Featuring: Ángel “Street Knight” Vargas , Vera “Stigmata” Yell , Lee “Once played an uncredited drug dealer on an episode of ‘The Young and the Restless‘” Marks
Director: Craig “Dead South” Ross Jr.
Writers: Carl “Urban Massacre” Washington
Followed by: Killjoy 2: Deliverance From Evil ; Killjoy 3 ; Killjoy Goes to Hell ; Killjoy’s Psycho Circus
A glorious day to you, my heathens and sheathens! It’s me, it’s me, your A-N-U-B… I-S. Always rousing suspicions and arousing suspicious women! From Frankenstein Meets the Wolf Man to House of Frankenstein to Frankenstein Vs. Baragon, everybody loves a crossover. Tapping into that vein for so much of its delicious delicious blood, I bring you the “Turkey Day Month Casually Mingles with the Year of the Painted Horrors” pairing you never knew you wanted (because you probably won’t) – Killjoy!
And boy does it fucking ever. I haven't seen a movie so forthcoming with its titular content since New York City Lesbian Gangbang.
Fun fact: I once couch crashed for a week in the Brooklyn apartment of Maria DaMaris, one of the titular participants of said location specific “no Y chromosomes allowed” flesh exchange. It’s true! Also, despite my emphasis of the “tit” in “titular”, Maria’s major physical asset is her posterior, even after her breasticular supplementation procedure. Also also, I was there as a regular guest, not as a sexy guest. Also also also, I may or may not have masturbated repeatedly in her shower…
Remember back at the turn of the century, when Charles Band tried to re-ignite the Blaxploitation subgenre in the late-90s/early-00s with his Alchemy Entertainment/Big City Pictures “urban horror” label? Whether it was a note of romantic intent to the ’70s milestone of cinematic screwiness or just a cheap marketing attempt to convince black and “pale skinned appropriators of urban African-American culture” (you know, “whiggers”) audiences to buy into his bullshit, it happened either way. The tent poles of this inner-city circus were The Horrible Doctor Bones, Ragdoll, and the face-painted farce of fear from today’s feature. Given that we never got Ragdoll Vs. Dollman or the much hoped for prequel Doctor Bones: the College Years, while Killjoy would see the light of DVD again and again in no less than a trio of sequels, the Dollar Embargo Pennywise knock-off was the sole survivor of the label’s purge. His adventures culminated with 2012’s Killjoy Goes to Hell, but unlike a certain masked menace who did the same 15 years prior, this monstrous mischief maker has yet to find his way back.
Oh wait, scratch that. It looks like Chuck Band has summoned his jugular juggling jester back from the lake of fire for the recently released Killjoy’s Psycho Circus. Fuck me.
Speaking of getting fucked, I’m reviewing my physical copy of this movie, which is included on a single disc with both the second and third such flicks that were available at the time. The main menu of the trilogy has no extras or options, simply offering the ability to select each movie individually, or to “Play All”… Who THE FUCK marathons the first three Killjoy movies?! This isn’t the original Star Wars or Indiana Jones trilogies! Fuck’s sake, my juice is dried up by the finish of the first film, let alone would I ever have enough left over to even attempt another 3 hours of half-baked harlequin horrors after the fact! Speaking of juices, let’s squeeze this rancid orange (I’m sorry, president rancid orange) for all its worth and hope we don’t get any in our eyes. Sally forth!
In case you weren’t aware that Killjoy was shot almost 20 years ago, it’s made very apparent from the start as our two allegedly high school age female leads, Monique (Dee Dee Austin) and Jada (Vera Yell), exchange dialogue likes extras out of “Martin”. The Martin Lawrence comedy, not the George Romero “vampire who’s not a vampire” movie, in case I needed to be clear. Their deep conversation on the ethical quandary of “using a boy for his phat ride because you’re tired of walking home from school” is interrupted by nice guy Michael (Jamal Grimes), who’s got a heart-on for Jada, despite Monique’s clear disgust of him and, well, pretty much any guy who doesn’t offer to drive her around in their Mustang convertible. Much as Jada opts to treat the lad like a human being, and may even have a little appreciation for his blatant affections for her, it’s made very clear that Mikey’s immediate future will be in a body bag if Jada’s boyfriend Lorenzo (the oil guy?) discovers the pair have been conversing. Despite all this, Mike still feels compelled to spit into the wind and asks Jada to their school homecoming dance. If you think this is the perfect place for this poor man’s Dulé Hill to get his Jansport kicked in and the Puma logo imprinted on his pancreas, you’d be a way better predictor than Nate Silver right now!
And if you don’t know who Dulé Hill is, I’ll do you a favor: he was the black guy on “Psyche”. Yeah, the one who looks kinda like he played Kenny/Bud on “The Cosby Show” in the ’80s, but didn’t. That’s Deon Richmond, who was in the 2011 Kevin Sorbo, Danny Trejo movie Poolboy: Drowning Out the Fury… Sorry, just trying to avoid talking about Killjoy. I’ll get back to swallowing this capsule of broken glass now.
Featuring all of the cinematic professionalism of an after-school special, our movie actually starts like one too! In true movie fashion, this is the scene that “hood thug stereotype that red states think all black people look and act like” Lorenzo (William Johnson) and his cronies T-Bone (Corey Hampton) and Baby Boy (Rani Goulant) roll up upon. Mikey receives the beating alluded to previously, courtesy of the “even more of a hood thug stereotype than his boss” T-Bone, as Jada screams in protest. Though seemingly vicious in execution, NY Strip’s assault doesn’t draw an ounce of blood (probably no room in the budget), while the most vicious blow is made instead by ‘Zo, who steps on Piggy’s specs and tells him not to be caught “slippin”. Getting up with relative ease despite his back being the stage for Porterhouse’s stomp dancing (maybe the bully was wearing Pumps, so it was like being stomped with little hemorrhoid donuts?), Michael shoots some pretty harsh stink-eye at a nearby homeless man who offered no help during the incident. Our hero (by default, I guess) then goes home and does what any victim of a tragic love triangle would do – attempt to summon a vengeful spirit named Killjoy by sitting in the center of a circle of his mom’s votive candles and angrily manhandling a clown doll!
No fucking attempt at explaining Mikey’s ritual is made, let alone where he learned such a practice, but the homemade voodoo ceremony is cut short when Tiny Male lures Mike out into the streets under the guise of regretting the earlier fracas and wanting to be friends. Anyone who falls for something that stupid deserves to be beaten up by a guy named after a cut of meat, Mikey, so you’ve only got yourself to blame when the goons kidnap your naive ass. They drive him out to a vacant lot (by way of a car rocking back and forth in front of a blank black back drop!), and getting a lead pacemaker “accidentally” shot into his chest. Well, a bit of a downer ending, but at least the movie’s over now, right? Let’s go home and have a piping hot mug of triple Swiss Miss with brandy!
Awww shit. I knew it was too good to be true. Instead we’re thrown a year into the future, where Jada has long since broken up with Lorenzo and is instead now being courted by another classmate, Jamal (Lee Marks). She still has unresolved feelings for ‘Enz (“What am I supposed to do? He took my virginity when I was with him!”), but Jamal tells her she needs to forget about him and start thinking about Michael… Wait, what?! Why should she be thinking about the would-be boyfriend her ex killed? Shouldn’t she be thinking about herself? Just ’cause you’re black doesn’t make you Montel Williams, man. Stick to the Easy Cheese pick-up lines and lookin’ pretty, leave the self-help shit to the professionals.
Elsewhere from all this woo pitching, Lorenzo, Newborn Male and Sirloin are still in their west coast ménage à trois, trying to freestyle about weed and passing blunts between their shifts at wherever the hell it is they make their money. Let’s say Good Burger. Anyway, as soon as Lorie kisses his homies goodbye so he can engage in a little bump and grind with whatever girl he’s currently staining sheets with, Infant and Rib Eye are lured out of their domicile by the siren song of a passing ice cream truck. Looking to indulge their munchies, the lads engage the truck’s owner, who proclaims himself an undercover drug dealer selling his product under the disguise of an ice cream shilling clown. Of course this painted pusher is actually the mirth spreading murderer of our title, and when he invites the pair into his parlor (well, his truck), they’re magically transported to Killjoy’s private pocket universe: a warehouse covered in shitty graffiti. Yep. No three-ring carnival of carnage, just an abandoned building. Once there, naturally the duo are done in, with Flank being “smoked” like a blunt and Kiddo being… hit by a truck? Okay, Tenderloin’s dollar store Freddy Krueger demise is expected, but dragging a guy all the way to your own little death dimension just to hit him with a truck?! That shit’s whack like Rob Ford’s crack!
Oh well. Adieu, T-Bone. You were too well marbled for this world.
Lorenz falls for the same gag sooner than later (as in the very next scene), attempts to unload 21 rounds from his magical movie REVOLVER into joy boy, then ends up holier than a Swiss cheese sex doll when Killy straight up steals Weird Al’s Rambo gimmick from UHF by making with an oral machine gun and spitting Zo’s bullets back at him, rapid fire. Well, technically there are NO holes in Lorenzo, because this minuscule effects budget couldn’t cover squibs, so instead he just has little bursts of red digital splatter flash over his torso for a few seconds, leaving behind NO holes and NO blood! You can see why it’s one of my “Top 25 Hemorrhage Inducing Movie Moments of All Time”… a list that doesn’t actually exist, but probably should.
Though infuriating, this scene brings with it the movie's solitary redeeming moment (aside from its 65 minute running time) – watching Lorenzo's new girlfriend Kahara (Napiera Groves) engage in a gratuitous shower scene. I know it's an all too common device that I've complained about in the past, but in such a white dominated genre, you just don't get to see a whole lot of brown-skinned beauties in that classic exploitation position so, well, I really appreciate it when it happens. Reminds me of my high school days when porn wasn’t available at the
clit click of a touchscreen. Pardon me while I get “nostalgic” for a minute or two…
Ahhhh. I feel two quarts lighter! Back to business (or “biznaas”), Jada gets a midnight call from Monique of much urgency. In fact, it’s of such urgency that Foreigner would proclaim it an urgent urgent emergency. So urgent, so urgent, just wait and see. Remember that ineffective hobo (Arthur Burghardt) that sat idly by and watched a certain refugee from a butcher block scuff test his new kicks on Mike’s torso the year prior? Well, on the anniversary of the love-lorned loser’s loss of life that same nameless squatter, possibly while hopped up on Viper (+25 movie nerd points to anyone who knows that reference without Googling it!), has sought out the girls to recap everything from the first act to burn off another 5 minutes. For reasons he never explains, the “not nearly filthy enough to be a believable homeless guy” knows that Killjoy operates on CPT (Clown People Time) and has just now answered Michael’s call for revenge, 365 days late. Having offed Lorie and the Hoods though, shit should be all peaches and plums, right? Well, no. Turns out that Killjoy wants to ply his namesake to Monique and Jada too, while Jamal’s just a bonus, I guess. What did the girls do to deserve such treatment? Never underestimate the blind anger of a nerd scorned.
Pro-tip, ladies and gents: just because someone isn’t romantically interested in you doesn’t mean they’re evil. In fact, you’re the more than likely the only one who’s an a-hole, for holding it against them when they reject you. Trust me. Don’t set yourself up for the same regrets I did. Movies and TV and books and songs lie to you – there’s no such thing as someone you were “destined” to be with, and it sure as shit isn’t their fault or yours if they don’t have the same feelings for you that you have for them. Forget about ’em and keep looking elsewhere. Hell, stop looking for love and that little prick Cupid’s arrow might just pop you in the back when you’re not expecting it! Worked for me and EDB, just might work for you too. Now enough of the touchy-feely tripe! I’m not Dr. Drew and this sure as shit ain’t “Loveline”!
So, the old man disappears in a puff of smoke (maybe he has a stick of chronic burning in his jacket pocket?) and our trio of young African-Americans pretending to be even younger African-Americans opt to take the initiative and confront Clown Boy head-on (“Apply directly to the forehead!”), climbing into the back of his seemingly abandoned truck, parked conveniently right out front where the old man said it would be. Wow, so these kids are ready to attack welfare Pennywise (who’s yet to approach either of them and may not even have beef to resolve), all on the word of a random vagrant whose validity is due solely to his knowing their names and disappearing in a cloud of smoke like David Copperfield or Batman? These guys would probably follow David Blaine across an ocean of molten magma!
