-envisioning” of the Roman Colosseum days. Said like-minded individuals have become a like-minded institution of rebels working toward the common goal of “waking up the sheeple” (I hate young people) and uniting the common folk against their corporate oppressors. How? By stopping the Death Race! How? By killing the drivers! These inept understudies from an off-Broadway musical version of Beyond Thunderdome are lead by an ex government Head of Programming-turned-revolutionary hard-ass named Alexis, who’s played by the former starlet of TNT’s ”Witchblade” TV series – Yancy Butler! Oh, nobody remembers ”Witchblade”? Well, fist my ass.
NOT WITH THAT!
And now, your Death Race racer roster!
Frankenstein (Manu Bennett) – Dressed up like a leather daddy wearing a lava golem mask that may or may not be made from re-purposed tire rubber, this four time winner of Death Races past is a manly man budget version of Tom Hardy and the franchise hero of the coast-to-coast abattoir. Bearing the title of Mary Shelley’s most memorable monster (Victor, not his patchwork zombie “son”), he’s survived his fair share of fender benders thanks to the advanced cyber-prosthesis that have left him a mechanical man. Query: though this explains the Frankenstein name, was his name always Frankenstein, even before he became a walking quilt of flesh and circuitry? Enquiring minds are mildly curious! His co-pilot Annie (Marci Miller) is our main man’s mandatory love interest, so try not to be surprised when their elementary school playground name calling and verbal sparring turns into a begrudging union of souls. Finally, am I the only one who looks at Frankie’s car and can’t stop seeing the TMNT Footski toy?
Jed Perfectus (Burt Grinstead) – The self-proclaimed apex of manliness and a nonstop testosterone factory, Perfectus is the test tube baby byproduct of a genetic engineering experiment tasked with making the ultimate male. He’s determined to defeat Frankenstein (to the point of obsession) and prove himself the new hero that the Death Race fans deserve. A blond-haired, blue-eyed Aryan asshole, this personification of the Übermensch would have Hitler creaming his pants so hard you’d think he’d just poured bottles of Coffee-Mate down both pockets. All that aggressive man juice pumping through his brain makes Jed a bit of a psycho though, so when he strips down to his golden Rocky Horror skivvies and his mole-covered pecs get to flexing, prepare for some of the old ultra-violence. Though the gay jokes are frequent and expected, in spite of them, Jed’s fractured mental state is actually an interesting study in the dangers of toxic masculinity. Unlike the prior picture’s antagonist, Machine Gun Joe, Jed opts for a spear gun over a Tommy Gun. Given the whole “insecure man” angle, I’m sure that’s not just a Freudian slip on the peel of a Freudian banana. Wakka wakka!
Tammy (Anessa Ramsey) – Also known by the nom de carnage of “Tammy the Terrorist”, I’m pretty sure this mid-western religious nut heralded by the stink of brimstone and burnt rubber is named after the infamous Tammy Faye-Bakker. Then again, her lack of comically heavy makeup could indicate otherwise. Whatever the case, Tammy here bears no small resemblance to an out-of-work Jaime Pressly. She’s dressed to the nines in her eye-blisteringly “’MERICA!” outfit that approximates a grown-up version of something you’d see at one of those creepy Dallas prostitot beauty pageants that I’m pretty sure are just massive bait traps for pedophiles. Her white trash Barbarella fashion senselessness aside, Tammy’s defining trait is that she’s the leader of a religious extremist group (i.e. suicide bombers) who worship dead celebrities from the past, so expect numerous name drops along the lines of James Dean, David Bowie, Elvis Presley and Dwayne “The Rock” Johnson. In case it wasn’t blatant enough for you (or you just weren’t paying attention), she represents the ridiculous forms that celebrity worship can take and the dangers that faith can lead to in the wrong hands.
Minerva Jefferson (Folake Olowofoyeku) – The obvious foil for Miss Tammy, Minerva is a hard-nosed hip hop harlot draped in bad girl bling who’s made a career out of calling for the killing of white people. Not “Whitey” or “The Man” in particular, mind you, but Caucasians as a whole. And no, not Caucasian ass-a-holes specifically, hyuk hyuk. Though I’m a member of the “rap is crap” mentality, as a self-hating honky I probably relate more to Minerva’s motivations than any of the other drivers’. Her car (the Whitey Whacker) has a pair of external speakers that are supposedly so loud they can make peoples’ heads explode, but I’m not sure that’s how sound waves work. Minerva’s latest hit single is in honor of her enrollment in the competition and it’s no surprise that it’s just her chanting “Drive! Drive! Kill! Kill!” to a generic backing track. It’s all a flagrant rip-off of a Homer Is B.I.G. track, anyway.
ABE (voiced by D.C. Douglas) – The fifth and final perforator of pedestrian entrails in this endeavor is even less human than Jed! That’s because this driver is actually the K.I.T.T. of the movie, minus Mr. Feeny’s voice or Mitch Buchannon’s ass in its face. The AI’s creator/co-pilot/girlfriend is Dr. Von
Creamer (Helen Loris)… wait… “girlfriend”? Yep. Though we’re given no background on the self-driving murder machine’s origins, going by Creamy’s frequent usage of its passenger pleasure functions, I’m gonna go with the safe bet that the doctor’s obsession with creating the ultimate vibrator got so out-of-hand that she couldn’t keep it a secret from whoever supplied her research grant, so she just said it was a Death Race car and ended up here. Interestingly enough, ABE (the meaning of whose acronym is also ignored) presents us with the ages old “What’s the meaning of life?” query as applied to an AI. Curiouser and curiouser.
And that’s as deep as I’m gonna delve into this gumball rally of gore. For returning audiences wondering where the flick’s endgame lies, it’s both familiar and new. Not soul crushingly new like New Coke, but more “better than we feared” new like the New Mutants. Also, no, that certain beloved pun-based explosive device (you know the one) does not make a return, despite it fitting this flicks goofy-as-fuck tone. A tad sad, but that’s just the way it is. At least we got this guy, so it’s not like we’re left empty handed!
Find someone who loves you the way this guy loves his giant fiberglass wiener.
So there you have it – Death Race 2050. I’m not gonna lie to you (or am I?), but upon my first viewing of it, I was the kid on Cthulhumas morning who was anticipating a severed head awaiting me under the burning tree of madness, only to find a basket of graphically soiled hobo underwear instead. I was hoping for a movie more akin to Death Race 2000 – a lower budget think piece disguised as a campy celebration of the normalization of violence. What I got was a slightly higher budgeted version of Death Racers with much the same eye violatingly miserable digital effects, written by people to whom the word “subtlety” seems to have a “that which shall not be named” air to it. An embodiment of every vulgarity Echternkamp and Yamashita recoiled at during their formative years, and have since become straight phobias. An offense equal to shitting into their respective grandmothers’ mouths.
Upon my second viewing though, I had one of those RARE changes of heart. Having suffered the shit tier special effects once and watching it with my expectational loins properly girded, I was able to ignore the visual garbage fire and really enjoy the extreme lengths to which Brand Echt and Holy ‘Shita didn’t just put their plans out there for us to see, but fired them into our faces via figurative bazooka. Their revulsion of subtlety works in their favor! It gives the whole movie a boost of Idiocracy style absurdity with a hot beef injection of Troma type energy, blatant sociopolitical subject matter, and tongues so firmly in-cheek that they’re seeing daylight. And in today’s climate? Being released mere days before Pissler’s inauguration? You couldn’t have picked a better time to release a movie like this if you had a DeLorean with a souped-up Mr. Coffee strapped to it. It’s one of those movies whose dialogue is endlessly quotable too, so if you hate flicks that focus on snappy-like-a-mousetrap exchanges and one-liners over more realistic speak, take your bland ass elsewhere.
Speaking of great lines, they’re nothing without proper delivery, which is where our cast comes in. And what a cast they are! All of the racers feel fleshed out, with their own defining moments and personal conflicts. The political participants and co-pilots (except Annie of course) have less dimensions than the characters in Megan Fox’s filmography, but the main cast tow the film fine on their own. The lines feel so natural coming out of their mouths that you almost feel like the characters themselves were tailored for the actors. It’s not high drama Oscar stuff. We’re not seeing the next generation of Streeps and DiCaprios here, but for what the roles required, I don’t think we could’ve gotten better than this batch of relative nobodies. That might sound like faint praise, but coming from someone who’d rather cuddle David Carradine’s bloated corpse in a closet for a night than watch The Departed again, consider it my official approval. Officially.
No matter how much I can indulge in everything else though, none of this helps wipe away the stain of DR2050‘s hideous coat of shit colored digital paint. It hangs heavy over the whole thing like a big brown cloud blotting out the sun. I hate the person who invented computer generated cars. And computer generated explosions. And computer generated gore. Fuck he/she/them with a baseball bat wrapped in barbed wire and soaked in ghost pepper sauce. I blame The Fast and the Furious: Tokyo Drift, but then I tend to blame Tokyo Drift for most of the problems in my life. Every time I stub my toe or get a paper cut, you can usually hear me shouting “TOKYO DRIFT!” at the top of my lungs. ‘Struth.
In case It wasn’t obvious, I’m recommending this movie for those readers looking to have a laugh with a VERY liberal lean. Just go in expecting Syfy Original “quality” computer effects and you’re less likely to be as mortified as I was at first. If you’re looking for more serious car combat, watch Death Race instead (or again), or just let Fury Road blow your mind for the 20th time. Either way, I’ve had my say, so here’s to hoping it made your day. Later, taters!
“What’s new, pussycat? Whoooooa oh oooooooh!”
“Prop Corn”? What, they couldn’t afford the real stuff? I’m not saying it had to be a case of that fancy Redenbacher bastard’s stuff, but nobody could just pony up for a few bags of generic store brand popcorn?!
In the future, people will be able to splice their genes with other species, Moreau style. Amanda here has just started her transition into a Lepus-American, and we at The Tomb wish her all the best!
Sadly, it’s not whether the black and Asian characters will be killed off, but which one will die first. Sorry, minorities.
“Oh no, darling. This isn’t an oral exam camera. Turn around and think warm thoughts!”
Our hero looks like the gimp from an intergalactic Ilsa movie.
Frankenstein and his car pose for their action figure box art.
From an alternate reality in which Michael Jackson lived well into his 80s and became not just the king of pop, but the king of the world.
NOT the type of face you want to wake up to! Or step out of the shower to! Or… come home to… or… you know what, no one should ever have to see that face… ever.
“How’s our repeal of The Constitution coming along? What do you mean ‘What are we going to replace it with’? No we don’t have anything to replace it with! That didn’t stop us from repealing Obamacare or Social Services, why should it stop us now?!”
“They actually think the audience is going to believe these painted dollar store swimming goggles are VR glasses! Ha ha ha ha ha!”
Presenting Mister & Missus Carl’s Jr. 2017!
“You see these sunglasses? They cost more than your car! Why? What’s so great about them? I DON’T FUCKING KNOW! IT DOESN’T MATTER! They cost more than any other pair of sunglasses, so that makes them (and by proxy ME) better!”
When your shadowcast’s Riff Raff calls in sick and Rocky has to pull double duty.
Gah! I’m being haunted by the ghost of Liberace!
I once ate a rancid can of alphabet soup on a dare, and the resultant game of gastric Scrabble I played in the toilet afterward spelled out something like that.
Anubis will return next time in
“How Gurdy Got His Groove Back”
Enjoy the review? Hate the review? Have a movie you’d like to see judged in The Tomb? Fill out the feedback form! Never has it been easier to make contact with a deitic being!
All materials found within this review are the intellectual properties and opinions of the original writer. The Tomb of Anubis claims no responsibility for the views expressed in this review, but we do lay a copyright claim on it beeyotch, so don’t steal from this shit or we’ll have to go all Farmer Vincent on your silly asses. © October 1st 2013 and beyond, not to be reproduced in any way without the express written consent of the reviewer and The Tomb of Anubis, or pain of a physical and legal nature will follow. Touch not lest ye be touched.
Featuring: Dominic “Agent Carter” Cooper , Joseph “Misfits” Gilgun , Ruth “Agents of S.H.I.E.L.D.” Negga
Directors: Evan “This Is the End” Goldberg , Seth “This Is the End” Rogen
Writers: Seth “The Green Hornet” Rogen , Evan “The Green Hornet” Goldberg , Sam “Breaking Bad” Catlin
I’m paranoid. In a good way. When I lay cheeks upon the porcelain seat, I check beforehand to make sure there’s more than two squares left on the tube and I peek the bowl to make sure no baby alligators or grinning ghoulies are waiting to make an appetizer out of my rump roast. I don’t wanna end up like that guy in Thailand whose excursion to the crapper resulted in a python trying to suck face with his trouser snake. For such occasions, always keep a machete in your magazine rack or just do what I’ve done and duct tape a meat cleaver to the handle of your plunger. Whether I need to waylay a wayward water moccasin or break-up a brown boa constrictor, I do not enter my wild kingdom unarmed. I am the T’Challa of the toilet room. Or, as we call it in The Tomb, the Elimination Chamber.
One thing my paranoia assures is that I go into any and every comic book movie or show with a gallon jug of trepidation. I have seen some of the greatest works of my generation reduced to smoldering ashes of regret and agony at the rape happy hands of studio executives that spun lengths of niche gold into panderous piles of mainstream straw that even the most starving of would-be consumer camels wouldn't give a second sniff, let alone ingest. Witnesses for the prosecution: The League of Extraordinary Gentlemen, Constantine, and Fant4stic are the easiest targets off the top of my pointy ears, though I’m sure any fanboys/fangirls worth their weight in first appearances can rattle off another easy dozen within a blink of Scott Summers’ eyes. Such is the approach I’ve chosen to take with AMC’s second stab at four color fortune (following “The Walking Dead” of course), an adaptation Vertigo Comics’ (R-rated DC) long defunct series Preacher.
Running for 66 issues (not counting the side stories) over a 5 year stretch, the series was my introduction to Garth Ennis, Steve Dillon, and Glen Fabry – a triumvirate of chaos aligned to create a perfect tapestry of entertainment. Ennis was the writer, Dillon was the illustrator, and Fabry painted the covers. Holy shit did he paint the ever lovin’ fuck outta those covers. By Ra’s balls. I wanted every one of those masterpieces on a poster or a t-shirt or painted on my car in high school. Here’s a taste.
I'm not going to delve into the finer points of the comic book or its many infamous tales of sexual debauchery, graphic violence, and hilarious heresy, so as to avoid ruining the reveal of whatever surprises the show might have in store for us. I'm also not going to butt vomit a whole buncha spoilers here since the fucking thing just aired less than two weeks ago! As with the “Ash Vs. Evil Dead” pilot, I also won’t be reviewing “Preacher” episode-by-episode. I’m just going to give my thoughts on the premiere, then maybe possibly think about giving consideration to the conceivably perchance reviewing of the first series as a whole, via this ass-a-hole. Got it? No? Good. Sally forth!
After 20 years of it being passed around as a potential feature film, a tv show turned out to be the easy answer to an adaptation. Garth Ennis himself thought it a better option than clown carring all of the comics’ major moments into a restrictive 2-3 hour runtime. There was a treatment by one John August (who wrote the Charlie’s Angels duece-ology and a lot of Timmy Burton’s movies since the turn of the century) being passed around Tinseltown that seemingly managed to do such a feat admirably, but to quote Ennis, “It taught me the lesson that it’s far too easy to overload this. If you do a straight adaptation, you are simply going to overload the story with grotesque characters and over-the-top bloodbath fight scenes. You’re going to create a whirling maelstrom that will simply bewilder a mainstream audience.” (From this interview)
The version we get is courtesy of longtime friends, creative collaborators, and self-professed super fans of the funnybooks, Seth Rogen and Evan Goldberg, teaming up with writer Sam Catlin who made such magic for AMC with “Breaking Bad”. Ennis and Dillon gave their okays on the show and get producer creds too, so a modicum of my fears were allayed right off the bat. All aboard!
Annville is a small town in the big, big, morbidly obese state of Texas. How small? If you’ve heard the term “one horse town” to define the smallness of a small town before, consider this a half-horse town. Not in the way that a centaur is half horse, but in the way that a horse’s body might get caught in the glue grinder at an Elmer’s plant, leaving the unprocessed half to just *shlup* out onto the floor. Like that. Anyway, this small ass smallest of small town towns has a very small church that provides the locals with their weekly dose of religious guilt and condescension. This modest house of worship dedicated to the words of the Six-Packed Savior (a.k.a. Christ the Cruncher, a.k.a. The Saint of Sit-Ups, a.k.a. The Abvocate) is run by town preacher Jesse Custer (Dominic Cooper). In case you’re curious (or just need confirmation that you’ve connected the dots properly), yes, Uncle Jesse is the man after which the series is named. Like most multimedia bearers of the cloth he’s grown weary of both his position (theological sex jokes here) and his congregation, and spends much of this hour long pilot (no commercials for me!) contemplating giving his invisible cloud boss his resignation. Will Jesse rediscover his lost light and earn back his wavering flock, or stroll into his next sermon with his middle fingers held high and his head adorned with a “Take this job and shove it!” trucker hat?
Father Custer picks up a pair of hitchhikers on the journey to his answer in the form of his wild and crazy
guy ex-girlfriend Tulip (Ruth Negga) and an extremely Irish passer-by named Cassidy (Joseph Gilgun). The individual tales of how these two wind up crossing the Preacher’s path are both bat-shit crazy, hyper-violent, and perfectly appropriate for the dark humor the series is establishing. Without burying the leads, I’ll let you in on this much: Tulip’s a student of The Anarchist’s Cookbook and fights dirtier than Mike Tyson (that ain’t shawarma!), while Cassidy’s intro involves an umbrella, a cow, and more ultra-violence in 10 minutes than a gang of droogs could get up to in an entire month of Saturday nights!
Oh, and in case what I've told you so far hasn't been enough to sink a few cenobite hooks into your interest gland, there's also a mysterious screaming force from outer space that spends the majority of this introductory episode causing globetrotting savagery as it detonates various religious figures (including the greatest “in name only” cameo reference to a certain celebrity “spiritualist”ever) like human-sized carnage balloons! If that doesn't cinch in the aforementioned barbs, then I apologize for whatever devastating trauma you were subjected to that left you the soulless husk you are today…
FUCKING CARNAGE BALLOONS!
Roge and ‘Berg do far more justice to this project than they did with the flaming bag of Fido feces that was Green Hornet movie. So, though I appreciate anyone going into the show themselves with the proverbial pinch of sodium like myself, don’t get your blood pressure all Systolic Super Saiyan (“It’s over 9000!”) fretting. Sure, if you were hoping for a straight up adaptation, you’re shit outta luck. But, after watching the pilot, I feel the show’s in good hands. Good, perverse, sadistic, happy ending giving hands. And I’m going along with it. Much like “The Walking Dead”, I have an inkling of what’s in store, but my intrigue is piqued by knowing that the only thing that’s sure about “Preacher” is that nothing is for sure.
In a fun bit of “Connect the Dots” Trivia, our three main cast are interestingly linked to each other via prior roles. Cooper plays Tony Stark’s absentee poppa Howard in the Marvel Cinematic Universe, while Negga (what up, my Negga?) was a big part of “Agents of SHIELD” as Raina, a reoccurring villainess-turned-inhuman Shuna Sassi knock-off. The pair are also in the Warcraft movie, whose lore I know little-to-nothing aboot, so pardon my hairy ebon ass if my hype levels for said release are anemic as a vampire in a world where SkyNet wins… I think I just gave mental birth to a future Syfy Original. I should’ve terminated the pregnancy. Apologies.
Though Cooper doesn’t share a prior geek link with Gilgun, the exceedingly Irish sir’s resume does overlap in a career Venn diagram with Miss Negga, as they played Rudy Wade and Nikki respectively in the BBC X-Men-ish (or “Strangers-ish” if you’re Ultraverse nasty) tv series about super powered juvenile delinquents “Misfits”. The duo were never part of the show during the same series though, so this is their first time sharing the screen.
Speaking of the cast, are they any good? Yes. I like everybody. The main cast is great. I wasn’t sure about Cooper’s Custer, as the production stills didn’t thrill me on him looking the part, but I’m okay with it now. Same with Tulip being changed from a blonde white woman into the lovely Ethiopian equivalent of a grown up Clementine from Telltale’s The Walking Dead adventure games. A pleasant surprise. And Gilgun as Cassidy? Magic. Dark magic. Dark magic the likes of which would give John Constantine a toothache. Character-wise, I’m not big on the remodeling job done with Sheriff Root (W. Earl Brown) so far, as I liked him better as the stereotypical Texan hard-ass jerk-off of the books. I do like the inclusion of new character Emily (Lucy Griffiths), although her feelings for Jesse are irritatingly obvious despite her best efforts to hide them. I hope she’s meant for more than just to be the jealous would-be girlfriend now that Tulip’s back in town, but we’ll have to wait and see.
I’ll come back sometime after the first season to do a wrap-up of the whole she-bang, but right now I definitely recommend giving this show a shot. If you’re into supernatural, gritty-grimy-gory twisted dramedy type shit, “Preacher” should be square in your entertainment crosshairs. Bang bang.
Including your ear holes. Jesus is big into the aural sex. Don’t worry about the ass thing though. You’re only expected to give butt stuff to him on Christmas.
“Did you ever notice that my name backwards is ‘god’?! Damn. That’s so weeeeeeeird. Pass the Funyuns, bro?”
If Jason Sudekis and Taylor Lautner (Remember him? Me neither. I had to look up his name for this joke.) had a baby, then abandoned it at the doorstep of a Protestant orphanage.
“It’s a new age of scholastic sports! In the Texas of the future, all high school athletics conflicts are settled by one-on-one battles between team representatives. This is the world of Charles Band’s Mascot Jox!”
Don’t chug your Triaminic like Cassidy, kids, or you’re just asking for a mess. There’s a reason the bottles come with that little plastic shot glass. Use as directed.
They’re writing out “SUCK IT, ALIEN QUEERS!”. Despite their ignorance and intolerance for extraterrestrial races, at least their spelling is accurate.
In an effort to bring in fans of the highly lauded and incredibly popular Walking Dead adventure games, AMC has added series star Clementine to the TV show’s next season.
“Could God Himself commit a sin so grave that even God won’t forgive?” That’s the exact face a pastor made when I asked him the same question. He then invited me back to his place to discuss it further over some sacramental wine and crackers that smelled strongly of chloroform. Did I go? Yes. Were his remains ever found? No.
Donald Trump has found his running mate – the Mayor of Texas!
Once again I need to remind our viewers that are chronic masturbators: if you can’t take a day off every week, then at least use some manner of fire retardant lubricant.