As soon as the three materialize in Killie’s murder warehouse (why everyone who goes to this place does so by landing on the floor in some kind of Power Rangers pose, I couldn’t tell you to save my fucking life), Jamal starts up with some Scooby-Doo “We need to split up!” nonsense that the girls aren’t having. Jammy-Jams even flubs one of his lines, but director Ross keeps it in anyway! Bravo, sir. John Singleton you’re not.
With repeated utterances of “We got to!”, Jamal pushes his insistence that splitting up is the only option and wanders off alone, leaving the ladies to their paired fate. In reality, I'm guessing this has to do at least partially, with the fact that there are three of them and only two doorways on the set for Bozo von Chucklefuck’s Haunted World of Spooky Black-on-Black Crimes. This lasts every second of about 2 minutes before the three are reunited, scared back together by Killjoy who…doesn’t really do much to bother them beyond his bad laugh, worse lines and some Tim Burton Joker-ish gag where he offers Jamal a literal hand. You know, cuz it’s a hand…and he offered him a hand…because it’s a severed hand…and Jamal thought he was just offering him a figurative hand…but it was literal… because…it’s…a…hand… Anybody wanna go in halfsies on a gun rental and a pair of bullets? I’m really not feeling much for this whole “not being dead” gimmick lately.
Our heroic trio are then forced to fight off illusory dopplegangers of ‘Zo +2, not because Jada needed to evolve as a character by physically exorcising her residual emotional attachment to her ex (she squares off with Steak ‘Ems instead), but because her new boyfriend just needed to kick her old boyfriend’s phantom ass to prove he’s better than a ghost. And he does, thanks to a ninja sword that he recovers from a tipped over box, because I guess Killjoy’s warehouse services those Chinatown outlet stores that sell decorative weapons to wanna-be Bruce Lees for less than a tenner. Right next to the polyester kimonos and the plaster dragons painted to look like they’re made of jade. Speaking of jade, Jada also benefits from said stock as Mo’ passes her a comically theatrical battle ax to fend off Ghost Beef. Because Charles Band’s props department is made up mostly of day-after-Halloween purchases he made from Big Lots. I had to fight him over a battery-operated wolf skeleton this year! It was weird too, cuz the damn thing still had ears somehow despite being a skeleton. I let him keep it. I’ll have to think of something else to get my sister for Cthulhumas this year.
Pastrami is shown that, despite his claims, being dead doesn’t mean he can’t be killed (or in this case, decapitated by Jada), while Jamal struggles with undead Toddler, attempting to gouge out the vato’s oculars only to miss completely and gently massage his eyebrows instead. Fortunately for our hero, it seems the brow ridge is just the weakpoint the exorcist ordered, as said light caress causes the baddie to leak green smoke from his eyes, cry out in pain, dissolve into a cloud of eyesore particle effects, and make that weird zapping sound you always heard from the Tesla Coils in a b-movie mad scientist’s lab.
‘Joy reappears, dispatching Jam and Monique with ease, then corners Jada and asks for a kiss. She complies, but only if he leaves their world forever. The capering antagonist could’ve easily pulled the lawyer card and instead forced her to stay in his world forever, citing unclear wording, but instead just does the dickhead thing and refuses to honor their agreement, just because. He then reveals himself to be Michael, who delivers a monologue about how unfair it was to be bullied by everyone when he just wanted some friends. Jada offers to be his friend, but he wants her to be his girlfriend, not his friend that’s a girl. She clearly wants to tell him she doesn’t like him “that way”, but hesitantly says yes instead, only to knife him in the guts a few dozen times when he gets aggressively huggy. Nothing to do with her station in life or where she comes from, but I’m guessing Jada did a stretch up the river at some point because she shivs that boy like a woman who’s seen some shit (or done some shit) in a prison lunch line before! This Dorothy’s been to Oz, and I’m not talking ruby slippers and flying monkey bellboys!
If you thought everything sounded stupid up to this point, you’ve only dipped a toe in the stupidity quicksand. Now, after murdered Mikey fades away, Jada collects Jamal and Monique and the three stroll out of the warehouse like everything’s hunky-dory. It’s not, of course, because we’re only 55 minutes into this little-over-an-hour mire. As I was saying, they walk out of the warehouse (which is just a warehouse now and not a parallel dimension?) and find the Killjoy Mobile parked across the street. You-dread-who pops up AGAIN with his three lackeys still in tow and proclaims that he can’t be killed in his world. You mean exactly like Freddy Krueger had to be brought into our reality to be killed? Right. But, I’m presuming that they’re all in our reality right now, right? Or are they still in his world?! I’m shit out of theories on this one, and hold your ponies lads and lasses cuz it only makes less fucking sense in a minute!
The good guys hear the homeless guy Obi-Waning in their heads and telling them they need to “kill the doll” (rather than “use the Force”), which they make it a point to vocalize out loud, cuing Kony the Clown in on their plan. He gets pissed and tries to chase them down, but they escape into the back of his ice cream truck, because it looks like all you need to do to get out of his trap dimension really is just walk out of its front door! And this time, rather than being thrown back into the warehouse-between-worlds, the magic fool bus instead transports them to…Michael’s old apartment?! How the fuck does this work!? What the FUCK was going on in your head when you wrote this, Mr. Washington?! I feel my brain being spaghettified right through my eyeballs by the black hole this movie’s collapsed reality is creating! ARRRRRGH!
Before Jada can destroy the doll it turns into Michael, begging her (while she straddles him in Cowgirl position…awkward) not to kill him because everything he did was out of love for her. She hesitates, which is odd considering how savagely she pig stuck the guy not 10 minutes ago! Ultimately her killer instinct wins out again and she gets the chance to murder her admirer a second time. Mikey cries out in pain, reverts back into a toy, and some mystical earthquake sends the villains back through a vortex to whatever homeboy purgatory they’re stuck in now. Jamal warns the girls not to break the circle of votive candles (which aren’t lit anyway…) and they huddle together to hold hands, transported back to Monique’s place with no explanation as to why. Jedi Fred Sanford awaits them there too, only to dissolve sans any further dialogue. Without batting an eye, Jamal suggests that the three go out for a bite to eat and everybody learns to feel good about laughing again. No, seriously, they get all dressed up, sit in a nightclub, and talk about how great it is to laugh… Somebody actually got paid to write these lines!
To keep up with the knock-off A Nightmare On Martin Luther King Blvd bullshit, it turns out this ending is just a nightmare Jada’s having that ends with Killjoy showing up. She awakens screaming in bed next to a horny Jamal who figures the best way to cure his girl’s bad dreams is with a mouthful of beaver, and with a Vera Yell, she cried “MORE! MORE! MORE!”. See what I did there? But when he comes back up from spelunking the meat curtains beneath the sheets, care to guess who he’s turned into? Yep.
And they made
three four more of these fucking things?! There is no god.
I mean, there’s a lot of us, clearly, but there’s no god specifically for shitty movie prevention. I put in a dozen requests with H.R. (Human Resources, not Pufnstuf) and they just keep telling me that jars full of internal organs with “DO WHAT I SAY!” etched into them aren’t acceptable requisition forms. Friggin’ office politics.
And so goes the story of Killjoy, Carl Washington’s double rip-off of A Nightmare on Elm Street and It. A movie that can’t even follow the rules it makes up for itself as it goes along. A movie whose plot has more holes than Biggie Smalls and Tupac Shakur combined. A movie whose dialogue sounds like it was written by a mentally impaired 10 year old who just learned the term “good pussy”. A movie whose villain’s quips couldn’t even make a hyena hopped up on Nitrous Oxide and Red Bull crack a giggle. It’s sad too, because for the most part the cast isn’t horrible, they’re just playing one-dimensional characters and are bogged down further by the shit Washington filled their mouths with. Sick bastard.
Out of this cast of extras from a season of “The Wayans Bros.”, the only one who can’t blame the script for their piss poor performance is Lee Marks. Sure, he’s given some especially harsh lines, but his readings are wooden enough for Nick Offerman to carve a canoe out of. Either Marks didn’t get a chance to practice his lines and this flick was shot in the Roger Corman “one and done” style (which is very likely given some of the flubbed lines and bumbled camera work that were left in) or the guy was hired straight off the casting couch based on his looks, his lacking of acting be damned. Maybe he’s the ugly girl the others keep around to make themselves look hotter by comparison. Only… you know…the thespian version.
Batting 0-2, Killjoy‘s third strike comes at the hands of director Craig Ross, who is just as bad at his job as everyone else is at theirs. Wretched shot composition, miserable efforts to be creative by shooting from a low “pendulum” angle that even first semester film school students wouldn’t waste their time on. The gratingly stupid Superman landing that he has everybody do when they “jump” into Laughing Boy’s urban squalor Purgatory! It all flies as well as Thoth after a 40 oz. of Olde Egyptian 800 BC. That is one man-bird that cannot hold his liquor, malted or otherwise.
To finish out the bingo card, Killjoy‘s soundtrack, cinematography and editing are also dumpster refuse. Specifically that dumpster Willennium Smith kicks open in Men in Black that vomits cockroaches all over the ground. The only thing it’s consistent at is being terrible. Reminds me of the first time a girl went down on me, only with less teeth. If I were to best sum up my feelings for this incompetently cobbled together “Frankenstein’s monster if he were assembled from large pieces of putrid deli meat” via the medium of referential humor to a scene from a culturally relevant comedy movie released in the last 15 years (oddly specific criteria, sure, but just go with it), it would be the Sex Panther fallout scene from Anchorman where an office full of Paul Rudd’s co-workers are driven to odorous agony by his bio-hazardous, nostril napalm cologne. Remember “SMELLS LIKE BIGFOOT’S DICK!”? That was me by the time the end credits hit.
In the spirit of the season, Killjoy is such a gobbler that Turkey Volume Guessing Man gives it 3000 turkeys!
And if you don't get that joke, go back and watch the Riding with Death episode of “MST3K”. It’s magic. How magic? Remember that time Merlin turned his penis into a rainbow spewing dragon to have 6 month long tantric sex with Grendel’s mother so they could give birth to Electric Light Orchestra and raise them to write and perform “Oh Oh Oh It’s Magic”? That episode is MORE magical. 2 Legit.
With that, I leave you to your dinners of mass consumption, my friends and fiends. You know, if USA Thanksgiving is your thing. I’ll be back after the Great Binge for at least one more course of Turkey Day Month before the upcoming glut of end-of-the-year holiday themed nonsense waiting to come crashing down my chimney. No peeking, you pricks, or Anubis Claus will have to hollow out your eye sockets with a hot fire poker!
And ladies, here’s one for you: don’t ask your man job interview questions post-coitus. He doesn’t wanna hear any of that “Where do you see yourself in 5 years?” crap after getting his kumquats juiced.
“Big City Pictures”? Maybe in about as much as Provo, Utah is technically a big city too, sure.
“You paid how much for this fencing, girl!? I told you, my cousin Shaun is the chain link KING! Tell him we’re friends and he’ll hook you UP!”
“I believe I can FLYYYYYYY! I believe I can touch the SKYYYYYY!”
Hey geniuses, you forget to turn on the rear projector for the driving scene! I’d call you the modern day Notorious B.I.G. (Burt I. Gordon), but you couldn’t even get that right!
“You’re right Lorenzo, there is something blocking your barrel. It looks like a… bullet? … Oh shit.”
His stage name should be Rhythm Method Man, cuz just looking at him is birth control. *rimshot*
Movie immersion breaker #262: Who the hell has sex with the bedspread around their waists like that?!
“Come on B, you gotta help me find my contacts! The insurance company’s gonna raise my rates if I tell ’em I lost another pair of lenses, son!”
I’d make fun of her for picking that robe up at Phyllis Diller’s yard sale, but she looks better in it than the guest star of Boneyard ever did.
“Ugggh. I gotta stop eating out of the dumpster behind that vegan place. Those vegetables and shit give me gas out both ends!”
Note to our readers: Just because you memorized the lyrics to every track on “36 Chambers” and own every VHS in the Wu-Tang Collection reissue set doesn’t mean you’re qualified to swing the hardware!
“Hey kids! Remember krumping? Of course you don’t! No one does! Nor should they! We’re all better off without it!”
Looks like somebody didn’t learn their lesson from Richard Pryor’s example.
“There is a great disturbance in the Circus. We have a new enemy. The young rebel who destroyed our clown car. This boy is the offspring of PT Barnum. Search your feelings. You’ll know it to be true.”
Damn McDonald, your teeth are disgusting and your gums look infected! Time to lay off the Kools and Colt 45s, or the suits upstairs are gonna make McCheese the new face of the franchise!
Anubis will return next time in
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Featuring: Harley Quinn “daughter of Kevin” Smith , Lily-Rose “daughter of Johnny” Depp , Johhny “Pirates of the Caribbean” Depp
Director & Writer: Kevin “Dogma” Smith
Sequel-of-sorts to: Tusk
You know what I hate? Besides everything? Everyone. Humanity as a whole. You know why I hate humanity? Go to a supermarket. Easier still, just go to a supermarket parking lot. I can show you 5 examples or more in less than a minute as to why the human plague should be wiped off the face of the Earth. From bumper stickers for political candidates that make me break out in a rash to those lazy pricks that leave their shopping carts in the lot instead of putting them in the fucking cart return to parking jobs that look like they were done by a blind person with an advanced case of Parkinson’s, the fact that I’ve somehow managed to avoid grabbing a tire iron and going on a fatal bludgeoning spree should count toward my fucking community service requirement!
On the topic of cars, does “KIA” stand for “Kick In Ass” by any chance? Every time I get stuck behind one on the road, it feels like their drivers are all doing so with their heads planted up their poop chute, so I just thought maybe a boot to the bum would help dislodge it. Right? No? Blart.
You know what sent me careening over the proverbial edge of Global Genocide Cliff? Being a clerk. If you’ve ever been a register jockey, you can relate. And if you can’t, you’re dead inside. So dead that even the inferno of customer service rage can’t reignite the spark of your being. You know who understands this agony? Kevin Smith. Between his two Clerks movies, hopefully he was able to hold a mirror up to at least some of the worst members of customer society and convince them to reconsider what a dick bag they are to the person behind the counter. But probably not. Well, if he didn’t get his point over the first two times, Smith is returning to the horrors of the customer service industry with Yoga Hosers. Think of it as Clerks: the Next Generation, only instead of rooftop hockey games or donkey sex shows we get strip mall spiritualism and miniature meat puppet monsters of the Third Reich.
Oh, and Canadian stuff. LOTS of Canadian stuff.
If Jersey Girl was Kevin Smith’s “I’m gonna be a daddy!” movie, Yoga Hosers is his “They grow up so fast!” follow up, as he gives daughter Harley a nepotastic starring role. Originally known only as “Clerk girl #1” and “Clerk girl #2” in previous Kevin Smith endeavor Tusk (which I’m in no rush to see), our returning titular Yoga Hosers are now known by the less obtuse monikers of Colleen McKenzie (Harley Smith) and Colleen Collete (Lily Depp). Yep, they’re both named Colleen, so prepare for a lot of references to that quaint tidbit by characters who all consider themselves wittier than they actual are… Why does that sound familiar?
Oh Craig. You're the only Ferguson I can think of anymore that doesn't depress me.
In the interest of clarity, I’ll be referring to the individual teeners by their last names. The pair continue to be defined by their part-time job as “clerk girls”, working for Collete’s dad Bob (Tony Hale) in his Great White North themed mini-mart, the “Eh-2-Zed”… To be fair, I warned you about the whole “LOTS of Canadian stuff” you’re in store for, so strap on your hockey mask and pick up your stick, because Smith is going to be slinging it at you harder and faster than a Wayne Gretzky puck pitcher set to “Maple Syrup Coke Binge”. Soory aboot that.
During extended breaks (where they put up signs in the store excusing these absences to menstrual shenanigans), the pair hold band practice in the Eh’s backroom with their 35 year-old drummer Ichabod (Adam Brody), who they frequently emasculate and whose name is probably only “Ichabod” because Smith wanted the take advantage of the puns that come with it. Given that he’s (thankfully) not campaigning to break either teen’s factory seal, you have to wonder why in the name of roman polanski this tattooed wank is with them. Will literally no one else hang out with him? Are there no dive bar cover bands he could join? Is he hoping they’ll pull some kind of Pussy Riot and get global recognition? Yeah, because you know that’s going to work out great for him when half the people on the internet are calling him a pedo after the fact. Which he’s not.
… Because if he were having sex with them, technically he’d be an ephebophile NOT a pedophile. But, trying to get dipshits on the worldwide wasteland to look up proper insults for a situation is like getting Sobek to go to the dentist – don’t waste your time. Life is precious. As are your fingers. Trust me on that.
As with most girls her age (except for her best friend, seemingly), McKenzie’s got a crush on an older boy from school. Said boy takes the form of Hunter Calloway (Austin Butler), a smooth talking skater from the senior class who has intentions on the young Miss McK, the details of which I’ll leave up to you to discover. Tagging along with Hunter as the Boner to his Mike Seaver, is his sidekick Gordon (Tyler Posey). Beyond his use of a “Just us league” nerd pun, Gordon is entirely unlikable. Plus, his name is Gordon. What’s not to hate?
Once the ladies’ lives as rebellious mall rat garage rocker clerks have been established, we’re able to get to the core conflict of our feature – Bratzis. “Bratzis”? Yep, Bratzis. What’s a “Bratzi”? It’s a bratwurst Nazi. “Bratwurst Nazi”?! Yes, a miniature Nazi made of bratwurst, filled with sauerkraut, and dressed like a mountie. And they inhabit the Eh-2-Zed. And they jam themselves up their victims’ assholes, then burrow up through their torso and out of their mouths… without a drop of blood? Gotta preserve that PG13 rating, after all. Fortunately, unlike Dario Argento, Kevin Smith isn’t into writing/filming a movie where his daughter’s character is sexually assaulted, so (*SPOILER ALERT!*) rest easy in the knowledge that neither of the Colleens are due for a brat in the butt. Especially since there faces are all modeled after Kevin’s… Uggh! Freudian Purgatory for sure.
From whence came these foot tall sausage golems? Well, as a conveniently timed tale from the kids’ History teacher (Vanessa Paradis, Lil’ Miss Depp’s mom) informs us, there was a Canadian Nazi by the nom de bigoterie of Adrien Arcand (Haley Joel Osment) who established the National Union Party of Canada in the 1930s with the intention of sinking boats full of Jews in the Hudson. Their genocidal intentions weren’t taken well by the Quebecers, who wiped out the goosestepping jackabooted fascists… with the exception of German immigrant Dr. Adronicus Arcane (Ralph Garman), who disappeared without a trace. Not even a tracer’s trace. Little callback gag for my fellow Smith geeks there. Anyway, the bigger concern here is why are the sophomore Colleens and their senior admirers in the same History class?!
Wait a second! A missing Nazi scientist who shares a last name with Swamp Thing’s arch-villain, eh? You think maybe he’s got something to do with the artery clogging bite-size homunculi terrorizing the anuses of every unfortunate male who crosses their path? I’d stake a bag of chocolate covered pretzels on it. Snootchie Bootchies.
Oh, and if the Bratzis weren’t weird enough, I’ve got two words for ya: Goalie Golem. Are these good words? Perhaps bad words? They’re words. Let’s just leave it at that.
So that’s as much as I’ll say about the story. Let’s move on to the cast, starting at the top. I can appreciate the potential in Harley Quinn and Lily-Rose. Just because I couldn’t stand their characters doesn’t mean I don’t think the pair have futures in comedy, if not other genres or mediums. The pair have apparently been best buds since kindergarten too, and it comes through in their on-screen chemistry. I can see long careers ahead for ’em. I wish them the best and call me a little curious to see what they can do under the direction of a less familial face. That reminds me, I should probably mention the elder Depp One’s role in this rigmarole.
The once and forever (as long as the money keeps flowing) Captain Jack Sparrow reprises his Tusk role as noted Canuck manhunter (and I’m guessing part time fur trader) Guy Lapointe. Guy was tracking his latest bounty in the area when said bounty wound up on the wrong end of a fatal Bratzi colon cleanse, so now his big rubber nosed self seeks the Colleens’ help investigating exactly what the fugitive’s cause of death came from. His French-Canadian accent is slow and grating, and the aforementioned bowel biology chats that he has with our protagonistas only confirms that this role is better left off Edward Scissorhands’ resume. Not quite another Mortdecai, but still.
Not to be confused with the “butt still” I’m hoping Hollywood includes in its inevitable remake of Redneck Zombies once they get around to it.
Given the recent allegations that have brought the possible domestic abuser side of Depp to public light (note from The Tomb’s legal department: *ALLEGEDLY*), the timing of the release for Yoga Hosers doesn’t do Smith any favors. Even if it were a better movie than it is, having Depp’s name attached probably didn’t do anyone any favors in the hopes of getting the hype train to leave the station. Depp is rumored to be reprising Guy yet again for Smith’s proposed Moose Jaws (the conclusion to his “True North Trilogy” Canuxploitation phase), so for the sake of both their successes, let’s hope Cry Baby isn’t the wife beater he’s accused of being.
Bonus points for Guy’s first line being “Children should not play with dead things”, though. Especially since I oddly cherish that amateur hour zombie flick, while my Evil Dead Bride would rather flush it down the crapper of lost memories than put it in front of her face ever again.
Beyond the dynamic duo and Daddy Depp, Justin Long too accompanies the titular teens (NOT reprising his role from Tusk) and plays the gals’ Canadian-Indian (I think?) yoga teacher who ALSO has a weird thing about openly discussing bowel movements with underage girls. Oh, and his name is Yogi Bayer. And yes, that fucking name becomes the topic of not one but TWO weak kneed scenes of him yelling at a copyright lawyer. What the fuck are you trying to do to us with this crap, Lunchbox!? BLAAAAART!
“Saturday Night Live”s disarmingly charming Sasheer Zamata gets a payday too, popping in for a single scene as the girls’ school authority figure (with the best name ever), Principal Invincible. Long time Smith collaborator and hetero life mate Jason Mewes cameos as a police officer who idolizes Lapointe as “the Canadian Batman”. Most entertaining though is the brief appearance by Smith’s female wife, Jennifer, who shows up for one of the movie’s better scenes to educate her daughter (both in movie and out) on the importance of protecting her “virtue” from the pussy grabbing hands of horny boys (or Donald Trump) To that effect, she loans her little girl her “date knife”, a switchblade known as “the Mohel”. YES! There’s also a lot of menstrual chat in said scene too, so for you weak-willed ones out there who can’t deal with women’s crimson tides (like Donald Trump), you can always grow the fuck up and accept the facts of life like an adult or, I guess put on your earmuffs.
Also, don't get confused by the Stan Lee cameo – Yoga Hosers is not based on a Marvel comic property. Before he became a constant Easter egg in any and every adaptation of a House of Ideas IP, Stanley Lieber’s original Tinsel Town adventure was an extended cameo in Smith’s sophomore movie Mallrats, dodging superhero sex queries from Jason Lee. Well, the old man’s back as a Canadian 911 operator and one of a dozen people to name drop the title by calling our same name leading ladies “god damned Yoga Hosers”. Oh yeah! On that note, the starlet of our last episode, miss Natasha Lyonne, also snags another slot on her IMDB filmography here playing Colleen Collette’s evil stepmom/manager Tabitha. Attracted as I’ve previously stated I am to her, watching her seduce Buster Bluth with her cleavage while promising him a ride in “the bouncy house” kills my boner harder than a tangerine man-scrotum who (*ALLEGEDLY*) has hidden cameras in his “piece of ass” daughter’s toilet.
I’ll give you a moment to re-digest your lunch following its exorcism from your gut factory just now…
And that's pretty much everybody I can mention without growing mold in your poutine. It's a fine cast, but so many of them are one-off cameos that this feels less like a movie and more like a TV series pilot proposal. Not helping matters is the “cutesy” little intro card effect EVERY friggin' character with at least one line of dialogue is given, each of whom receive the further “cutesy” effect of an accompanying 8-bit chip tune rendition of “O Canada”. Uggh. “Charming” things like this get their 'c' worn off after overuse and just become “harming”, eh? It felt like needles in my brain after the fifth instance, let alone the fifteenth. Speaking of the irritation of repetition, if I hear the terms “yoga hosers” or “so basic” again after seeing this movie, I may just fill my ears with white phosphorus. I’d rather listen to Gilbert Gottfried and Brian Posehn read erotic fiction about my family reunion. I can’t recall the last time I watched a flick that felt the needs to remind the viewers of its title SO. MANY. FUCKING. TIMES.