Anubis will return next time in
“The Love Below”
Featuring: William “Star Trek” Shatner , George “The Case for Christmas” Buza , Zoe “Orphan Black” De Grand Maison
Directors: Grant “Ginger Snaps Back: the Beginning” Harvey , Brett “Ginger Snaps 2: Unleashed” Sullivan & Steve Hoban
Writers: Doug “Splice” Taylor , Pascal “Hellions” Trottier , James “Roxy Hunter and the Secret of the Shaman” Kee & Sarah Larsen
Also Known As: A Holiday Horror Story (name changed for the DVD sleeve only, so the movie could be sold in some Wal-Mart stores. No diggity.)
‘Twas the night before Cthulhumas and, alone in The Tomb,
Anubis was reviewing, despite having other shit to do.
I hate buying presents for people. Ra is being a real dickhead this year. Every time I ask him what he wants for Cthulhumas, the fuckstick just keeps telling me he wants a life-sized butter sculpture of Lou Ferrigno from the Golan-Globus Hercules movie. Do you know how hard it is to find a sculptor that works in the dairy medium this time of year!? If my situation were the line from a theoretical Weird Al Yankovic parody of a Pearl Jam song, I’d say I “can’t find a butter man”… and yes, I made all of this up just so I could say that. Lick me.
Go ahead! I used peppermint body wash this morning!
I mentioned in the last episode that Krampus is the 2015 holiday season’s monster-of-the-moment. As I may have also mentioned (the last week has been a whiskey nog haze), go see Legendary Pictures’ Krampus, in theaters now! Hurry before it gets bumped for the next “found footage” ghost movie in the “garbage I wouldn’t piss on were it aflame” queue. Speaking of Krampus, guess who’s featured in today’s anthological episode? If you said Krampus, you win! Get yourself a Gingerdead cookie and a shot of Milk Plus from Uncle Anubis’ padlocked mini-fridge (the key is behind the goat skull in the kitchen), then get back here, sit your ass in front of the fireplace (or in the fireplace, if you like), and let’s engage in another round of Yuletide tales.
As a disclaimer, despite what possibilities the title of this movie may invoke, it is neither an “American Horror Story” Christmas special, nor the blood & gore sequel to A Christmas Story directed by John Carl Buechler where Ralphie, dressed in his pink bunny pajamas, hunts down every adult who told him he’d shoot his eye out, then proceeds to gouge out their eyes with an ice cream scoop. I asked Annual Gift Giving Man for it last Non-Denominational Gift Exchange Day, and no dice. Not the first time I’ve been fucked by the big rubber dick of disappointment (also known as “the Festivus Pole” in some circles), and I’m sure it won’t be the last.
What is A Christmas Horror Story aboot? Well, hosers, this gift from our neighbors to the North stars noted starship Captain and Hollywood Hebrew, Billy “Rock-et MAN!” Shatner, as radio disc jockey Dangerous Dan. Not to be confused with ’80s WWF personality Dangerous Danny Davis, whose gimmick was that of a crooked referee who also wrestled. You know he was dangerous because he had the word “Dangerous” printed on the ass of his tights, and you can’t print something across the ass of your pants if it’s not true! Like those “Juicy” pants big ass girls wear. Much like juice, they’re best when freshly squeezed too. *wink*wink*nudge*nudge*
(Squeeze at your own risk.)
Double D does a Pontypool and spends his time on camera in the broadcaster’s booth for the extent of the feature. While he’s dead set on spreading holiday cheer amid the citizens of his town of Bailey Downs (his listeners and coworkers of which don’t seem all that receptive to his efforts), we the viewers are taken on a quartet of intermingling tales in the interim. Not “intermingling” by means of plot, though, but rather in that we fumble in and out of each story at the editor’s tyrannical whim. We are merely puppets and A Christmas Horror Story is the string by which he makes his marionettes dance. “PULL DA STRINK! PULL DA STRINK!”
Our first yarn follows a trio of high school kids: Dylan (Shannon Kook), Molly (Zoé De Grand Maison, whose name literally means “Zoe of the Big House” and who looks like a poor man’s Emma Stone), and Ben (Alex Ozerov). Attempting to catch the receding “found footage” wave before it goes back out to sea for another 5 or 6 year hiatus, the trio sneak into Bailey Downs High to do some hard boiled “Action News for Kids” investigating into a mysterious double homicide that took place in the building’s labyrinthine basement the year before. Having reviewed the leaked footage from the police investigation (because they don’t accidentally erase their evidence, CHICAGO PD!), they know something more than a simple dual murder took place in the darkened halls beneath their teenage prison, and they aim to find out what. As is the way in scare flicks they get locked in (possibly by the killer, returning to the scene?), discover the school’s morbid history, are confronted with the awful truth about the ritualistic murders, yadda yadda yadda. If you want to find out said awful truth yourself, feel free to watch the movie or “Read the Bantam book!”
Do they still novelize/bookify movies anymore? Given there are more platforms to watch stuff on nowadays than there are heads on a Hydra after you put it through an industrial blender, I can’t really see the rationalization behind sustaining such a market. It’s not like the old days when you had to wait two years for Dawn of the Dead to come out on Betamax, so you re-read your St. Martin’s copy cover-to-cover a few dozen times while you waited! By Rudolph’s radioactive nasal beacon, I had a screener copy of The Green Inferno a week before it left the local multiplex, and I ain’t talkin’ Transformers! Besides, that was Metroplex. Though I would enjoy the irony of Michael Bay making a Decepticon character that’s just a huge cinemaplex who crushes all of the moviegoers inside of it whenever it transforms. Then again, subtlety got a restraining order placed on Michael Bay years ago, so never mind. He’d just fuck it up like everything else and forcibly remove the joy from a few thousand more people. He’s Hollywood’s metaphorical on-par for Nazi stormtroopers dragging Jewish children away from their parents’ arms so their tiny hands could be put to use working in Hugo Boss’s sweatshops.
Story numero dos involves another trio: Scott (Adrian Holmes, who’s a dead ringer for Mike Yard and Taye Diggs’ love child), Kim (Oluniké Adeliyi), and Will (Orion John). Unlike our last amitié à trois, this trio keeps it in the family – Scott and Kim are Will’s parents. Despite being a cop, Scott takes his mini-brood Christmas tree hunting on private property,which reminds me fondly of my own illustrious annual “trail of tears” death march to commit our own act of ornamental herbicide. Will wanders off and goes missing, bur he’s found safe and sound one short and panicked search later. The family then heads home with their purloined pine, a little unsettled but none the worse for wear… except for Will, who starts acting really weird and creepy and shit. Scott gets sick of this crap quick, but his old-fashioned approach of parenting with his pants holder-upper doesn’t quite do the trick. “Big Earl” (Allen Peterson), the owner of the property from which the family misappropriated their O Tannenbaum may have an idea of what’s up with the lad, but Will could just be getting a head start on being a rebellious teenage dickhead. But that’s more a case for an episode of “Degrassi Junior High” than a horror movie, eh? As such, I wouldn’t bet my roasting chestnuts on it.
The third chapter in our movie’s table of contents finally gets things Kramp-ing! Upping the ante by a head, this story follows a quartet of characters: Caprice (Amy Forsyth, Kirsten Dunst’s non-union Canadian equivalent), Duncan (Percy Hynes-White), Diane (Michelle Noldan), and Taylor (Jeff Clarke). Diane and Taylor are the parents here, Caprice is their teenage daughter, and Duncan is just as much a junior a-hole as you’d expect a kid named “Duncan” to be. The four visit Taylor’s Aunt Edda (Corrine Conley) for some mandatory holiday tidings of comfort and joy (mostly to suck up to the wealthy old crone), and meet her grinchy German caretaker Gerhardt (perpetual “background weirdo #2”, Julian Richings). Krampus gets name dropped like he’s going out-of-style and Gerhardt warns them to be good, lest the bastard child of Lucifer and a Likitung come get them. Naturally, this is the perfect time for Dunc to intentionally break a decorative figurine of said yuletide disciplinarian because, again, kids named Duncan are ornery little shit bags.
Following the brat’s brazen act of dickery, Edda throws a fit and kicks the clan out. As they’re driving home, Dad swerves to avoid a yeti looking creature (maybe it’s a shaved Wampa) that runs across their path, and spins the car out into some deep snow. Unable to get anywhere (hence why I keep a shovel, extra floor mats, and full grown Saint Bernard in my trunk) the four are left to brave a winter wonderland in the middle of nowhere as they seek help…with a certain holiday hellraiser hot on their haunches. Much like his fellow film incarnations, don’t expect this version of the Saturnalian satyr to stop at some simple season’s beatings with a few well-deserved lashings across these douche bags’ backsides. No, he’s eyeing more permanent forms of punishment that utilize the type of excessive force that would give the ’90s LAPD envy boners. #BlackPeteLivesMatter
Our feature’s fourth fable follows the red man himself. No, not the racist mascot of Red Man chewing tobacco. I of course refer to Satan. Errr, Santa (George Buza). You know what I meant, Church Lady. Anyway, the bowl full of jelly is preparing for his solitary day of employment for the year, before having to spend the next eleven months getting shit from Mrs. Claus (Debra McCabe, playing a much younger Mrs. C than you’d expect, cuz Santa’s apparently an old perv) about how he needs to do something with his life beyond watching Mexican elf soap operas from his La-Z-Boy all day and adding to his collection of bed sores. While his vertically challenged minions go aboot their business, prepping toys for the big night, one of Klaus’s helpers, Shiny (Ken Hall) comes down with an odd and sudden illness that gives the little goober Tourette’s. “I said I don’t want a cookie, you reindeer fucking snow whore!”
Before you can say “28 Days Later at the North Pole”, the frost-bitten Oompa Loompas (who stole their uniforms from the “sandwich artists” at Subway) become infected and revolt against their portly oppressor in a mob of gnashing, gore splashed teeth. If this were traditional Santa Claus, as owned by the Coca-Cola Corporation, he’d be dead and clogging the minute cannibals’ arteries within moments. To help give He of the Merry Dimples and Twinkling Eyes an edge on the zombie mob, we get a bad-ass holiday icon who looks like he’d be more comfortable driving a Harley-Davidson than a sleigh, complete with Mrs. Claus riding the sissy bar wearing nothing but cut-off jean shorts, leather boots, and nipple rings.
When the shit starts to go down in the jolly old elf’s castle (the interior of which looks remarkably like affordable office space…), Kringle theorizes that Krampus must be responsible for whatever bad juju is turning his sweatshoppers into heart stoppers, so for those wondering whether the promised clash of Yule pugilists portrayed on the movie’s poster actually comes to fruition, the answer is – sorta. As has become a common theme in some of the other movies I’ve recently reviewed, A Christmas Horror Story (just like the Six Million Dollar man’s replacement penis, fashioned from an old soft serve ice cream dispenser) comes with a twist. Unlike some of said others, this twist doesn’t inject acidic enzymes into the movie, break it down into a sumptuous primordial ooze, and consume it whole. No, this twist actually works well enough that I didn’t hate it. In fact, there’s very little I could say that I do hate about this movie in general!
The stories all take place on Christmas Eve Day and all connect with each other through shared characters. Mary mentions that she used to babysit Will, and Scott was one of the investigators on the high school murders. He went on leave afterward to deal with the resultant PTSD. Said trauma carries over to his own story as a point of contention for his relationship with his family. Caprice is a major catalyst in getting the first story going, as she brings her trio of friends the keys with which they break into the school. Even Santa’s tale comes back to the Bailey Downs city limits, but I can’t tell you how because it would spoil the surprise! No peeking!
My only major misgiving with the movie is its story structure. Unlike the traditional anthology one-at-a-time format, we instead jump back and forth between them chronologically as the day passes, while popping in on Dan occasionally to remind us that William Shatner stopped by to pick up a paycheck. Given that someone named Bev Feldman gets a credit as “teleprompter operator”, it doesn’t look like The Shat even bothered to learn what few lines he had.