And in that acrid fucking caricature of a Canadian accent that EVERYBODY has! Is this insulting? Like, in a culturally insensitive way? I need input from legit Canucks, but this feels to me like the equivalent of a Great White North minstrel show. What’s the difference between what every actor here is portraying and when Fisher Stevens wore bronzer and talked like Apu while chasing a robot for two movies? Is the fine line of racial sensitivity really as thin as a layer of makeup? I mean, I loved Christian Bale as both Patrick Bateman and Bruce Wayne, but is it only acceptable for a Brit to play an American because he doesn’t need to shade his pigment? Think about it, won’t you? Then write a 4,000 word paper on your findings. Cite your sources too, you lazy snigglets. If I don’t see a bibliography page, you don’t see a diploma!
Oh, and to shove in a random note here (because I couldn’t really find any other place to put it), keep your ears peeled (that sounds painful) for audio sampling from the openings of both the Halloween and Shining themes, the latter of which happens twice. Were these just more *winks* to the dedicated nerds in the audience, like Colleen McKenzie’s declaration of “I’m not even supposed to be here today!”, or did somebody mix up the original intended tunes with tracks from their “Halloween Party” playlist? Inquiring minds want to know.
So, to summarize, how goes Kevin Smith’s first non-R outing? It’s… weird. Remember when he made “Clerks: the Animated Series” for ABC and had to scale back on the vulgar dick & fartery humor he’d established his notoriety with? He made up for it with batshit craziness. It feels like he took the same tack here, only the disenfranchised thirty-something slackers have been replaced with social media obsessed teen rocker girls. The result?
I’ve often wondered what would happen if Charles Band made a Disney Channel pilot (and you’re lying if you say you haven’t), and Yoga Hosers is pretty damn close to what you’d probably get. Well, minus Smith’s heavy abuse of the MPAA’s definition of what’s appropriate material for 13 year-olds. Utterances of the word “shit” are almost as frequent as “fuck” makes it into a Scorcese script, not to mention the whole “rapist meat men spelunking unwilling rectums” stuff. And watching Johnny Depp repeatedly discuss “poopers” and “buttholes” and bathroom habits with his teenage daughter is just really really REALLY awkward.
To sum it up (and in case you haven’t been paying attention), I’m not a big fan of Yoga Hosers. The exaggerated Canadian brogue and incessant reliance on the same old tired stereotype Canada jokes, the teen-centric dialogue that’s only made worse when littered with “aboot”s and “soory”s, the glut of barely relevant supporting cast (and those grating introductions that come with them), the predilection for trying to gross people out with butt stuff and menstrual gags, threadbare jokes about how teens don’t know shit about anything that happened before the 21st century, the almost entirely ineffective antagonists and the completely dry aftermath of the monsters burrowing through their victims, and Justin Long’s wretched yoga puns. There are so many turds in this punch bowl, that there’s barely room left for any punch. Not that you’d want to drink it anyway, cuz of the turds, but I stand by my comparison. To be fair, this movie was so clearly not aiming for me as its target audience, that I don’t blame Smith for missing my personal bulls-eye. I do blame the Belgians though. Those waffle munchers don’t get blamed enough these days and I think they’re due.
I’m left with a perverse curiosity regarding Tusk now, and I’ll probably see Moose Jaws if it happens, but I’ve seen Yoga Hosers twice now and it’s not a carnival ride I intend to revisit again. Ever. If I had a teenage kid who called me by my first name, maybe I’d use this as an attempt to bridge the generation gap. But I don’t. And I won’t. So I can’t. So I shan’t.
As always, take my opinion with the metaphorical salt grain, as your results may vary. If you’re a Kevin Smith fan, take it for a test drive. My favorite Smith movie is Mallrats after all, so keep that in mind. With that, this episode is a wrap. Keep your poopers secured against invaders, your Mohels sharp, and your middle fingers high, my children. Death be with you!
Anubis will return next time in
“Send In the Clowns”
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Featuring: Elle “Maleficent” Fanning , Jena “Sucker Punch Malone , Keanu “The Matrix” Reeves
Director: Nicolas “Bronson” Winding Refn
Writers: Nicolas “Bronsons Winding Refn , Mary “‘Preacher’” Laws & Polly “Eleanor” Stenham
When I was a horny young pup just looking for a wet spot to stick my prick into, my criteria for what I desired in a sheet staining partner was a very simple three point plan – looks, looks, and looks. Physical attraction was all that mattered to me, as it is for most impressionable post-pubescent types looking to make an “impression” of their own into/onto someone. Much like tickets to a Don Johnson concert, my virginity was something I had an impossible time giving away. The few young ladies I shared the halls of academia with in high school that I had any interest in were either already dedicated to other lads, or had turned down my romantic advances faster than a stepdad turns down the thermostat when somebody puts it over 60. After reaching the ripe old age of legality known as 18, I would eventually find myself a finely figured female who was more than happy to commence with my deflowering (or, in my case, my weeding), and she and I are well on our way to the 17th annual celebration of our first date come the next Krampusnacht Eve. Happy pre-anniversary, dear!
As I’ve aged (and unholy Hel have I!), my taste in women has evolved well past favorite shapes of flesh and into a Twilight Zone-ian preference for dimensions not just of sight and sound, but of mind. Not strictly book smarts neither, but ladies with more esoteric tastes that match mine own. Namely, bad horror movies, sketch comedy shows, and morbid humor peppered liberally with sarcasm and contempt for humanity. Attempts at such relations haven’t always worked out for the best, but whatever doesn’t kill us gives us fun stories to tell our court appointed lawyers, right!? What does this have to do with today’s “Ladies Night!” installment, The Neon Demon? Not a shit ton. Much the opposite, in fact. Today’s feature is actually about physical beauty, and the obsession some have with not only getting it, but retaining it in the face of the unconquerable hellbeast known as Age-zilla.
Given that my looks have been known to make gargoyles cry tears of gasoline (I swear that’s how that church fire started!), I’d know nothing about that. Instead of relating to our tale, I’m just gonna let my eyeballs go gonzo over all the wonky visuals and my ears get made sweet love to by the supersexy swingin’ sounds of its synthy score!
Today’s movie is sadly not the sequel to Neon Maniacs we’ve been waiting 30 years for. It is, however, brought to us by Nicholas Winding Refn (director of Drive), Amazon Studios, and the letter ‘Q’. Despite my recent review for the Amazon Pilot Season episode of “The Tick”, I swear on Horus’ right eye that I’m not being paid to promote their productions! Those dickards won’t even give me a free trial month of Prime at this point, let alone actual capital compensation to type up piss & moan articles. Sorry to say, folks, but the mildly amusing musings of a Death God ain’t worth two farts to the mighty Reaper of Brick & Mortar Stores. Fuck it. As Chris Pratt said, “It’s important to make your big mistakes in relative obscurity” anyway. If this site were popular enough to grab anyone’s attention, it would ruin all the fun of the chase for a lot of bail bondsmen (and bail bondswomen) out there!
The Neon Demon stars Dakota Fanning’s younger sister Elle, who continues her efforts in making a name for herself with a role that’s meatier than just playing a younger version of one of Big D’s parts. Since the movie’s plot is little more than your basic tale of glamorous industries seducing innocent youth just to use them, abuse them, suck them dry, and throw them away like used condoms once they can no longer pull off the “jailbait couture” look, said movie also requires your basic “small town, big dreams” victim to consume the soul of before metaphysically defecating into the empty space left behind. As such, Elle plays Jesse – the latest fresh face the City of Angels cannot wait to R. Kelly upon. Hell, within the first 10 minutes of the movie we discover she’s “not from around here”, lives alone in a sleazy motel room, and has no family of which to speak! To paraphrase Pinhead, “Norma Jeans are such easy prey.”
Speaking of, a makeup artist radiating a strong sexual predator vibe and calling herself Ruby (Jena Malone) comments on our subject’s beautifully smooth skin and immediately attaches herself to Jesse after working together on one of those “gore + glamour = art” photo shoots that the kids these days apparently think are so “edgy”. You know, like that “Girls and Corpses” magazine that people keep gifting me subscriptions to for some reason despite my frequent comments of “If it’s not Linnea Quigley stripping in a graveyard or a severed head going down on Barbara Crampton, don’t waste my time”.
Not five minutes into their new friendship, Ruby invites (i.e. insistently drags) Jesse to a party to introduce the young lady to her new peers in the industry, specifically her pals Sarah (Abbey Lee) and Gigi (Bella Heathcote). Gigs is the faux friendly type whose smile is as artificial as the lips and teeth that make it up, while Sarah is colder and blunter than the sledgehammer I keep in my meat locker. As with any newbie to a social group, our protagonista is circled by the other members of the pack and has her mettle tested in judgment. In this case it’s the usual ladies’ room emotional hazing of woman-on-woman mockery about how the fresh-faced bumpkin isn’t fit to be one of them. Gigi and Sarah might as well both be named Heather, but that’d be too on-Gigi’s-surgically-manipulated-nose.
Despite the pair’s “never evolved past high school” treatment of Jesse, Ruby sticks by the girl and takes her under her big sister wing to help guide her through the labyrinth of the modeling world and not get trampled to death by the metaphorical Minotaur. I’d be more inclined to believe the legitimacy of the cosmetologist’s intentions for the Georgia Peach if only she’d stop throwing Jesse the Big Bad Wolf leer every 10 minutes! Instead I’m anchored with the unshakable presumption that the would-be mentor’s so obviously going to be the one holding the knife that goes into our gal’s back come Jesse’s inevitable nosedive from grace.
Speaking of, much like a modern fairy tale, our Cinderellian peasant destined for princessery is picked up by an esteemed modeling agent (Christina Hendricks) and immediately paired with a highly regarded camera jockey named Jack (Desmond Harrington) who looks more like the type of guy who shoots amateur gangbang porn in the backyard of his stepdad's mansion than he does a sought after fashion photog. You know what really takes the audience out of the fantasy, though? No self-respecting (or self ego-inflating) “artist” in any industry would call himself “Jack”.
As if the modeling industry’s ominous presence as our heroine’s personal chainsaw of Damocles weren’t enough of a threat, Jesse’s also endangered by the sadism of Hank (Keanu Reeves), the manager of the motor lodge in which she’s living. Henry probably got his Hotel Management diploma from the ICS home education courses that Sally Struthers used to shill for…while he was doing a stretch in prison for sexually assaulting a troop of girl scouts. Seriously, the guy would whip out his 3” killer to a single mom at a bus stop and insist she swallow his tadpoles while her preschooler and a nearby nun looked on. He reveals himself as the kind of human garbage that makes even my cast iron stomach churn harder than an industrial washing machine on the “Wipe Clean the Stains of a Life Lived in Filth” setting. His assistant/apprentice Mikey seems generally harmless, but he looks like Iggy Pop Junior (somebody’s gene pool needs a lifeguard!) and works for Hank, so that’s probably enough to land him at least somewhere near the latter rungs of Dante’s ladder.
As much as the deck is clearly stacked against her, Jesse’s not alone in her story. How’d she get to the spiritual wasteland in the first place, anyway? Enter Dean (Karl Glusman)…well, I guess you can enter him if he’s okay with it. I’ll take a pass, myself. Back on topic, Dean is an aspiring photographer who came across Jesse on the internet and convinced her to come to the left coast so they could make art together. I met my Evil Dead Bride in a fucking AOL horror chat room and even I think this pairing sounds sketchier than MC Esher’s high school notebooks! Despite his efforts to woo her while still being respectful and protective of her, Jesse is very reluctant to refer to him as any kind of boyfriend figure in conversation with others. He’s a surprisingly decent dude who never tanks his decency by pulling the bullshit “you owe me sex!” card on Jesse, which you totally expect to happen given how he too leers at Miss Jesse like fucking Jack the Ripper in the movie’s opening scene!
No friggin’ diggity, Jesse gets eye fucked from people so often in this flick, you’d think she farts Spanish Fly. It’s unnerving.
Predictably enough, as Jesse’s successes compile, so does her ego. She mutates from innocent southern teen into Family Guy rendition of Julia Roberts (“ME! ME! MEEEEE!”), talking about herself as if she were the second coming of Cindy Crawford. Such a path couldn’t lead to our heroine’s downfall harder if it were a literal street named “Downfall Avenue”. I’m presuming this transformation is what the title’s referencing, given that (spoiler alert) there isn’t a single giant neon devil sign brought to life to kaiju the downtown Los Angeles area. Will Jesse find love and safety in the arms of her unavoidable love interest Dean, or will the D-Man discover he’s better off with an inflatable girlfriend? Don’t knock it. The only rubber you need to use with her comes in her repair kit! Will Jesse instead be a “grrrl”, pull her life out of her tailspin on her own and conquer her enemies to become the new White Queen of the fashion industry? Will our neon demon predictably wind up eaten alive by the green-eyed monsters that she so naively trusts with her well being? Will this modern fable end triumphantly for Jesse like Disney’s The Little Mermaid, or tragically like Hans Christen Andersen’s The Little Mermaid? That’s for me to know and for you to find out…I mean, if you feel like it. You don’t even have to watch the movie if you don’t want to to find out. The internet will just tell you how it ends, if you prefer to do it that way. Doesn’t effect my day either way. Que sera sera.
And so our story goes. Tale as old as time, song as old as rhyme, beauty and the beast. It’s nothing to write home about, really, unless your family gets excited over loose threads. Plot threads, that is. Story elements that drop off the map, never to be seen again and character threads that drop right off with them. If it’s so bad, though, then why the quartet of disembodied blood pumpers at the top of the review? Because NeoDemo is a classic case of style over substance being a good thing. Oddly appropriate given the theme of the movie, dontcha think? You can almost believe it was poorly written intentionally…
The performances are all fine, almost in spite of the roles being generic. It doesn’t help your story’s endgame seem less obvious by having your actors play their characters so blatantly. I do give Elle Fanning credit for not taking Jesse overboard in personality even though her lines still take the character there. It’s a well done balancing act and I hope the young lady earns herself a reputable career. Glusman’s Dean is a good dude done well, with the exception of his almost Captain Howdy levels of “creepy, shadow monster face” in the opening. Everyone else is just as shallow and one-dimensional as their roles are intended to be (at least that’s my guess), so that’s fine. Now, story and cast outta the way, let’s get to the meat and potatoes of this Neon Demon.
Hold onto your bippies, kids, because I’m about to slap you in the faces with a big cold salmon of shock . Surprise you it may well, but this is my first date with Mr. Winding Refn. I’ve never seen Drive. I’ve heard great things, but universally renowned projects are a breed of poultry that rarely cross my proverbial path. You know what else I’ve yet to see? The Force Awakens. Yep. Let that one soak into your corpuscles for a few. Back to Nicky WR, his presentation style fills me with the similar fondness I have for Dario Argento and Stanley Kubrick’s stuff. His heavy accentuation on the use of colors and shadows and mirrors and trippy imagery combined with jarring/haunting music are tres Argubrick. He also throws lots of different patterns straight into our eyeballs, from wallpapers to curtains to bed sheets to carpets to clothing, and they all bleed into this visual clusterfuck that borders on overwhelming without going full-on brain barf. The aforementioned music is very dream-like, and makes the whole movie feel very surreal. It’s a psyche smothering safari for the senses.
Of the biggest complaints I came across while poking around the worldwide wasteland for details were people who called out Winding Refn, some for perpetuating mainstream misogyny (all women are jealous, petty cunts to each other and will do anything to get ahead) and others for ripping off Argento’s style. Regarding the former, I can’t really weigh in, given that my gonads reside on the outside. As for the Argento complaint, it depends on whether you want to call it a rip-off or an homage. Potato, potato. However you wanna pronounce it, I’m all for it. Kubrick’s long croaked and nobody’s really doing the Argento thing anymore. Christ at a Cracker Barrel, at this point even its namesake hasn’t properly Argentoed for a good twenty years! I’d rather watch someone doin’ it and doin’ it and doin’ it well instead of trying to force the old Italian to go back to his roots. So, for those who disagree with my positive take on the matter, I’ll let Academy Award winner Tommy Lee (the actor, not the drummer with the horse dong) answer for me.
Given the mostly cold shoulder reception The Neon Demon was given (50%ish scores on aggregated criticism sites), I’m sure there are plenty of people who would accuse me of “falling for the sales pitch”, but you could fill a thimble with all the shits I give and still have plenty of room left to fit your fingertip so you can deposit it straight into your orifice of choice. If “artsy fartsy” stuff bothers you, bypass this flick because that’s its big selling point. It’s not perfect, but it’s well worth a watch if you’re down for something different and you’re not up for taking Suspiria off your shelf for the 164th time. Keep in mind that, despite ND‘s categorization as a “horror” movie, it’s really more psychological wrapped up in an air of dread. The one traditional horror movie element kicks in in the flick’s final stretch… then it goes on for another 15 minutes. These last minutes have very little dialogue. Like almost zero. Makes you wonder if the actors were getting paid by the line and the budget ran out. What is there is still technically part of the movie, but exists less out of necessity to the story than it does to drop some more visual weirdery and fuck with the audience one last time. It reminds me a lot of what Rob Zombie did with the last act of Lords of Salem, come to think about it. Leaves us with more questions than answers, really.
Still, it looks fucking cool.
Coming up will be the next and last installment of our “Ladies Night!” cineménage à trois, so any misogynists like the one who messaged me last week telling me this kind of “pandering pussy shit” isn’t what they want to see? You can rest easy, cuz it’s almost over. Or, you can just get the fuck out. You don’t like woman-centric movies? Guess what…
Now I gotta head over to the local halal eatery and get a pile of Samosas for lunch. Those taste bud tantalizing s.o.b.s get my salivary glands more excited than Gorunk the Baby Eating Gibbon gets around babies! Yum!
Dean looks like he’s plotting to take revenge on someone by cooking their family into a pot of chili and feeding it to them… possibly after he’s had sex with it.
Eli Roth’s homage to the 20th anniversary of Aqua’s “Barbie Girl” music video is, well, pretty much what you expected it to be.
“Don’t worry, I was an intern on Evil Dead II. I know how to get karo syrup and red dye out of ANYTHING.”
If Dario Argento directed Mean Girls.
“I don’t care how many penises you have, Mr. Sinclair, this isn’t a casting call for Marilyn Manson’s adults only traveling freakshow! That’s down the hall in Suite 31.”
Was this room decorated by a blind person or somebody on acid? Either way, if I have to look at it much longer I’m gonna lose my Fritos!
“Look, I know SLC Punk 2 was garbage and if you wanna throw yourself off a cliff over it, I totally understand. But I gotta get to my shift at Big Kahuna Burger in 20 minutes, so either shit or get off the pot!”
Could this mean Nicolas Winding Refn’s next project will be that rumored Smokey and the Bandit remake we’ve been hearing about for years?! I’d bet my White Lightning / Gator double-feature LaserDisc on it!
Keanu Reeves finally takes measures to have Alex Winter forcefully removed from his guest house. After 25 years of his “I’m almost done with the script for Bill & Ted 3!” excuses, Keanu has had enough.
Hey, they’ve finally started casting for the She-Ra live-action movie! I really hope they opt to cast a real Pegacorn for Swift Wind instead of cheaping out and ruining her with some stupid cgi crap.
At the Sears catalog model tryouts, dozens of moderately attractive women compete for the chance to be thousands of young American boys’ first effort hording wank material. At least until they can convince their older cousin to buy them an issue of “Hustler”. Well, that’s how it was before the internet, anyway. Kids today have it way too easy…
Only true industry insiders know about the sacred Triforce of Fashion! It’s made up of the Triforce of Beauty, the Triforce of Design, and the Triforce of Film, each of which is held by one of three legendary heroes. The sacred texts say that, one day, the three will be brought together to create the GREATEST fall collection in all of fashion!
“Screw the picture. I’m gonna make her look like Large Marge just to see the family’s reaction when they open up the casket!”
“This is why I tell you not to eat candy in bed. You’ve got a whole Sugar Daddy tangled up back here! Uggh!”
“Is THIS your card?… Ah, shit! Let me try that again.”
I know how she feels. I feel the same way when I have a third Most American Thickburger too. Brutal.
Anubis will return next time in
“The Psychedelic Conception of LSDizzle”
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All materials found within this review are the intellectual properties and opinions of the original writer. The Tomb of Anubis claims no responsibility for the views expressed in this review, but we do lay a copyright claim on it beeyotch, so don’t steal from this shit or we’ll have to go all Farmer Vincent on your silly asses. © October 1st 2013 and beyond, not to be reproduced in any way without the express written consent of the reviewer and The Tomb of Anubis, or pain of a physical and legal nature will follow. Touch not lest ye be touched.
Featuring: Aaron “The Storm Riders” Kwok , Qi “Journey to the West” Shu, Collin “The Matrix Reloaded” Chou
Director: Benny “Gen X Cops” Chan
Writers: Benny “Gen X Cops” Chan & Chi-Man “Invisible Target” Ling
Origin: Hong Kong
All my life I’ve been searching for something
Something never comes never leads to nothing
Nothing satisfies but I’m getting close
Closer to the prize at the end of the rope…
The Tomb’s 3rd anniversary is October 1st. Three is the “novelty sneakers” anniversary. If someone doesn’t get me some of that groovy be-chinned footwear, all love is a lie and life is a pointless endeavor that goes on forever. Just so you know.
On to other matters, because of my many months away from The Tomb (let’s say due to a journey through alternate realities where I had to stop an evil version of myself from destroying all of existence by killing our other selves and absorbing their power to supplement his own) I’m taking a further break from the Tour de Farce so I can give higher priority to other movies that have crossed my desk since. And yes, it’s a literal desk, made of the finest polished femurs, spines, and rib bones of Rupert Murdock’s ancestors. Totally worth the hauntings.
To that end, I thought it prudent to finish this review (started in January) before putting the T de F back into its cryogenic freeze tube for a while longer. Today’s episode features the Hong Kong sing-a-long ring ding dong we call City Under Siege.
Expected a Dr. Dre reference? Nope. He’s banned from The Tomb for selling $300 headphones to stupid children with stupider parents. Anyway, before we get started, let’s mine the ancient secrets of the mystical island of Hong Kong!
On second thought, never mind. This review’s already 4 months late and my laptop is starting to give me third degree dick burns. I don’t have time to play tour guide. If you wanna know any esoteric facts about HK, its economy, its culture, its people, its impact on the rest of the world, or its dark history of horrendous crimes in the fields of drug trade and human trafficking (I’m presuming), pay your preferred search engine a visit. Let’s just get to the movie and cut to the chase…oh, I forgot to mention that a hefty portion of today’s movie revolves on an axis of knife throwing. That might have been pertinent info before making a pun like “cut”. My apologies.
Not to be confused with the Police Academy sequel (#6!) of the same name, City Under Siege is the tale of Li Fei (Aaron Kwok), whose peers call him Sunny… not really sure why, but let’s say it’s because of his sunny disposition. Or that time he stabbed a waitress to death with a fork for rupturing the yolks on his sunny-side-up eggs. Whatever pulls your lever. Anyway, when Sunshine’s parents died in a car accident (and sadly not during an armed mugging which always makes for a better origin), his uncle Tak (Wah Yuen) took him in and gave him a job as a clown in his traveling performance troupe, The Thunderbolt Circus. Though grateful not to have been cast off like the orphan he was, Sun was never happy as a colorful fool and instead wanted to live up to his dear departed daddy’s legacy as the knife throwing “King of Flying Daggers”, 26th descendant of the legendary marksman, Thousand Flying Daggers. Unfortunately for Sunny he’s more like the Prince of Flying Daggers, and even then the “Prince” part would be more an honorary family title than an earned one. This guy sucks more than a hospital custodian’s ShopVac in the middle of an ebola outbreak when it comes to the family cutlery slinging business. I wouldn’t trust him to butter my biscuits let alone let him hurl sharp lengths of steel at me while I’m strapped to a spinning wheel o’ death!