Though I get the reasoning behind this mish-mash approach, the pace gets outright ravaged as a result. Just when you’re getting invested in any of the characters or their predicaments, you get thrown awkwardly back into another ensembles quandary. It’s a complicated dance that calls for precision, like Pulp Fiction. Instead we end up getting our toes stepped on every 10 minutes or so. I feel like I’d need ADHD to fully appreciate the flick as is.
The big gripe out of the way, my only minor misgivings with ACHS are a moment or two of unfortunately poor computer generated effects (thank Savini that almost all of the effects are practical) and the opening and ending credits theme of “Carol of the Bells” (thank you, public domain usage rights) as sung by what I can only presume to be a robot child. Fucking auto tune. Oh well, it’s still better than The Snots’ rendition of “Jingle Bells” that also plays at the end. Yep. The Snots.
Beyond those niggles though, I really liked this movie! The acting is all very solid with a few nice stand out moments of drama, especially from the ladies. The makeup, costumes and viscera are serviceable-to-admirable, and despite there being three different directors on the project, I wouldn’t have known the difference if I hadn’t read it ahead of time. Saying three directors’ styles are so generic that there’s little to distinguish them from each other may not sound like a compliment, but as the viewer it’s a good thing, because it lessens the turbulence of transitioning between plots. Krampus himself looks more like something out of a Teenage Mutant Ninja Turtles “make your own mutant” fan contest than his traditional self, but the albino steroid man-goat look works for him. They even made use of his Gene Simmons shaming demonic lick muscle! Definitely better than the computer generated reject from an ’80s heavy metal album cover concept art that The Reckoning gave us, that’s for sure.
All in all, A Christmas Horror Story perverts holiday traditions with a blend of dark fables and personal horrors, mixing the mythological with the relatable. Stories aren’t long enough to outlive their welcome, but are just developed enough that you won’t be forgetting them a day after watching. Maybe I’m high on holly jolly and sugar plum fairy farts, or maybe after choking down the turd brisket that was Krampus: the Reckoning last time, even John Candy’s vintage ’94 back sweat (collected on the set of Wagons East) would taste like a candy cane martini in contrast! Either way, I declare this flick a fitting addition to anyone’s holiday horror rotation. Thanks, Canada! You’ll always be the greatest white North to me. May your days be merry and bright and may all your Cthulhumases be shiny with poutine and back bacon, from sea to shining sea!
Now come back tomorrow for a very special gift from me to you! It’s the bread box sized package under your tree that’s decorated in old newspapers and bio-hazard tape that you’ve been hearing a random *thump*ing sound from every night around midnight… No peeking!
What’s with all the buckles, Santa? You going for that outdated “Steampunk” look? Or is one hernia belt just not cutting it for you these days?
Captain Kirk reacts to the news of yet another green chick filing a paternity suit against him. So much for alien and human DNA not being compatible!
Luke Cage’s new “edgier” catchphrase, as adjusted for his upcoming NetFlix series following the precedent set by “Jessica Jones”.
Kids will do anything to get a few hundred thousand video hits online these days. Who would’ve thought that YouTube would be such a catalyst for “survival of the fittest” forced evolution.
“Thanks for stopping, mister! My friends told me I’d never get anyone out here and, truth be told, you’re my first customer in three weeks! So, you lookin’ for a pumper, a sucker, a humper, or a dumper?”
“Welcome to Bailey High Action News! Today’s top stories – Principal Dickers arrested for alleged inappropriate relationships with several members of the girls’ field hockey team! Also, are the cafeteria’s hash browns just yesterday’s tater tots? Find out here!”
Jack’s wife finally broke the news to him about Santa Claus’s lack of existence. Poor little guy.
“I’m no doctor, Sparkles, but I’d say this is way worse than ‘just a hangnail’…”
“Hahaha! This tree reminds me of my wife after she gave natural birth to our triplets!… god rest her soul.”
A figurine of lesser-known saint, Sister Mary “Only Prays When People Are Looking” Gallagher.
I’ve seen messy eaters before, but that kid’s spaghetti dinner looks like a school of jellyfish exploded on his plate!
“Dangerous Grandpa” being the moniker given to him by the Bailey Downs Tribune following his vehicular manslaughter of 12 people at the weekly farmers’ market.
By far the worst actor in the whole movie. Her performance was just so… wooden. (Please don’t hit me!)
Looks like we walked in on them while they were comparing sizes… awkward.
From here it looks like he’s relieving himself inside one of The Tall Man’s dimensional gateways! Well, any port in a piss storm, right?
Timmy was determined to make sure that Santa didn’t miss him this year. “I know you can see me now, you fat bastard! Get down here and make with the presents!”
Looks like Krampus just caught a whiff of himself. I tell him he needs a full body heat drying after every shower, but he always thinks he can shake off and he’ll be fine. And he wonders why none of the other anthropomorphic creatures of folklore want to date him!
He looks like the type of Santa that would have “If you can read this, the bitch fell off!” stitched onto the back of his leather vest.
Anubis will return next time in
“Toys In Babeland”
Featuring: Bruce “My Name is Bruce” Campbell , Lucy “Xena: Warrior Princess” Lawless , Jill Marie “Girlfriends” Jones
Director: Sam “Drag Me to Hell” Raimi
Writers: Sam “Darkman” Raimi , Ivan “Darkman” Raimi , Tom “Parker Lewis Can’t Lose” Spezialy
Feliz Día de los Muertos Malvados, folladoras de perros! For those of you that flunked out of high school Spanish, that means “Happy Day of the Evil Dead, dog fuckers!”
Ash. Is. Back. Alright! (Not to be confused with the Backstreet Boys, who didn’t make their fans wait nearly as long for their reunion tour).
Yes, after nearly a quarter of a century, the Deadite defeating dumbass with more bravado than brains has returned to pick up where he left off! Having been harassed by B-movie geeks about when we’d see Evil Dead IV: Army of Darkness Part 2 – Deadite By Dusk (in 3-D), the brains of Sam and Ivan Raimi and the chin of Bruce Campbell have combined their powers to bring the Stihl-handed hero of legend back for a Starz pilot series that may or may not lead to additional seasons once it’s complete (Update: it was approved for a second season before the first episode even debuted!).
Though there have been numerous comic books, video games, and even an Evil Dead remake in the time since we last saw Bruce himself don the scars of The Chosen One, the closest we’ve had to seeing Ashley J. Williams on our screens in the flesh again was the tongue-in-cheek My Name is Bruce. Entertained by it as I was (went to two showings of it on opening day!), it still felt like a 90 minute tease. Like paying for a night with the prostitute of your dreams only to find out they have a bad yeast infection, so the most you’ll get is a handjob. Sure, you came, but you could’ve stayed home and gotten yourself off for free.
By the way, I did my best to make that comparison as inclusive as possible for everyone. However, if you feel left out because you’re asexual or lack the equipment to reach climax via manual stimulation, my apologies. I tried.
Now come on, space truckers! Let’s get space truckin’!
When we last left our hero…well…it’s not made explicitly clear. The when the show’s timeline is picking up from isn’t specific beyond Ash telling everyone that it’s been “30 years” since he last dealt with Deadites. Given that there’s a scene in the episode where he fills in his co-worker Pablo on his unpleasant past with the Necronomicon and it only uses clips of the first two Evil Dead movies, I’m taking a stab that this series is a direct sequel to Evil Dead II. In 1987 (“30 year ago”?), ED Dos re-wrote the events of the original, making the first Evil Dead redundant. AVED (not to be confused with “Community“‘s affable Asperger’s nerd Abed) also leaves out any mention of Ash having traveled through time, so maybe it’s based on ED2‘s storyline (what with the severed hand) while sticking with ED‘s ending where Ash survived the night and there was no Army of Darkness time vortex thing. On top of that, Ash’s absurdly high-tech Dark Ages cyborg hand from AoD is nowhere to be seen either. It’s been replaced instead with a prosthetic mitt carved from rosewood that makes for a great ass paddler when you’re plumping the ol’ Ballpark Frank in the hot dog warmer of an unclaimed dreg you sweet talked at last call!
But I’m putting the funeral cart before the skeletal horse here. It’s been a long time, so let’s see what Ash has been up to for the last three decades! For starters, he lives in a trailer (just like in My Name is Bruce) and instead of working at S-Mart, our hero works at a dirt mall department store called ValueStop. I’d like to think there’s some “fall from grace” tale at work here where Ash lost his lofty S-Mart position (too many sexual harassment complaints to HR?) and is now forced to work at VS, but my guess would be that it really just ties into the whole “we don’t own the rights to Army of Darkness” complication. Confounded studio politics nonsense.
He’s sporting the aforementioned artificial extremity, and using it as a story prop to pick up soused lasses at the local dive bar just waiting to go down on the next guy who says he lost a hand while saving an endangered child. And what of the Necronomicon Ex Mortis? That Book of the Dead we all know and love, with its dust cover of human flesh and its ink of human blood? Ash kept it. Such is how he gets himself knee deep in the dead(ites) again, as you may have guessed. Thanks to a misguided attempt at male posturing nudged on by a few puffs of “green remorse”, Mr. Williams is about to unleash a whole new world (“a new, fantastic point of view!”) of trouble on his backwoods Michigan burg.
However, Ash won’t be alone in cleaning up his mess. He’s joined by his co-worker and biggest fan Pablo (Ray Santiago) and Pablo’s friend-slash-unrequited crush Kelly (Dana DeLorenzo). Pablo gives our man the moniker of “El Jefe” (we have a title!) and worships the ground he walks on (despite smarmy dickhole Ash blatantly violating the “bros before holes” edict), having unwavering faith that his hetero man-fatuation will be the hero this town needs. As for Kelly, Ash tries his “smooth talking grandpa” schtick on her, and let’s just say she’s well inoculated against our protagonist’s verbal Spanish Fly.
If you’re worried about there being too much talk and not enough action in this establishing episode, then belay your trepidation you tiny fool, because El Jefe and the Ashketeers throw down with a few demonically possessed podunks before all is said and done! I’ll spare you the details for your own viewing, but I will give you this much – it’s just as splatstick wacky sauce as you’d expect from a Sam Raimi fight scene!
This story’s not just about Ashley and his pals, though. The non-such sections introduce us to another newcomer: Michigan State Trooper Amanda Fisher (Jill Marie Jones), who has her own run-in with the soul swallowing Kandarian pests that leaves her very confused, very disturbed, and having an all too brief crossing of paths with one Miss Ruby Knowby (Lucy Lawless), who’s no doubt going to be playing a much larger role herself further into the series. Know how I know(by)? Look at her last name. Don’t get it? Brush up on your Evil Dead lore, you plebeian!
As someone who’s been playing mediocre Evil Dead video games and reading lackluster Army of Darkness comics (written by fanboys whose scribing skills don’t stretch beyond slight variations of Ash’s jerkoff dialogue from the last movie) to fill my Ash hole (wait a minute…) for the last 20 years, “Ash Vs. Evil Dead” is the long awaited return to form I’d become so sure was never going to happen. As someone who’d lost all hope and become quite cynical about the whole scenario, I wasn’t on the “The cup’s half full” side of the line so much as amidst the “The cup’s fucking broken and sitting in a landfill somewhere” group. But I’m so happy that “AVED” doesn’t suck that I almost feel some modicum of restored hope for humanity! Quite a feat since I’d given up on the species as a whole shortly after turning seven.. Or was that after watching Se7en?