Despite his insistence that the talent in his genes will bear fruit if Uncle Tak (no word on an “Aunt Tik”) would just give him a chance to put innocent paying customers’ lives in danger, his cousin Zhang Chu (Collin Chou) refuses to give up his place in the spotlight as the show’s marquee marksman. In fact, he threatens to gut Suns if he doesn’t stop trying to horn in on his job, so don’t expect to see our hero headlining shows anytime soon. Unless maybe Chu gets a bout of the flu or leaves the circus to go on a crime spree as a psychotic hulking brute…
It feels like we’re supposed to pity our protagonist in this scenario, but when we’re introduced to him, Sunny literally (as said in Rob Lowe’s Chris Traeger inflection) goes off script during a show in Malaysia and comes within seconds of committing manslaughter on an unknowing audience dupe before cool guy Chu has to step in and put “The Prince” back in his place! Sure, as with the majority of movie bad guys, ChuChu comes off as a douche knocker. BUT, he very likely saved a woman from PTSD at best and straight up VIOLENT DEATH at worst at the hands of selfish man-child Sunny, who was willing to endanger those around him for the sake of his own fucking ego! This guy is our hero!? Holy shit. Overcoming poor self-esteem and a limited natural skill set is fine for a budding hero-to-be like Spider-Man or Kick-Ass, but they only put themselves at risk with their amateur tomfoolery. Sunny is a fucking sociopath! No matter how far this flick may go in its efforts to redeem its do-gooder over the remainder of its runtime, it’s now going to be dragging The Stone of Shame for the extent of said stigmatic excursion. For shame!
As is cinematic law, Chu and the other “too cool for school” members of their little big top clique single Sunny out as the weakest member of the social herd, and as such exercise their dominance by treating him like a red-nosed reindeer. Whilst in Malaysia engaging in their post-show chicanery, the crew catch Sunny tagging along and opt to include him as their point man (i.e. stooge) whom they can just ditch/scapegoat/murder later as the situation requires. Their scheme? The bullies are investigating a local cave rumored to be home to a cache of buried treasure! BUT (yes, there’s always a but there… much like the case of my lap), as we the audience were presented in the picture’s prologue, this cave was the site of war crime experimentation by the Japanese military in the waning days of WW2: Axis Boogaloo. Check out the Men Behind the Sun movies for more on that kinda shit. In an effort to bring an end to their protracted campaign to extend the shadow of their empire over the entire East, these army scientists were dabbling in an immoral aerosol that would induce monsterism in their P.O.W.s, turning the captives into rampaging abominations! Basically Nature’s Goodness minus the pleasing taste.
Before the mutagenic mist could be perfected, the raiders from the Rising Sun’s workspace was bombed all to shit (in a scene I’ll antagonistically analyze later) by the Red Stars, leaving any remaining stashes of the unfinished super-beast spray buried. Can you see where this is going? If not, you might need to make an appointment with the figurative optometrist to get your foresight checked. Benny Chan isn’t just leading us with a trail of bread crumbs, he’s dropping full-on baguettes shaped like arrows! For those with mental glaucoma, here’s the malnourished rendition – the gang open the containers expecting precious metal (to be fair, the first one does have a stash of the shiny stuff) and get a chemical sauna instead a la Return of the Living Dead‘s Frank and Freddy. Our hero ends up passing out on a conveniently placed fishing boat nearby, one of the gang lays dead by broken neck when his attempt to kill Sun goes fatally wrong, and the remaining quartet of super steroid saturated nogoodniks are left vomiting vanilla pudding, no doubt destined to become evil Hong Kong off-brand Ninja Turtles. Not to be confused with Michael Bay’s actual bastardized half-shell bohemoths.
Anubis Note: In case you haven’t seen Rob Zombie’s Halloween II, “bohemoth” is how we spell that shit here. And yes, it’s pronounced “bo-he-muth” in case you were wondering.
It turns out the vessel our bumbler stumbled upon is a smuggling ship, and when his hosts find him unresponsive on board, they toss his sorry ass into the South China Sea! Lucky for him it seems the naturally occurring tides are coincidentally heading back to his homeland of Hong Kong, where he’s washed ashore after a few days afloat. Finally freed from his one-man coma cruise, Sunny awakens to find his body doing its best impression of Spongebob’s stage act: The Amazing Mr. Absorbancy! Sporting an XXXXL waistline and the incessant sensation of walking in wet sneakers, he tries to find his way back to the Thunderbolt Circus home office, discovering how hard it is to hitch a ride in the middle of the night when you look like a cast off from a Ju-On movie set on a cruise ship. Fortunately for him, a lovely lady named Angel Chang (played by Qi Shu, who we recently saw in Journey to the West!) stops, requesting help with her bamboozled back tire then offering her impromptu AAA lifeline a ride home in thanks. Along the way, Sunny recognizes Angel from the local newscast and marks out, declaring his fandom for her. Of all the people in HK who could’ve happened along looking for help, it just so happens that the minor celebrity our hero’s got the awkward stalker hots for is the one. Even for a movie that’s not just stretching it, that’s hyper-extending said “it” like the arm/leg of a generic bad guy in a Steve Seagal movie. Backwards elbows and knees, people. Cringe.
Returned home, Sun bids adieu to his love interest-to-be and plops into bed like the garbage bag full of tapioca he has become. Overnight, he secretes more liquid refreshment than the entirety of the background dancers did across all four volumes of Sweatin’ to the Oldies. While he’s soaking his sleeping space harder than a gang of 3rd grade bed-wetters at a sleepover, his fellow Thunderbolt performers make their turn to a life of crime official as they rob an armored truck to the tune of 5 million dollars! I’m guessing they’re Hong Kong dollars though, so it’s more like 20k American, give or take? Meh. That’ll barely afford them one of Gwyneth Paltry, errrr Paltrow‘s vibrators and a gallon jug of Japanese whale oil lubricant. Peasants.
Fuck sake. For $15k that thing better be a piece of StarkTech that turns into a suit of portable Iron Man armor!
The armored car is just one stop on the quartet’s crime spree tour though, as they’ve been busy knocking over jewelry stores and the like too. Enhanced with telekinetic powers, super strength, and bulletproof skin, it’s been the proverbial cakewalk for the villains. Unable to stop them with mere guns and police brutality, the Mu Shu porkies call in superhuman specialist agents Suen Ho (Jing Wu) and Ching Shau Wah (Jingchu Zhang). Partners in career and in life, the pair are accused of being an adorably low key professional law enforcement couple and could be sentenced to live happily ever after if convicted. I can say, with no certain certainty, that I’m certain these two are my favorite Asian movie couple since Wild Zero‘s Ace and Tobio.
The movie (or at least the English subtitle track I had to hunt down) tells us that Ho and Wah have arrested supernatural criminals before, but doesn’t give us any further allusions to just who these enhanced do-badders were. No idea if the pairing have appeared in prior Benny Chan productions, but in all honesty I really don’t care to look any further than I have already. My dick burns are getting burns on top of them! Just to be safe, I’m going to say that CUS takes place in a cinematic Hong Kong akin to Spider-Man 3 NYC – metahumans aren’t littering the place like Captain America: Civil War, but they’re also clearly not undiscovered yet like Meteor Man.
Speaking of, Meteor Man is part of the Marvel Universe continuity. I shit you not. It’s only a matter (or meteor) of time until we see Robert Townsend’s name show up on a cast listing for Avengers: Infinity War!… maybe “NetFlix’s The Defenders”?… maybe not?… probably not. Blart.
The duo are due to exchange nuptials (or “swap nups” if you’re me, which you’re not, for which you should be praising Ra) in 30 days, so Hao vows to take the Frightful Four down in 20. Really? So he’s going to let them run roughshod on the Kowloon precious gems market for 3 weeks before he decides it’s time to put an end to their shenanigans?! Prick. Speaking of, Angel’s boss/boyfriend KK (Slider?) informers her that the higher ups at the news station are kicking her down the corporate ladder a few rungs so they can give her spot to a younger, hotter replacement named Yoyo. Yoyo? Yep yep. Not only is our lady losing her seat at the anchor desk, but it turns out she’s lost her seat in her boyfriend’s lap too, also replaced by her Duncanian rival. We learn that Angel herself got where she was by traveling the exact same path as Yoyo, but that’s different! Right? Cuz she’s a hero? Meh. Moving on. In an effort to save a shred of what remaining pride our heroine has left, Angel dumps a glass of water over K’s cranium, declares their relationship null and void, and officially hands in her verbal resignation. Whatever makes you feel less like a stepped-on piece of dog shit in the middle of the sidewalk, lady. Keep your head up and move on. Godspeed.
What’s a working gal to do in this modern age of HD media, where genetics are prized over journalistic ethics? Where looks trump integrity? Well, it just so happens that the same day old maid Angel finds herself destined for the unemployment line (or the glue factory… I’m not sure how they tackle this shit in China), her biggest fan awakens with abilities beyond those of mortal men. Indeed, just like Chu and, uhm, the other three circus performers (I’m not good with names or having to look them up), Sunny’s received his membership card to the Superhumans Society! On his way to the police station to explain his situation (and distance himself from his crime spreeing co-workers), his pathway is impeded by a hostage negotiation. Angel, having the Lois Lane-like super power to be in the right place at the right time, witnesses Sunny make the save, freeing the captive policewoman from her assailant with a combination of telescopic slow-mo “precision vision” and inhuman strength, accuracy and reflexes, with which he throws a single stick, shattering the abductor’s gun and piercing his arm from across the street! While everyone around him stares agape in awe and the press presence swarms him for a statement like ants on a Twinkie, ‘Gel whisks him away to a cab (I guess she’s just leaving her own car abandoned in the middle of traffic?!) for a “private interview”… which, despite the probable perversion with which you may have read that (ya gutter creeper), doesn’t mean they went home and swapped sweet and sour sauces. Amazing the places a pair of quotation marks can take the human mind.
With little imaginary hearts floating around his head (might wanna check your scalp for parasites, Flapjack), Sunny’s more than happy to give the newly freelance reporter her exclusive one-on-one with the Hong Kong Kal-El. Meanwhile, back at the Hall of Doom (in this instance, a lovely house in the middle of nowhere with an in-ground pool!), Chu and the others have kidnapped several biological engineers in hopes of reversing the grotesque monster mash side-effects of their genetic mutation. Despite being told there is no way of turning them from Fangoria cover models back into a Silver Ash cover band, they find hope when they see their old punchline Sunny on the evening news looking none the worse for toxic wear. A testament to the ancient healing powers of the South China Sea? Or just another use of the old science fiction deus ex machina of “some people are just genetically different and are immune to stuff!”? Either way, Chu and chums aim to find out.
Arriving at the Thunderbolt Circus locale faster than Bruce Wayne going back to Gotham after conquering The Pit (fucking Dark Knight Rises), the bad guys try to nab their errant clown mid-interview. Chu should change his name to SPF 69, cuz Angel just got Sun blocked! *rimshot* Awkwardly introducing himself to the minor celebrity while his hairline recedes and his increasingly lumpy face is painted up with Luna Vachon veins (see below), Chu confesses that he’s her number one die-hard fan and makes rapey face at her. How… flattering? You can practically hear Miss Chang’s ovaries shriveling on the vine the longer he talks to her. The expected altercation is instigated and the movie’s first real exchange of wire-fu is initiated!
No brawl-for-all by any stretch of the term, Sunny and Angel spend the time running and ducking their pursuers as best they can before finally being subdued. Chu threatens to bleed our hero in the search for the secret of his success, but his knife is halted by the timely intervention of the mutant hunting dynamic duo, Hao and Wah, sporting mirrored shades and martial arts! The battle ends when Sunny, seemingly turning into a cartoon character with his comically red “pressure cooker” face (that you expect to send steam shooting out of both ears), freaks the fuck out and throws two fistfuls of flying daggers at his prior impeder of career promotion. Chu responds in kind, deflecting the swarm of steel shards with a flurry of his own, sending razor sharp metal ricocheting all over the fucking place! Small appliances explode, glass shatters, structures collapse, one of the villains takes an errant dagger to the chest, and the rest of the antagonists beat feet while the heroes collect the unconscious Sunny and rush him to a hospital.
In intensive care, Sunny’s examined by scientists and it’s indeed determined that he bears the mythical movie MacGuffin of antibodies unique to his DNA. Yep, out of the billions of people who would have otherwise been malformed by exposure to the experimental discharge (like the other four people that were), one of the tiny group of FIVE just happened to be uniquely resistant. Not even to the formula in its entirety, mind you, but only the dangerous uglifying parts of it. Don’t think I enjoy telling movie logic to get off my lawn like this. My nitpickery is tantamount to acupuncture needles being slowly pushed between my vertebrae, or filling my codpiece (what, you don’t wear a codpiece?!) with hungry scarabs. It is my curse. Damn Tiki Gods. You put termites in their pillows one time and you spend the rest of eternity wanting to chew your fingers off at bullshit times like this!