The cast show some big promise already. Campbell is just as snide and sleazy in Ash's shoes as you remember, Santiago makes a good sidekick fanboy without being too cloying (though he’s really skirting the line, so I hope he doesn’t cross said line in future episodes), DeLorenzo does the tough girl thing fine (but is no scream queen, so I hope they keep her wails to a minimum), while Jones makes for a great contrasting straight character so far! I’m almost as invested in where her story goes as I am Ash’s! Lawless Lucy hasn’t done anything yet though, so I can’t establish an opinion based on a handful of lines and 20 seconds of screen time.
The more mature tone of the show is odd at first blush. Watching Ash getting jiggy with it (“it” being a bar fly’s backside) in the confines of a ladies’ toilet den and saying “FUCK!” remind you that this ain’t happening on basic cable. Starz is PREMIUM, baby! That’s not to say it isn’t immature at the same time, but this is the first ED sex scene that didn’t involve a rapist tree, so you get what I’m saying.
One of Raimi’s caveats when it came to bringing this fan bait to life was the use of as many practical effects as the budget could stomach. I appreciate his love for traditional effects and I would shake his hand for doing so. Unfortunately, the computer effects that we get stuck with the rest of the time aren’t the best. Nor are they helped any by happening alongside the practicals, which have the benefit of looking real because they’re as close as you can legally get to real gore and mutilation without making a snuff film. I do have to say that I’m pleased at how far digital arm stump technology has come in the last 20+ years, though! You’d think Bruce Campbell really did lob off his own hand for the sake of realism! Incredible what a green spandex glove can do…
All in all, “El Jefe” does what a premiere episode should: it caught my attention and makes sure I want to see more. I plan on coming back and reviewing the first season as a whole once it’s finished its run. I was just so twitchy and anticipatory to finally see Campbell don his chainsaw hand again and cut some chucklefucks in half that I had to share my feels on the premiere with everybody ASAP! I’m looking forward to what Lucy Lawless and Jill Jones’ characters bring to this b-movie A-Team, and not just because Double L showed us in Spartacus (boy did she ever) that she’s not afraid to bring out her 36Cs! Probably won’t happen, but at least the specter of her nudity will be hanging pleasantly over the proceeds.
On a final fun note of “can’t unsee” to leave you all on, if you shorten the title of the series a little it becomes “Ash Vs. ED“, as in “Erectile Dysfunction”. Think about it: we’re watching a man in his mid-50s (in a series written by equally aged gentlemen) struggling against an unseen force that haunts everything he does, making it impossible to live a normal life without stressing over the phantasmal monkey on his back. Hell, it ruins all of his romantic relationships and even literally interferes with his sex life! Gives the series a whole new metaphorical “age vs. virility” perspective, don’t it?
Oh well, at least Ash doesn’t have to deal with his dick looking like a melted tube of lipstick. Trust me, it’s a real hard sell to get over with the gals. Pun intended.
Bruce Campbell stars in What Women Want 2: Get Medieval.
I know the copyright stuff probably wouldn’t allow it, but I’m saddened that isn’t a box of Ecto Cooler.
“Jeez, baby, you ever think of waxing your crack? Looks like you’ve got Macy Gracy in a head scissors back here!” (Reviewer Note: from where I’m sitting, at least her breath is minty fresh!)
It’s Leatherface’s dream journal!
This week on “CSI”, the crew are called in to find out what really happened at Justin Beiber’s Sweet Sixteen party.
“I’ve seen BLUUUUE SKIIIIES, through the teeeeears in my eyes. And I realize… I’m going home.”
That is some savage glaucoma! It’s gonna take more than a spleef to clear that up. Grandma’s gonna need a bottle of hash oil!
For some reason, Pablo wasn’t prepared for Ash to make fun of his new haircut. When the bliss of your denial is shattered.
If you put pictures of the 3 female cast members of “Brooklyn Nine-Nine” through one of those photo mash-up programs, you’d get Dana DeLorenzo.
Just as it’s finally about to happen, Kelly reconsiders her Kingpin roleplaying fantasy.
“Hi. Is It my turn to be in the show yet? No? Okay. I’ll just keep waiting here then.”
“Damn it, Kyle, THIS is why I always ask you to chew your Gushers with your mouth shut! Get me a washcloth!”
Anubis will return next time in
“Snake’s On a Game (of Death)”
Featuring: Iko “Merantau” Uwais , Arifin “Macabre” Putra , Alex “Rokkap” Abbad
Writer & Director: Gareth “The Raid” Evans
Also Known As: The Raid: Retaliation , The Raid 2: Berandal
Sequel to: The Raid: Redemption
Yep, I decided to stick around Indonesia for an extra week and knock out The Raid 2 while I’m here. I will neither confirm nor deny the rumors that I’m still here because a giant shark leapt from the ocean and ate my private helicopter, as that’s a matter for my insurance company to decide. Instead, let’s talk about Raid Harder and get this undercover boogaloo underway!
Oh. Uhm, before we get started, despite my best efforts to keep the twists and results of the first movie unspoiled, the simple act of reviewing this sequel is going to require that I undo my own efforts. So, if you don’t want me to pull the thread and unravel the poorly stitched monstrosity that was my Raid: Redemption episode, I suggest you take Lord Humungus’ advice and “Just walk away.” At least until you get a chance to watch the first one.
Are they gone? Cool. Now, everyone reading beyond this point has either seen the first flick or doesn’t give a dry hump about seeing a cheat sheet for it, right? Cuz even though I’m still restricted from typing word one about anything that could prematurely hasten the sequel’s “Sell By” date, I will be turning some MAJOR events of the original into a mold maligned mess in a matter of moments, starting……..now: – Jakartan SWAT team rookie Rama (played by real life Silat martial arts champion Iko Uwais) survived the eponymous raid upon the apartment complex from Hell. Crimelord-turned-slumlord Tama’s fortress of operations made him seemingly untouchable, but Rama’s Jenga™ game (and the help of his brother Andi) was just too legendary to withstand, and Tama’s Tower was toppled.
Well, supercop Ramadan is back. Picking up almost immediately where the previous film left off, our hero has uncovered the terminal cancer of corruption in the Jakartan justice system that allowed Tama to operate unabated. Upon Andi’s advice, he gets in touch with a man named Bunawar (Cok Simbara), who is one of the last corruption-free cops left on the police force. With a few of his trusted men, BunWarmer has the injured Bowo (yeah, he survived too) taken to a safe hospital, feng shuis captured traitor Lieutenant Wahyu’s brains outside of his skull, and recruits Rammy into their small operation of on-the-level officers. He promises to protect Rama’s wife and son-to-be but wants to send the Raid-er of the last arc (har har) undercover. The plan is to get him deep enough into cahoots with the syndicate that he can get the names of all the pigs on the bad guys’ payroll and flush ’em out fiercer than the trans-dimensional warp toilet that took Mario and Luigi to the Mushroom Kingdom in “The Super Mario Bros. Super Show” intro.
While Ram considers whether he wants to get this dedicated to his work or not, brother Andi (Donny Alamsyah) gets wasted by underworld figure Bejo (Alex Abbad), who plans on overtaking Jakarta as its new kingpin once current head bad guy Bangun (Tio Pakusodewo) is removed from power…or gets his face blown off. Whichever happens first. According to Bejo, Andi apparently pulled an Icarus and let his ambitions carry his ass too close to the sun when he succeeded his previous employer Tama, following his death in the prior flick. Unlike Tama, Andi didn’t know well enough to know his role, shut his mouth, and smell what The Rock was cookin’. He dipped his finger in the brownie batter and ends up on the receiving end of a Nicky Santoro Special as a result. Don’t get it? No, it’s not a sandwich. Or a sex act. Go watch Casino. Joe Bob Briggs has a cameo! I’ll wait.
Before we get back to progressing with our protagonist, here’s the quick-and-dirty on the Jakartan underbelly. As mentioned, Bangun (which is presumably more powerful than a ban hammer) runs half of the city, while the other 50%’s governing faction is a family of ne’er-do-well Yakuza from Japan known as the Goto. If you need bad things done and laws broken, you might say they’re your “go to guys”… After which you’ll likely be stabbed in the stomach for making the same gut groaningly bad pun they’ve no doubt heard more times than Connor MacLeod’s katana was folded. The two sides have been at peace for the last decade, staying out of each other’s business. Crime and let crime. They each have their own bribery deals with the police, headed by the evil Commisioner Reza (Roy Martin), who’s the big fish BunBun is hoping to land with Rama’s help, provided that he agrees. Which I’ll bet he does, otherwise we wouldn’t have much of a movie.
And what is Bun’s means to his end? Ram Man’s going to prison under the alias of Yuda: a nobody from nowhere that nobody knows about. Yep, our big man’s going to the big house. Once there, it’s his job to get in good with ‘Gun’s sole son, Uco (Arifin Putra), which may or may not be short for “Yucko”. It’s never really addressed. To make sure Rammstein catches the bad guy’s eye right out of the gate, the crime he gets arrested for is beating the shit out of the son of the politician who got Ucky put there in the first place. Like any good actor, what’s Rama’s motivation for beating said offspring’s ass? He works with Bejo. Yeah, after seeing what this guy did to all those machete assholes a la Redemption, I wouldn’t want to be in the British Knights© of anybody under the employ of the guy who shotgunned Andi’s face straight into a shallow grave.
Ramrod goes through with the plan, kicking the shit out of the senator’s son (not such a “fortunate one” now, eh?) and getting himself incarcerated. When trying to get the attention of the major players in the clink, it doesn’t hurt to single-handedly take on fifteen guys in a toilet at once (in a fight, not a gangbang, ya perverts), which Rama does to moderate success. Punching out the biggest guy in the place? Not good enough when you’re doing time in the Eastern Hemisphere! You don’t cripple at least 5 guys in the first hour, you may as well get “fuck hole” tattooed around your mouth. Peacocking his titanium beach balls makes our hero the number one draft on wanna-be-Greaser haired Uco’s recruiting drive, especially given that he needs all the protection he can get what with his high profile status.
The two hit it off (kinda), and before you know it we FF>> a pair of calendars to Rama finishing out his sentence. The since freed Uco greets him at the prison gates and ushers him back into the fresh air of freedom, immediately taking his new BFF to meet dear old dad. After some awkward introductions and a getting a new set of threads, Rams is tasked by Bangun (seriously, his name sounds like an Ultraman villain!) to babysit Uco, making sure his brash, youthful aspirations don’t make the lad too big for his britches and put him on the wrong side of the wrong people. Speaking of the wrong people, Bejo’s consolidated his power enough to get some attention by the bosses, and may be eyeing his own ill-fitting pair of Dockers.
Our main man falls by the wayside for the middle piece of the movie, as the focus shifts to all of the basic crime movie political stuff: factions pitting factions against one another, struggles for power, illicit activities, peace treaties, backroom scheming, assassinations and so on. Rama’s really just there to keep Uco from killing karaoke call girls for this section. He comes back adamantium hard for the final act though, breaking limbs, splitting lips, and cracking skulls like ass kicking is his business and he’s having a clearance sale! There’s even a cool (albeit it oddly music deprived) car chase sequence that’s pretty damn spiffy, along with some righteous fisticuffs between Big Hero Ram and the movie’s trio of gimmick antagonists (credited as “Hammer Girl”, “Baseball Bat Man”, and “The Assassin”). It’s some of the best action I’ve seen since Set gave that classroom full of 1st graders PCP and duct taped razorblades to their fists! Every one of them got an A+ that day, I tell you. Except little Duncan. Poor kid never learned to guard his left…
Speaking of psychotic violence for personal enjoyment, for anyone (like myself) who was a big fan of Yayan Ruhian’s “homeless man murder machine” Mad Dog from Redemption, Ruhian returns for the sequel as Prakoso: the homeless man murder machine who works as the personal assassin for Bangun and family, and has done so for so long that Uco calls him uncle. ‘Oso is far more humanized than Mad Dog was (no surprise, since his name was Mad Dog, after all. Duh.), doesn’t share his antecedent’s predilection for unassisted conflict, and manages to look even more like an unwashed hobo. I can’t wait to see him pop up in The Raid 3 dressed like Jed Clampett and wielding a bindle like some crazy-ass Boxcar Willie Chan! That’s a joke that completely shits the bed since Willie Chan was Jackie Chan’s talent agent-slash-co-producer and not a performer. Fuck. Moving on!
This was originally intended to be Evans’ sophomore feature following his debut picture, Merantau, but as a barely proven writer-director at the time, the Welshman had to put it on the backburner and come up with the much more thrifty Redemption first to prove that he was indeed worthy of his original dream’s asking price. It became an international hit and Indonesia’s highest grossing movie of all time (a statistic I just pulled out of my ass, so I wouldn’t quote it if I were you), and as such, Raid 2 was born. The only problem here is that this is only tangentially a sequel. Not a shock, as it was written first and not intended to be a follow-up, but the idea of a rookie SWAT officer thrown directly into an undercover operation grates my cheese. I guess NetFlix training by sitting through half-a-dozen similar movies is enough to get by in the Jakartan crime world.
There’s obviously more story here, so the action isn’t as nonstop as before. But, as I said in the last review, Evans’ strong point isn’t writing, so adding more story and script to the formula does him few favors. Sadly, barring a few exceptions, if you’ve seen one undercover-pig flick you’ve pretty much seen them all. As well-versed in fighting chops as the cast is, they’re not a shade on Donnie Brasco when it comes to acting chops, nor is the tale half as intriguing and well twisted as Infernal Affairs (or its ‘Merican-izing, The Departed). I’m far from being a crime fiction fanboy, but I could smell the (french) twists on this one coming like Nozone can smell Junkyard taking his morning shit in the backyard 5 minutes before he even squats.
That reference is probably gonna require a Google or two, so don’t feel bad if it sounds like I was speaking Aramaic for a minute there.
Not wanting to sacrifice what got him this far to begin with, Evans still puts plenty of bang-pow into his movie. As a result though, the runtime on R the Deuce hits a harder to swallow 2.5 hours. Blame my underdeveloped gag reflex if you like, but 150 minutes for something like this is a bit much. The original cut came in at something short of 4 hours though, which is probably the stuff they’re going to Frankenstein Raid 3 out of. As much as Mr. Evans knows how to shoot a fight scene too, there are needless bits of shaky cam during non-action scenes, as if he’s got some kinda hyperactive disorder and can’t let the camera stand still for more than a few minutes at a time. It kinda kills the drama of the moment when you’re too busy getting dizzy to stay engaged. Oh well. Still not as amateurish and off-putting as Michael Bay’s bowel movie-ments.
As a guy who cites Jackie Chan, John Woo, and Sam Peckinpah as his action objects of idolatry, it’s nice to see Evans make movies that would do them proud. He also does the classic “director who’s also a fanboy” thing and puts in a few nods to other movies while he’s at it, including a *wink*wink* to Oldboy and a *nudge*nudge* to Versus. Shit, he even drops a reference to his freshman feature Merantau, since Rama’s alias Yuda was also Uwais’ character’s name. Pretty sneaky, Sis.
On a whole, The Raid 2 is a groovy slab of movie. Though he won’t win any writing awards, Gareth Evans is still a stellar action guy. He may be one of the best fight choreographers in the world! I probably won’t watch this again without doing the Fast Forward Fandango to soak in the beautiful brutality and glorious goriness, but my complaints are limited. Bring on the finale to the trilogy!
Before I go, I’d like to give every moviemaker ever a bit of solid advice: do something incredibly memorable and parody worthy with your movie’s subtitle. Don’t do something so generic as “The Revenge” or “The Final Chapter”, but do something that will make people remember your movie years after everyone has forgotten what the fuck it was or who starred in it or even if it was good or not. Truly unforgettable subtitles like “The Legend of Curly’s Gold” or “The Destruction of Jared-Syn” or, the inspiration for today’s alternate title, “Electric Boogaloo”. Trust me, I’ve never even seen Breakin’ 2, but I’d have to be subjected to some fucking Manchurian Candidate level brain rape before I ever forget something like “Electric Boogaloo”. Hell, it’ll probably be my activation code when I become a sleeper cell agent!
No matter which continent you’re on, “douche bag” is a universal language.
“Uggh! Was that you?! Have you been eating brussel sprouts lately, or did something just crawl up your ass and die?!”
“You may not have noticed, but my hair is beginning to thin slightly. Where do you stand on the ‘keep it natural’ vs. ‘shave it’ debate?”
“You’ve failed this city.”
Looks like the Taco Bell men’s room after Fifty Cent Burrito Happy Hour.
“Can I interest you in some of my homemade ‘Jailhouse Rockin’ hair gel? I mix it in my cell toilet. Just 7 cigarettes for an all-day hold you can depend on!”
Woodstock ’99: the Morning After
Indonesian Bruce Campbell!
“Pfttt! I pay an extra dollar for the Premium Alpo© and it tastes the same as the regular stuff! Waste of money.”
“If you EVER eat the last S’Mores Pop Tart again, I will make it so you spend the rest of your life sitting down to pee. Do you hear me!?”
“No! Please! I had to save up 6 months pay to FINALLY buy this Incredible Hulk #181! It’s the last book I needed to complete my Wolverine collection! DON’T TAKE THIS AWAY FROM ME!”
They’re practicing the new men-only partner yoga – Broga.
“I’m telling you, man, if you bend your fingers up like this when you’re doing it, you’ll hit the g-spot every time! It drives the women CRAZY!”
Anubis will return next time in
“What’s Eating Gilbert Chan?”
Featuring: Julian “Warlock” Sands , Elsa “Fast Five” Pataky , John “The Machinist” Sharian
Director: Paco “[REC]” Plaza
Writers: Alberto “Extinction” Marini , Elena “Prime Time Serra , Alfredo Conde
Also Known As: Werewolf Hunter , Werewolf Hunter: The Legend of Romasanta , The Werewolf Manhunt , Romasanta: the Werewolf Hunt
I’d like to thank the gents of The Celluloid Zeroes for letting me horn in on their “Adult Onset Lycanthropy” roundtable. Be sure to check out the rest of the crew’s reviews, as linked at the bottom of this one!
I told you I’d get back to the Fantastic Factory sooner or later! Romasanta was originally supposed to be the cap-off for the “Fantastic Four” reviews thing, but when the AOL ‘table was announced, I thought it better to nudge it back a couple of episodes and put Arachnid in its place (in both contexts). And so here we are! And Julian Sands is here with us! Hooray! From the first time I saw Warlock, to his voice work as the villain in ‘The Jackie Chan Adventures‘ and all the smaller pay days in-between (like Naked Lunch and Tale of a Vampire), I’m always a sucker for a good Sands job. That sounded so much dirtier than intended. Bravo. *golf clap*
What we have here (aside from a failure to communicate) is one of those “based on a true story” flicks that neglects to put the word “loosely” at the beginning of that statement. Or, in cases of stuff like The Texas Chainsaw Massacre, “almost not at all”. Romasanta actually keeps it pretty close to the truth, and could even be construed as keeping it absolutely 100 if you’re going by the claims of the eponymous real-life serial killer (Spain’s first, incidentally!) upon which the story is based. Now, who wants to relive one of the most bizarre crimes in the annals of Spanish history with Uncle Anubis?!
No. You can’t sit in my lap anymore. Your parents think it’s inappropriate and I’m not dealing with wild accusations and angry villagers wielding torches because you’re not comfortable sitting on the floor. You don’t like it? Bring a pillow to these things, because I’m not buying a chair. It’s bad enough I let you use my bathroom and eat my Circus Peanuts.
Our tale takes place in the village of Galicia. The year is 1851. Queen Isabella II (Electric Boogaloo) rules the land while both fending off the Carlists who want her dethroned and trying her best to make her marriage with her gay cousin Francisco work (at least that’s what Wikipedia told me). Lacking televisions, the children are babysat/entertained by poorly done puppet shows. Everyone is generally pleased with life, despite the lack of indoor plumbing and constant threat of wolf attacks. Seems Galicia’s been having a lot of the latter lately, so much so that the disappearance of a local bailiff (you know, like Bull from “Night Court”) has been blamed on lupinous ill-intentions. When his body is recovered, ravaged with tooth and claw wounds, a bounty goes into effect for every wolf carcass collected. A plan to promote both populace safety and lower the general fear factor, since nothing motivates the frightened masses better than the clinking of coinage! They go so far as to trap the poor things in cages and shoot them dead in the middle of the market square so everyone can watch. Where’s Princess Mononoke when you need her?! Oh, right. Japan. Never mind.
We’re introduced to Barbara (Elsa Pataky), a lovely young Galician gal, as she goes out to the family barn to check on their animals one night. She finds their pig with its throat ripped out (Oh god! Not Orson!) along with the culprit (an almost jackal-esque wolf) still eating its newly acquired dinner not 10 feet away. The quadrupedal menace growls at her, threatening to make her the next course on the esophageal buffet. Fortunately for Babs, her brother-in-law Manuel (Julian Sands) appears from nowhere in the nick of time to stare down the sinister pooch and send it packing with its literal proverbial tail betwixt its legs. Was it intimidated by the stance of an alpha male, or did wolfy see what happened to Cloquet’s houseboy in Naked Lunch and just think “Yeah… fuck that. Adios!”.
(I was going to post a pic of what did happen to Cloquet’s houseboy, but this completely unrelated Naked Lunch still is funnier)
Manuel is a traveling salesman and transcriber for people who can’t write their own letters. Remember, this is the 19th century. “School House Rock” hasn’t been invented yet. He’s back from the road, much to the relief of wife Maria (Maru Valdivielso), mute daughter Teresa (Luna McGill), and aforementioned s-i-l Barbara, who will feel a lot more secure in the wake of the recent wolf ransacking now that there’s a man (and apparent wolf whisperer) in the house again. His stay won’t be long though, as he’s moving everybody to Santander – a fancier township where they can get a tutor to teach Teresa sign language. Also, though they probably still have wolves there, they’re probably just not so human hungry. Kinda like how Candy Apple Island still has apes, just not as big as the apes on Ape Island.
Everybody’s up for the move, but Maria’s one of those housewives who watches too much “Maury”. She thinks little sister has the skank eye for her Man(uel), so she insists on leaving Barb behind to fend for herself “until they can find a position for her” in their new zip code. When Babs insists on going with them and tries to talk to Manny about it, Mar pulls a knife on her and threatens to gut her if she doesn’t take her exile from the family like a good girl! This went from “Maury” to “Jerry Springer” faster than you can say “Keep it in the family”! Yikes.
Not wanting to see if she can live without her spleen, Barb acquiesces and stays behind, alone in the family farmhouse. Maria wonders if she’s done the right thing, but doesn’t have long to regret her decision, since Manny KILLS HER! Yep. On the way to their new home, the trio stops in the forest to make camp for the night. While Mar’s off bathing (don’t get excited, as “bathing” in this sense involves wearing full pantaloons AND her corset), Mr. Romasanta torments little Teresa by JAMMING TWIGS INTO HER PET BIRD’S EYES (so it flies around manically “like a butterfly”), then sending her off silently screaming into the woods to get caught in a wolf trap, where he finishes her off by JAMMING STICKS INTO HER EYES TOO! I’m a heartless monster, but even I can’t get behind child abuse like that. Jesus fuck biscuits! Anyway, Maria finds her, but has her mourning cut short when the camera lunges at her horrified visage before cutting to black. You know, that multipurpose Evil Dead technique that builds suspense by not showing you who/what is attacking her, while also saving a few Pesetas by not having to pony up for a monster suit that won’t look like a pile of shit and zippers when shot in daylight.