While the white coats would rather keep Super Sun under indefinite lock and key for more in-depth observation (and likely dissection for sale to some Chinese super soldier program), the police don’t think the public would be too pleased with the smiling new face of mutant moderating being held in constabulary custody. Instead, Hao and Wah are assigned to be his bodyguards while Miss Chan picks up the role of talent agent to the city’s new cynosure for his upcoming avalanche of inevitable media overexposure. It happened when the Simpsons found that monkey’s paw, and it’ll happen to you too! Angel’s also fallen in love with the little goof already, because of course she has. Some would say she’s got hearts in her eyes, some would say they’re just dollar signs. I say it’s both. I may just be a foreigner, but fill my eyes with that double vision. No disguise, for that double vision.
The glamorous life of hocking Diarrhea Killer and prancing like a grinning idiot for publicity appearances goes straight to the hero’s head, ironically swelling it figuratively while his enemies’ domes are swelling literally. As for Hao, his plan to use the unwitting Sunny as bait to draw out the baddies has put a cramp into his marriage plans, postponing the date and drawing out Wah’s ire instead. She proposes that instead of the two of them tackling the remaining trio of mutants themselves, they train Sun to actually be a superhero rather than just play one, evening up the odds. Hao’s ego won’t let him risk someone else completing his job and taking his glory though, so sad to say, this is the exact moment you can start the countdown clock for Wah’s impending inclusion in the movie’s “in memorium” reel.
Cue the next fight, as Chu and the others make their next move, striking while Sunny D’s doing yet another photo shoot. The in-name-only slayer of sinners gets bodied hard by his nemesis, while Hao uses his uncanny acupuncturist prowess to beat Chu’s girlfriend with ease, promising to have her locked up and experimented on for the rest of whatever life she has left. She opts for what’s behind Door #2 instead, and self-immolates amid the pool of gasoline she was carelessly left incapacitated in. Back inside, Chu shows us his ignorance on human biology (specifically how antibodies work) by Dracula-ing off some of Sun’s vein V8, only to be massively disappointed when it doesn’t remedy away his uggo-itis. Before he can stomp the envy of his eye six feet under, the Heroic Duo drop in from off-screen to save the day. Rather than retreat, Hao’s determined to make good on his promise to marry his wifey-to-be on time, so he trades blows with the biggest baddie and leaves it up to Wah to keep their bait from being snatched off the hook by the last remaining member of the Chu Crew, uhm, mohawk guy.
Ill-prepared for the mutants’ continued evolution, Hao’s pride is his downfall, as his ambition to close the case distracts him from preventing his lady getting her internal organs pulverized by Mohawk. When he finally notices, it’s time for a late retreat as he escapes with Wah and Sunny in tow. But it’s too late. With tear streaked cheeks and a mouthful of blood, Wah tells her incredibly sweaty man to take care of himself, never lose himself, and never be afraid because she’ll always be watching over him. Then she dies…in the passenger seat of a stolen station wagon. Just like Han Solo… in my 2003 fan film re-visioning of Return of the Jedi.
As if this loss wasn’t enough of a shake up, the movie’s timeline gets a bit weird here. Hao sets up Sunny on a cot in a shack along a nearby river and sticks him full of needles to nurse the defeated hero back to health. When said hero comes to, he finds his savior nearby, torching his dearly departed in the flames of his makeshift pyre (i.e. he set the station wagon on fire)…in the same area she died…so…this all has to be taking place not too long after our previous scene…so whose house did they break into for their acupuncture session?! And since when can acupuncture fix broken organs and blood loss in what can’t have been more than a few hours!? OUCH! There goes another two scoops of scarabs.
And so, with both of our brotagonists having fallen hard from the height of hubris, now they must pick each other up like a pair of crane game claws. You know how much of a bitch those things can be. Forged by Loki himself, they are! Anyway, Hao vows to teach Sunny how to control his powers in his scorched fiancee’s honor, so let’s cue the montage!
With her boyfriend/client engaged in secret training for what could be weeks (or might just be a few days? The movie’s not 100% clear on it.), Angel’s left alone to mourn his perceived passing. As alone as you can get when you’re under 24 hour police protection, at least. The star-crossed lovers flashback to black & white renditions of their prior scenes together, denoting loss and longing as such scenes do. Having put the entire city under siege (we have a title!) alongside his last remaining cohort since Sunny’s disappearance, Chu (who stole Weird Al’s plastic Rambo muscle suit from UHF) uses his enemy’s pilfered cell phone to call Angel and tell her how he desperately needs her to deliver him from his personal Hell of emo teen sadness. Note to readers: listening to The Cure and other depressing music when you’re sad doesn’t make you less sad, it just reminds you why you’re sad in the first place, then piles on MORE SAD! Despite the saying, fighting fire with more fire only makes a BIGGER FIRE!
Feeling like she has nothing left to live for now (or maybe she’s just tired of needing a security detail every time she has to dump ass), Angel strikes a plan with the pigs to use her as a lure to entice Chu into a trap. She could just call him back and allow the military to triangulate his locale via the phone, but that wouldn’t put her life in immediate danger, so why bother?! Remember how well things went the last time an Asian movie in The Tomb tried to lure a monster into a trap? No? Go read my Garuda review. I’ll wait.
See? Yeah. Same thing happens here. Shit goes south faster than a racist Yankee after the Emancipation Proclamation. Just as Angel is about to see if her namesake(s) are real, guess who appears from nowhere to save her from being turned into street pizza? If you guessed anyone other than Sunny, you’re either too preoccupied to be reading this episode right now, or you’re just really really really shitty with names. Before the two heavies finally finish their feud in furious combat, Hao takes out both Mohawk and himself, using an urn filled with his beloved’s ashes to smash a light fixture and ignite a broken fuel line. An all too short-lived (no pun intended) exchange whose ultimate finale is predictable, sure, but I like Hao’s use of the urn…which probably contained more than a few leftovers from the station wagon’s ashtray mixed in with whatever he was able to salvage from Wah’s herself if you think about it.
Now for the big climax. Our final showdown is a fair mix of flashy martial arts punches and kicks, superhuman feats of tossed transportation (cars and trucks and such), both guys saving Angel from certain doom, a noble sacrifice or two, an effort to apply some last minute pathos to the villain, and a mandatory bit of the throwing knife dueling that started this whole rivalry, though not as much as you’d expect given all the hours/days/weeks of training Sunny pulled in the previous sequence. Speaking of, here’s a PSA for any fellow mutants out there: Don’t be like Chu. Take absolute care when it comes to protecting your lower back in any combat situation, as any perforation of the area has a high likelihood of causing your internal organs to violently detonate. I recommend investing in one of Lumpy Leroy’s Cast Iron Cummerbunds! Tell ’em Anubis sent you to get free shipping and $5 off your first order!
Good triumphs over evil, and just to make sure Benny Chan gets to tick off the final line of his “superhero movie tropes” checklist, Angel throws herself in front of one of Chu’s daggers to protect Sunny while he’s busy being a paragon of human decency and saving a family trapped in a flaming car. She survives though, and Sunny kills Chu, so the audience gets to go home on a high note. Such ends the ballad of Johnny Two Blades, errr, Twin-Dagger Sunny. Marge, is this a happy ending or a sad ending?
I opted to review CUS based entirely on the promise of “a circus clown gains super powers and has to fight his co-workers who have become super villains”. Little did I know that Sunny’s screen time in greasepaint would be relegated to his 5 minute introduction, thus abandoning the novelty almost immediately. Boooo. Points lost out of the gate for the misleading synopsis. Things don’t get much better from then on either. It’s not that this is a bad superhero movie. The problem is that Benny Chan tries so hard bending over backwards to emulate the Hollywood blockbuster comic book flick formula that he falls on his head and knackers himself, leaving us with one of the most generic by-the-numbers super movies I’ve ever seen.
If you and your riffmates are looking for a feature to play Genre Bingo with, CUS fills all the boxes in its category. Hapless hero? Check. Hero’s parents dead? Check. The villain is an associate from the hero’s personal life? Check. The hero’s crush falls in love with him shortly after getting to know him? Check. Said romantic interest is injured/killed during the final battle? Check. The villain’s given moments of sympathy so we’re supposed to regret his forthcoming death? Check. The hero wins his first fight, loses his second, then comes back to win in the end? Check. Pride and/or ego lead to the hero’s momentary downfall? Check. The hero overcomes his fall from grace by embracing the wise words of a mentor/father figure? Check. Training montage?! BINGO! BINGO! BINGOOOOO!
Yep. That’s my biggest beef with this movie: I’ve seen it all before. Chan tries something a little atypical of the Asian fantasy epics, but over does it on the Americanization stuff. I’m all for tweaking with the General Tso recipe, but not with heaps of ketchup. The computer generated shit’s not the best, but I don’t expect it to be from any movie born of an outside-of-Tinseltown budget. Consider my expectations tempered in that regard. Also, despite my general dislike for Sunny’s goofball demeanor (and those stupid hand motions he makes every time he refers to himself as “Twin-Daggers”), finally seeing him buckle down and become the mature good guy in the final act, despite being hackneyed, made me hate him a bit less. He’s still a heaping tub of chodeslaw though for putting that audience member’s life at risk in the beginning. Psycho. Angel’s only a smidgen further north on the moral compass, because she didn’t almost kill somebody with her fuckery. She did start her relationship with Sunny under the animus of hitching herself to his rising star though, looking out for her own best interests while also getting to stick it to her former employer for letting her go. Because again, she was being replaced by a younger, more attractive woman, the same way she herself ascended to the position in the first place!
As noted prior, Hao and Wah are my favorite part of this titular besieged metropolis. They’re cute without being overly saccharine. They’re equal parts business and pleasure without going too far to either end. Hao’s conceit leads to his greatest loss, but he earns his redemption by becoming the hero’s teacher, then gets his peace in the end, fulfilling his duty and joining his beloved in oblivion. Aces. Sadly, when your supporting cast is more endearing than your main characters, you’re doing something wrong, Benny. Write better.
I’m going to end this episode on the movie’s groaniest groan-inducer before I take off. Remember when I said I’d get back to my ire over the destruction of the Japanese army’s Malaysian Frankenstein lab? Yep. Although the attack on the lab comes from outside, a series of precisely laid out explosions erupt inside of the cave in a designated order. I’m not the type to think that anything is impossible. Highly improbable, of course, but not necessarily impossible…except this. Could the Chinese forces have infiltrated the lair the night before, laid out a bunch of C4, and simply been waiting for the right time to blow their load of shock & awe all over the faces of their enemies? Sure. Maybe. No. Never. Stop. I’ve included a little visual aid to illustrate this particular blister on my butt.
Our next two episodes will be features in name but not in length, so they shouldn’t take four months to finish. Keep your eyes peeled like the delicious delicious grapes they are for the first such installment in the next few days, with the other coming out Sunday-ish. Until then, this is the end. The only end, my friend. Always live your life like a flying dagger!
But… if it’s “Universal”, how can it be “Limited”?
“GAH! I’VE HAD THAT FUCKING ‘CALL ME MAYBE’ SONG BURIED IN MY BRAIN FOR FOUR YEARS! FOR THE LOVE OF CRONENBERG, SOMEONE HIT ME WITH A SHOVEL AND DISLODGE IT!”
“Gacy Good Times International – introducing underage boys to crawlspaces the world over!” (Coulrophobics? I’m sorry. Coulrophiliacs? You’re welcome.)
So other countries have their own Criss Angel to suffer through? Kinda nice to know we in the US aren’t alone in suffering madoucheians.
“Your milk money or your life!”
“I know you’re hungry, but we can stop and get you some fresh clam strips. Those have been sitting under my seat for at least a week.”
“This is James Chang. James came out of a 10 year coma last week and has never seen ‘2 Girls 1 Cup’. We’re going to broadcast his reaction live, tonight on ‘60 Minutes‘.”