Galicia’s District Attorney, Luciano (Gary Piquer, looking kinda like Viggo Mortensen in a beard), is determined to get to the bottom of these killings. Apparently the D.A.s back then didn’t just do court stuff, they doubled as the Sheriff. To help him sniff out the true culprit(s) behind these killings and keep this wolf hunt from becoming a witch hunt, Lucy calls for outside help in the form of Algerian man-of-science Professor Philips (David Gant). Dr. Phil provides some classic insight into 19th century criminology, like how big headed sweaty guys are always guilty because they can’t control their natural affinity toward evil. In my case, that’s very true. He also believes that through physical and mental manipulation, these people need not be executed, but can be rehabilitated. When the town’s tribunal tasks him with proving the legitimacy of his science, Phil uses said lawmaker as an example and sticks a couple of needles into his brow line, causing him to sob uncontrollably. How this proves that the Moisty McPumpkinSkull they’ve pulled in as a suspect could be a serial killer, I have no clue, but I didn’t study at 19th Century Doctor College. I earned the Leeching Bachelor’s degree on my wall by watching The Giant Leeches.
Prof Philips is also well versed in the coronery arts, not to be confused with the “culinary arts” or “coronary arts”, so don’t. Through his autopsies of the victims (preserved in coffins filled with salt), he drops the unsettling knowledge that one of the bodies, a 14 year-old girl who kinda resembles the now deceased Teresa, was also the recipient of a postmortem custard pumping. This means that not only is our killer a hebephiliac, but also a necrophiliac…making him some kind of necrohebephiliphiliac. Queasy.
An expensive earring was also discovered on the body, meaning that she was from a well-to-do village elsewhere. Since wolves eat their prey where they find it (too stuck up for doggy bags), obviously they wouldn’t have dragged this girl all the way here from wherever she was killed. Even if, I’m pretty sure most wolves don’t rape their dinner after they’ve killed it either. Unless of course it was a Wall Street wolf, as they’re pretty abhorrent sexual deviants if the legends are to be true. *rimshot* No, necrophilia on a teenage girl seems more like the kind of nightmarish horror nature reserves for humans…or otters. Seriously, look up the dark acts those furry little motherfuckers get up to after dark. You’ll wanna round ’em up and throw ’em all into a giant blender after you do. As Lord Byron famously put it, “I shit you not”.
Philips also finds that the bodies have wounds consistent with not only teeth and claws, but also knife incisions! Curiously enough, they’ve also been relieved of all of their body fat. Though this sounds like the result of some radical fucking medieval liposuction, everybody who saw/read Fight Club gun jumped to the immediate conclusion I did: somebody’s making soap. Given that soap is still a luxury item at this time, who do we know that sells luxury items? That’s a bingo. Our killer has a name-o. And it’s the title of the movie. Which we already know by this point because we just got done watching Manuel Romasanta kill his wife and daughter. Such is the problem when we’re watching a murder mystery that already shows us who the killer is: there’s nothing for us to figure out and we just sit back and wait for Manny to start killing people like it’s just another slasher movie. Blart.
Speaking of Manfred, he returns to Galicia the following morning, bearing gifts for his dear s-i-l. Barbara wakes up to the tune of an ornate music box and the sight of an extravagant gold dress. After she puts the dress on and starts eyeball fucking herself in her mirror, Manny creeps up on her and gets all squeezey and strokey on her neck and clavicle, telling her how beautiful she is. In a classier way than when I woo a woman by whispering stuff like “You’re curing my ED.” or “I wish you weren’t married right now” into her ear on the subway. Barb asks the smooth talker just how many women he’s knocked the boots off of, to which he offers up the usual verbal evasive maneuvering every double-dipping Don Juan pulls out in times of interrogation, all the while seeing the faces of his presumed victims in the mirror. Barb catches sight of her sibling’s guilt-inducing visage in the looking glass though, and talks herself out of engaging in any of Manuel’s infidelity. If I had a dollar for every time some spook cockblocked me, I’d have enough to buy one of those PornHub twerking Terminator butts. I know what’s going on my Cthulhumas wish list!
Manny tells Barb that her sister and niece are fine and dandy in Santander, and that Maria’s even procured her a job! See, if we didn’t know that he’d already killed his wife and daughter, this would’ve worked much better. Instead of getting the big reveal at the end though, now we just watch him perv on the young object of his affections while wondering how far it goes before Barb insists on seeing her loved ones. Though milady’s hormones are haunted by the disapproving, cunt-punting, sister specter (no doubt just an embodiment of her guilty groin), it takes all of an hour or two for her to exorcise that loin phantom. During her morning bath, Manny creeps up on her again, this time giving her an erotic washing in the tub that leads to some submarinal stimulation of the clitoral variety. Even when he gives her the moral out and pulls his hand away, she gives him the “Oh, you are NOT fucking done yet, mister!” look and pulls his hand back between her thighs, putting the “sensual” in “consensual”. Manny must be a helluva marksman, cuz his fingerbang game hits the bullseye! Fingerbang! Bang bang bang!
Though the identity of our serial murderer is never in doubt, the exact origins of his situation are brought into question during a flashback sequence. We see Manny pick up an injured farmer along the road (back then they only had one road and it went to every town and it was uphill both ways in 6 feet of snow) and offer to take him to the next town to get treated for the sickle wound he’s suffered. Determined that the guy won’t make it, Romy (sans Michelle) offers to write up a goodbye letter for him and deliver it to his soon-to-be widow. Farmer Fred gives up the ghost mid-sentence, so our suavely sinister lead fills it in with some really schmaltzy shite about how her butt won’t quit and $5 chewy pretzels or something. He delivers the message and worms his way into filling the now gaping hole in her life…and any other holes that could use a good stiff tending to (said with a perverse “heh heh heh” and a liberal “humpin’ thrust” motion).
This brings to question exactly how it is that Manuel got involved with Maria. Was Teresa his biological daughter or his stepdaughter? The movie stays pretty obtuse on the topic, thought I’d like to think that it’s intentional. Whatever his true relation to Barb’s family, while Romasanta continues his seduction of his s-i-l, a goon with a scarred face trespasses on their property and attempts to shoot him in the back! No surprise, as said goon has a massive dome and looks like the type of person who’s constantly wiping his sweaty palms on his pants. Seeing the (hilariously computer generated) glint off the rifle first, Barb throws herself into the line of fire and takes one for her man. The mystery mongoloid slips away while Manuel takes her inside and extracts the slug of silver from her back, saving her life. He picks this as the most appropriate time to declare that his life belongs to her, but the most inappropriate time to gift her a lovely little necklace in thanks. A necklace that he lifted from Teresa’s neck right before he murdered her! Giving your new girlfriend a prized trinket stolen from her beloved relative is the only thing worse than giving her an engagement ring with your ex’s name still etched in the band, and this guy fucking does it! That’s a whole new level of dick move, and that’s coming from one of the King Dongs of dicks! For shame on you, Mr. ‘Santa. Hell, FIVE shame on you, you bastard.
Naturally Bar recognizes the bauble (taken from her only freaking niece!) so that night, while her new fuck buddy is copping some z’s, she goes snooping through his caravan. Under a loose floorboard, Nancy Drew finds a small chest of misappropriated valuables, along with some not exactly clear but very official looking documentation with Teresa and Maria’s names on them. I thought they were death certificates at first, but my Evil Dead Bride suggests that they may be the gals’ wills. But, would a child even have a will? Whatever the case, no sooner does Bar put everything back, then someone cartjacks her! Wait…so Manuel leaves his horses tied to the cart at night? What the fuck?! That’s the 19th century version of leaving the keys in the ignition and the doors unlocked! His insurance company won’t be paying a dime on this claim…
During the kerfuffle, Babs is tossed around worse than someone trying to get to the toilet on a Greyhound. No diggity. Indiana Jones has an easier time crossing rope bridges. And trying to piss standing up while it’s doing 65 on the highway without getting it all over your shoes? It should be part of the initiation process to get into fucking Skull & Bones! Anyway, a dropped lantern turns the whole thing into a mobile inferno, with our de facto heroine (who’s not exactly a bastion of morality since she’s having an affair with her dead sister’s husband) managing a literal leap of faith that would make Zoe Bell pop a thumbs up. She’s immediately accosted by Lumpy Scarface, who rips off a piece of her dress, rubs it on his face saying “they’ll follow me”, and runs off into the woods to play decoy, shouting to attract the attention of the baying wolves echoing in the night.
The next morning, she wakes up to find the galoot has since returned, and he enlightens her as to his origin story. His name is Antonio, and he used to be a common thief. One day, while burgling a church, he was confronted by a wolf (I still say the wolves around here look more like jackals) that shrugged off a point-blank gunshot like it was the world’s mildest beer belch. In retaliation, it attacked this clearance rack Randy Couture and brought him into the brotherhood of the wolf (different movie). After engaging in a few co-murders with his new barking bro, Tony became so overwhelmed with guilt that he now hunts Romasanta to bring an end to the monster and maybe get his own curse lifted by scoring a few redemption points from Jehovah while he’s at it.
When Barb goes with him to the constables to corroborate his story about the WolfManuel (see what I did there?), they declare Tony as clearly insane and have him locked up. No doubt his big fat head and damp mitts gave him away. They practically caught him
red wet handed, wakka-wakka! Despite Antonio’s detaining, D.A. Lucy believes Babs enough to put out the 1850s equivalent of an APB on Romasanta before sending her home. While there, she finds a stash of Manny’s stuff, including letters he had transcribed for his many girlfriends to their families, but never delivered. It’s not explained whether he intended to deliver these later, was keeping them as mementos of his conquests (serial killers are weird like that), or just hadn’t gotten around to burning them yet, but they serve as the perfect plot twist excuse to turn Babs vigilante and put her on his trail. She takes off across the countryside, returning the letters to their original senders and asking around about any recent Romy sightings. As you can guess, it turns out this traveling salesman has a different alias in every town, and now that his new squeeze is ratting him out, it’s time to start cutting ties with all of these other girlfriends. Along with their throats, abdomens and whatever else he feels like severing.
Ladies, when a man is willing to murder all of his other girlfriends to be with you, it means you’re his Jet Li/Neo. You’re the One.
Back at the nuthouse, the doctors tell Tony that he’s not now, nor has he ever been a werewolf. He’s simply a delusional psychopath who was manipulated by Manuel into being his murder amigo. The Ottis Toole to his Henry Lee Lucas. The Tex Watson to his Charles Manson. The Ringo to his rest-of-The Beatles! With the second banana’s help, the man(uel)hunt gets a lead on where the killing spree could be heading next: a middle of nowhere town wherein the killer is cornered while doing day laborer work, reaping in a wheat field. For a scene where so many people are wielding scythes and sickles, there’s a disappointing lack of dismemberment to be had. Despite managing to evade the 5-0, Santa doesn’t run off like a smart fugitive would. Instead he takes the opportunity to confront his lady love (she fell behind the rest of the posse when her gunshot wound re-opened), who holds him at arm’s length with the tip of a sickle planted firmly in his neck. Whether her restraint is because she still loves him somewhere in her head, she wants to let the judicial system deal with him, or she just wants to know how her body rates next to the 30 or so other baked potatoes he was slinging his sour cream with (I’m presuming from experience, not sexist stereotypes), she keeps him there until the constabulary circle back around and take him into custody. The tension of this scene makes it a real “shut up and take notice!” moment. The intensity on Barb’s face sold me on Pataky as not just a likeable and lovely lady actor, but as someone who can act the living Hel out of such a scene with just her face. Between that and Plaza’s direction, it’s insta-boner stuff that puts movies with five times its production values to shame.
Manny’s taken back to Galicia and put on trial while a ravenous gang of villagers screams for his head outside the courthouse. They sadly lack the torches, pitchforks, and nooses you come to expect from angry Victorian Era mobs. Besides, why would there be multiple nooses? Did Steve, Randy and Carl ALL think it was their turn as “noose guy” in the rotation? Or is Randy known for using cheap rope when it’s his turn, so Steve and Carl just thought it prudent to bring back ups so as not to let Randy’s thrifty tendencies ruin another perfectly good lynching? “Damn it, Randy! You do this EVERY time!”
At trial, “the Werewolf of Allariz”’s defense is that he’s innocent and it’s Mother Nature who’s responsible for his crimes. Typical self-entitled cunt, always blaming his parents for his choice to be an asshole. Where he comes from (Allariz), it’s well known that the 9th born son of any family is touched by the Devil, and being his father’s 9th son that makes him inherently (or inheritedly in this case) evil. His transformation into the wolf is his malediction, and since a wolf’s natural instinct is to kill, it’s not his fault that he kills people when he’s furry and four-legged. He says he can be saved, and that his love for Barbara is the cure to the curse. Their relationship is the only thing that’s ever given him regret for his crimes and he didn’t feel the urge to kill a single person for the few days he spent romancing/fingerbanging her. To test this claim, the Professor (and Mary Ann?) puts him under hypnosis and he’s taken to the forest so the tribunal can witness his transformation into a bloodthirsty fleabag…or just watch a grown man play make believe. Santa recreates his actions during the murder of Maria and Teresa and guess what? No transformation. Not a physical one anyway. Sands’ portrayal of said recreation is either grand drama or pure scenery munchery. I’m not entirely sure which, but it’s definitely something worth watching!
Phillips diagnoses Romasanta with Adult Onset Lycanthropy (take a shot!), in that a strong emotional trigger turns him into a ravenous maniac. So, he becomes a metaphorical “wolf man”, rather than a literal one like more superstitious (i.e., dumb) people would believe. Thus, Phillips believes Manuel’s not only not responsible for the crimes he committed but can be rehabbed, thus Dr. P recommends to the judges that Romy be given over to the custody of the sanitarium. As with any cop, this puts Luciano on the express strain to FUCK YOU! Town, as his moral code of black & white (insert joke about racist cops here) says there’s no excuse for criminal acts and Roms needs to be imprisoned, followed by a nice public execution so justice can be served! I’m waiting for him to pull a Dirty Harry or a Frank Castle and just put a bullet between Manuel’s pretty blue eyes before this is over.
The court’s verdict? Manuel is to be remanded to the asylum’s custody pending further investigation. While there, he starts to pen his memoirs until he’s interrupted by Babs (wow, way to go security) who brings a silver knife to a love fight. She falters when Manny declares she can’t kill him because her heart won’t let her, but hopeless romantics tend to underestimate the overpowering lust for revenge. His lady love sheathes her pig sticker into her boyfriend’s pancreas, albeit with tears in her eyes. He falls to the floor, uttering his last words to her as some poetic b.s. about love and death before he says hello to Oblivion (“Hello, Oblivion!”) and fades to black. I’m as wrapped up in the words of wooing (not to be confused with Ric Flair’s words of “WOO!”ing) as the next tragic love story lead, but I’m pretty sure my final line to my girlfriend-turned-executioner would’ve been some variation of “AHHHH! FUCK! YOU FUCKING KILLED ME, YOU CUNT! I HOPE YOU DIE UGLY AND ALONE, YOU SELFISH BITCH!”. I can be a real prick when it comes to girlfriends gutting me though, literally and figuratively.
When the pork people discover him DOA, Lucy sees no need to investigate, likely chalking it up to a Willy Loman (*wink*wink*), but possibly going with the old “self defense” excuse after they put a gun in his hand and a bag of angel dust in his pocket. Like Bruce Hornsby put, that’s just the way it is, some things will never change. Funny how people who clamor for by-the-books justice are always the first to go rogue when said “justice” doesn’t fit their personal definition. I mean, this wasn’t even a case of a crooked judge or a slimy lawyer getting a serial rapist off the hook because the arresting officer wouldn’t let him wash his hands before cuffing them! The criminologist that he himself brought in to help with the investigation says that Romasanta’s insanity plea is legit, so Deputy Dog’s all “Fuck your science! Let’s get this guy dead as soon as possible!” and lets a vengeful citizen do the wet work for him while he covers for her! Justice? More like “just us”… best of luck explaining that one to yourself, because I’m foggier than The Fog on it, myself. Just random words!
The movie wraps with Barbara attending Manuel’s burial in the pouring rain (and wearing all black, so she’s clearly mourning her admissible retaliation), with the aftertext telling us that the real life Romasanta story played out much the same as what we just saw. The few exceptions being that his alleged accomplice Antonio was never found and Manuel was originally given a death sentence until Dr. Phillips petitioned the Queen to convert it to life in prison instead, due to his suffering from Lycanthropy. While he was awaiting a full pardon, though, Romasanta died in prison of “unknown causes”. The admirable dedication to the reality of the tale is no surprise, since script writer Alfredo Conde also wrote the fictional novel, The Uncertain Memoirs of a Galician Wolfman: Romasanta. Oh yeah, Conde’s also a descendant of one of the doctors involved in the original “Werewolf of Allariz” court case that took place in 1853/54 in Galicia, Spain! That’s some seriously cool pedigree to have for your “based on a true story” horror movie.
Before Romasanta, I thought Dagon was the only greatness to wade from the tar pit of bad-to-mediocre known as Fantastic Factory. But now? Holy shit. We’ve got a new #1 contender. As such, Dagon and Romasanta will be battling it out in a steel cage surrounded by jackals inside of a flaming steel cage surrounded by crocodiles for the Fantastic Factory Undisputed Championship Title! Or they can just share the awesome and serve as co-ambassadors for the non-existent campaign to bring the Factory back. Hell, Brian Yuzna’s been up to pretty much nothing since their doors closed, so we know he’s free! Now, where can we dig up a few millions dollars?
Aside from a plot hole here and there, an unanswered question or two, the story is good. I would’ve preferred more of a mystery with the whole thing, but the tale of Manuel and Barbara is a good one. It technically counts as a romance too, so next time your marital relations partner(s) want to watch something romantic, try and slip this into the rotation. It’s like a finger in the ass – you won’t know for sure until you try! However, if it doesn’t work the first time, don’t try it again. You might not get your finger (or DVD) back.
Paco Plaza’s direction is appropriately fantastic, no pun intended. As stated prior, PP (huh huh) makes this under the radar period piece look like something double its budget. There’s a single transformation scene (a flashback as told by Antonio) where we watch wolf Manuel turn back into his human form and it’s an excellent sequence. All practical effects, decidedly slimy “shedding your second skin” moment, cool “paws become hands” stuff, and a simple but effective beginning where the canine’s fur just washes off in chunks in the rain. My compliments to the chef(s)!
As far as the casting goes, I have no complaints about anyone involved, and nothing but praise for Miss Pataky. I was expecting Julian Sands to be the only standout in a cast of people I’d never heard of, but she was so likeable and intense and dramatic and DAMN was she good! To paraphrase Roger in Dawn of the Dead, she got this by the ASS! One of the review blurbs I read after watching referred to it as a “performance making role”, and I’m inclined to throw my thumbs up in agreement. She’s since become a reoccurring character in the last three Fast & Furious movies, so though I’ll never watch them, I’m happy to know that she’s making big fat Hollywood franchise money for her talents. Julian Sands definitely fits the title role because he’s handsome enough to be a ladykiller, but also has a nose that helps you believe this dude’s face elongates into a muzzle from time to time. He still pulls off the seductive thing in his advanced age too, so all the more reason he lives up to the part. His performance is pretty non-assuming for the most, but when it comes time for him to really get into the crazy, he definitely makes it a spectacle! Everyone else earns their paychecks and I had nothing to complain about. A backhanded praise to some, but believe me, a perfectly serviceable cast is a rare thing considering how bad some of the ensembles in prior Factory flicks turned out.
I’m REALLY happy I didn’t wait to do an episode on this one. It’s a slasher movie disguised as a werewolf flick done as a character study. Really well made, well acted, and if it weren’t for the disjointed story moments and sometimes inconsistent pacing, I’d say it was due for a golden feather. As is though, I’ll gladly give it a well-deserved 4 out of 5!
Next time I’ll be getting back on track with the World Tour de Farce. Where will I go and what will I see? The surprise is part of the fun! Until then, be sure to check out the other Adult Onset Lycanthropy reviews that the Celluloid Zeroes have in store for you! Keep those silver bullets warm and always carry some Wolfsbane in your socks, trucker fuckers! Don’t wanna get caught solajwf (shit outta luck and jolly well fucked). Ciao!
3B Theater: Micro-Brewed Reviews – Curse of the Black Widow
Checkpoint Telstar – The Bat People
Cinemasochist Apocalypse – Kibakichi
Las Peliculas de Terror – The Evil Within
Psychoplasmics – An American Werewolf in London
The Terrible Claw Reviews – Sssssss
Web of the Big Damn Spider – Summer School
“Please don’t tell me you’re the Publisher’s Clearing House people! I am NOT TV ready! Can you come back in an hour!?”
Surgeon General’s Warning: NEVER eat an entire box of Gushers Fruit Snacks on your own. There’s just too much fruit juicy flavor for one person.
Oh great, now that my cousin Scratch has had a cameo in a movie we’ll never hear the end of it at Cthulhumas. No surprise though, he always was the “looker” of the pack.
Looks like the local Chinese buffet is stocking up on “beef” for the weekend rush.
“Ladies! Ladies! Please stop fighting! There’s enough Mr. Ed for the both of you!”
“ARGH! DAMN IT, TERESA! I TOLD YOU NOT TO LEAVE YOUR LEGOS LAYING AROUND ON THE FLOOR ANYMORE!”
“…and so, gentlemen of this tribunal, in the case of “Who Smelt It v. Who Dealt It”, I give you your smeller AND dealer!”
“Your neck is so beautiful, so long, so… uggh! What is that, a skin tag?! Gross. You should have that burned off. It looks infected!”
“Why?! Why would you think I’d want to see nude photos of Carrot Top bathing in tapioca pudding?! I have a child here for God’s sake!”
He looks exactly how I feel after I’ve been touching raw chicken skin. Like one of King Kong’s loogies, or the guest of honor at a kaiju bukkake party. Uggh!
Ah, the all too familiar morning after moment of “What did I do last night?!” mixed with “I am NEVER doing Jägerbombs again!”.
“Look, I’m sorry I jumped to the conclusion that you’re only angry because you’re on your period, but… I mean… well… aren’t you on your period?!”
I know that look well. That’s the look my Evil Dead Bride gives me when we’ve had a fight, I make a really dumb joke, and she tries her best to stifle the laugh so she doesn’t lose the “angry upperhand”. She always laughs though… except that one time… I really miss my left testicle.
“With my new invention, the cranium re-sizerator, men and women need never worry about their hats being too small or too large again! Their skull will always be the perfect size!”
Anubis will return next time in