Looks like the next Wolverine movie will be based entirely on a version of the character found in those Chinese dollar store action figure sets. Maybe this will be the first step toward finally getting that Super Man Big Alliance team-up movie we’ve been begging Marble and CD Comiks for!
Up next in the Chinatown Burt Reynolds Look-a-like Pageant: Charlie “The Gator” Zhang!
If Beavis and Butthead taught us nothing else, it’s that nothing stops a nosebleed better than a tampon.
“I want to thank you for electing me your King Dingus for the season! I will do my best to uphold the honor of the position at the sacrifice of what little dignity I have left!”
Nice shades. If they look into each others’ eyes, will it create some kind of reality collapsing infinity loop?!
Hey! He stole Meg Griffin’s power to grow her fingernails long! Plagiarist!
“Well, you know we’re gonna end up in this 3-way eventually, so we might as well get it over with so we can make our car payment on time. Paper, Rock, Scissors for position?”
“I killed my stylist for dressing me in this stupid hat. Then I formed his face skin into my corsage!”
As much as I love Elizabeth Banks, this is what the new Rita Repulsa should look like!
Excedrin headache number 245 – You’ve been exposed to an experimental toxin and turned into a raging mutant. Your brain feels like its going to explode out of your skull, and simple aspirin won’t do the trick. You need Excedrin!… or a hole drilled in your head to release the evil spirits that are haunting you. Either one works, really.
Ever cried so hard that tears came out of your whole face? If not, you’ve never known real love. Congratulations.
This is why you never try to cuddle your pet porcupine.
“So you decided to turn the car we stole into your fiancee’s funeral pyre?”
“Okay. Did you happen to look it over first to make sure there wasn’t anything else in there? I only ask because I can’t find my wallet…”
Hao’s DIY car crematorium was such a success that he decided to really up his game and turn it into a career! He’s in such demand now that he’s burning entire skyscrapers full of bodies every day!
Yes! Someone finally answered the Craigslist contract I put out on Justin Beiber! Guess I better get that $120 together. Time to turn in my bottles and cans.
I told Nosferatu not to feed on those professional bodybuilders, but at least he’s seeing some sick gains! What vampire needs the use of their testicles anyway?
The ages old geek query of “What if Venus De Milo (from the live-action Ninja Turtles show) fucked Killer Croc?” is finally answered.
Anubis will return next time in
“The Three People You Meet in Texas”
Featuring: Corey “The Lost Boys” Feldman , Vanessa “Kingpin” Angel , Danielle “Darkening Skies” Keaton
Director: Ted “Subspecies” Nicolaou
Writer: Courtney “Puppet Master III: Toulon’s Revenge” Joyner
[Note from Anubis: This review was originally planned for posting on December 25th. Unfortunately, due to technical problems (I couldn’t find my DVD and the only person on the entire internet who still seeded the torrent was offline for a few days) I was not able to make said deadline. Boo-fucking-hoo. The opinions presented here aren’t olive loaf – they’re just as good (or bad) post-expiration! Now, please to enjoy our episode. Won’t you?]
Intro: So The Force Awakens opened last week to staggering box office numbers, bringing love and empathy to all mankind and blah blah blah. The Evil Dead Bride and yours truly have yet to partake in the hoopla just yet, because we’re waiting for the crowds to die down a little first. We both hate people as a general statement, so being surrounded by the squirming masses in cramped seating arrangements always brings with it the very real threat that said crowds will just have to die, period. Besides, there will never be a scene from a galaxy far far away better than when we got to watch Hayden Christensen burned alive, so what’s the rush? Oh, and Merry Cthulhumas!
I needed a bit of yuletide “inspiration” to get my “creative juices” flowing for this one, so I’ve been drinking nothing but eggnog spiked with Captain Morgan for the last 24 hours. It’s how we do a “cleanse” in my family. I better be careful or I’ll burn through my allotted “air quotes” for the review before we even get this donkey show out of the opening act!
For the first time in almost 40 years, there was a Full Moon on Cthulhumas (or “Cthuyule” if you’re a traditionalist). It’s the last such holiday lunar alignment for another 20 years. Since I imagine myself joining the choir invisible before that happens, what more reason did I need to do a review for a seasonally thematic Full Moon movie!?… except that this isn’t a Full Moon release.
In the “unspoken of times” where Full Moon was inactive and Charles Band was operating under his “Shadow Entertainment” banner (probably while he was dodging extradition to Romania to answer for unpaid castle rental contracts), and when SyFy was still known as The Sci-Fi Channel, someone had the bright idea to lease the rights to the Puppets and the Toys for the crossover that bad movie lovers had been clamoring for since the ’90s. Band was given an honorary “Executive Producer” credit, but he makes it a point to tell anyone who will listen that he had zero to do with the movie itself. Having watched it again for the first time in years, I don’t blame him! He’s subjected us to some truly heinous b-movie anus in his extensive time as a cinesadist, but when even Charles Band won’t take any credit offered him for a flick, you know that’s not a worm in the bottom of the proverbial tequila bottle, it’s a fucking Ceti eel. Khhhhaaaaaaaaaaaaaaaaaaaaaaaaannn!
(Uh-oh. That’s not good.)
Without further ado, take it away, Ghost of Anubis Past!
Original Review: Man, I’ve been waiting for this moment for… hmmm… let me think… carry the two… adjust for leap years… uhm… shit, it’s been at least 7 or 8 years! Moreover, the concept for this beast has been around since it was originally going to be Puppet Master IV, which was released in 1993!… you know, before it became yet another “not really the last movie of the series, but we’ll call it the ‘Final Chapter’ anyway” flicks and turned into, in the words of John Cleese, “something completely different”.
(Oh what could have been…)
In fact, it took so much effort to get this bitch into heat that the birth father of both floundering franchises (i.e. Full Moon Pictures) wasn’t even responsible for the movie’s release! Nope, those ever-lovin’ bad movie bastards at the Sci-Fi Channel and Anchor Bay released it instead after its debut as a “Saturday Night Sci-Fi Channel Originals” movie, whose victims already include Bruce Campbell, Jeffrey Combs and the Return of the Living Dead flicks. So, though this stands as an evil omen from the darkest depths of the Cinemasochist Inferno, at least the Puppet Master and Demonic Toys titles have both been promoted to a level apart from stuff like Gingerdead ManThough I’m sure it’s going to be more of a horizontal relocation rather than some kind of glorious, money-out-the-butt-in-the-religious-sense ascension for Andre Toulon and his brood of handmade killers.
But let’s not drown too deep in the fret just yet, friends. The flick is directed by Ted “Subspecies” Nicolaou (what, was David DeCoteau too busy making more shitty vampire frat movies?!), so let us instead embrace the potential and see what kind of epic shit-eating tortures these last 13 years have wasted time and resources creating!
The sad part is that I’m actually so excited for this moment that I’m watching this at 2 a.m. on my laptop, which tends to emit a loud and terrible hum when I play DVDs on it. I had a long and painful day of failures and physical labor and up until an hour ago I was welcoming sleep like Tom Hanks welcoming an AIDS infected pecker in his pooper a la Philadelphia. But now I’m all eyes, ears and fingers for this nightmarish little play-by-play. Come on people, it’s a brand new DVD and it only cost me $8!? I haven’t been this excited since I found out there was a sequel to Rock ‘N’ Roll Nightmare!
Andre Toulon is no longer an elderly puppeteer with designs of vengeance toward the servants of Adolf “Captain Moustache” Hitler and the Third Reich. Gone are the days when Guy Rolfe would send wooden toys imbued with the essence of his dead friends to hack, slash, mutilate and smash those whose turn-ons include goose-stepping, long marches on the beach and the smell of freshly baked Hasidics. No longer does a young prodigy set his miniature do-gooder toys to do battle with foot tall totem demons and giant muppets with scrotum for mouths. No, instead we now have Robert Toulon, great grand-nephew of Andre, who’s bitter because the capitalist swine at Sharpe Toys have rejected him and his screwball ideas for “living” toys.
Well, that or he’s just pissy because he’s Corey Feldman, who is therefore a complete and utter joke in the footnotes of b-Hollywood to whom very few people would tag the prefix of “great” or “grand” with any level of serious admiration.
Bob’s your typical kooky inventor type: harmless for the most part, with little more than some smoke and bad smells to show for his work. If he didn’t hiss and grimace so much, you’d half expect him to shrink down some neighborhood kids and spend 2 hours trying to fix ’em while many a wacky hijink ensued. Then he’d come back for a couple of fuck-awful sequels and endanger the lives of several more kids before being burned alive in a boiler by the unhappy members of the PTA. Speaking of kids, this guy Robert somehow has custody of his daughter Alexandra (Danielle Keaton), with whom he re-enacts the life giving experiments of Great Uncle Andre thanks to a journal (that was no doubt illustrated by an eight-year-old…missing several fingers…that probably resulted in him/her drawing some fucked up looking turkeys at Thanksgiving) and several familiar looking tiny killers discovered in a flea market.
Speaking of the father-daughter relationship, it’s kinda creepy the whole time I’m watching this because Corey Feldman, no matter how many gray streaks he puts in his hair or how much beard scruff he tries to grow, will always look like he’s 16. The idea of him having a teenage daughter just looks unsettling. Let’s just hope “The Feld” is lucky enough to look this young when he’s pissing in a bag and eating food in a primordial ooze state.
Meanwhile, Sharpe Toys presidente Erica Sharpe (Vanessa Angel, who’s showing every day of age since Kingpin last played a multiplex, made all the worse since her lips look like an inflamed anus now) spies on Bobbie’s work via hidden ladybug spy camera while she sips sparkling cider with her “is she fucking that guy, or is he gay?” assistant Julian. Who may or may not be played by one of those hitmen with the ear-raping accents from Return of the Living Dead: Rave to the Grave. (Note: after checking IMDB it turns out I was wrong on that assumption, though he has had small parts in shit like Hammerhead: Shark Frenzy, Shark Attack 3: Megalodon, and other non-shark related crap Sci-Fi Channel projects).
Sure enough, not only do Bob and Al do in five minutes what the Nazis and Kandarian demons couldn’t do over the course of 8 movies, but they get it right on the first try, as the puppets are resurrected on a diet of Kool-Aid™ infused with Toulon blood. :::Anubis proceeds to smash through a wall, wielding a pitcher of dyed sugar water laced with LSD::: OH YEAH!
No sooner are Jester, Pinhead, Blade and Six-Shooter back to working order than my Kool-Aid™ smile takes a NesTea™ plunge down the proverbial shit pipe…only in this case it’s literal. The puppet models being used here are by far the worst to date. Much like the rationale used on Pamela Vorhees’ baby (freak monkey murderer) boy for Freddy Vs. Jason, you can tell the diseased minds behind PMvDT wanted to make the Puppets the heroes of the flick, so they changed their appearances to try and invoke a better comfort level with the audience (or lack thereof). The result? Jester and Six-Shooter no longer look like a child molesting clown and drunken rapist cowboy respectively, but instead like “empathetic harlequin” and “child friendly old west kids show host” types that make me ill. Additionally, Pinhead looks like he’s been sucked into the Hollywood scene since his last movie appearance, slimming down immensely to a sickly, heroined out, Olsen Twins-esque look! He’s the fucking Kate Moss of the animated death toy crowd and it’s pathetic! He doesn’t even have that squinty-eyes Popeye quality to his face anymore. Instead, he looks like an anorexic old queen in a shitty brown sweater he knitted for himself! Seriously, I think Feldman would’ve been better complimented if he was acting opposite 90 minutes of badly edited stock footage than what these half-assed action figures are going to give us.
Anyway, it’s Christmas time and Sharpe Toys needs that one thing to put their manufactured plastic crap above everyone else’s manufactured plastic crap, so Erica sends her henchman and some hired goons to Bob’s “Puppet Hospital” (I shit you not) to do a little corporate raiding and acquire her some hot, wet puppet action. In standard fashion, the puppets defend themselves, a ruckus breaks out, Bob gets socked in the shnoz by an FDA approved goober with a fucking dollar sign tattooed on the back of his hand (see now, if Gene Simmons had achieved his lifelong dream of trademarking the dollar sign, he would’ve made $0.03 off of this purchase!), Six-Shooter accidentally sets the place on fire and he and his compadres get their stupid new plastic faces melted off. To which the puppets react as if there was somebody holding them by the leg and simply flailing them around…wonder why that is.
And with that, it’s time to introduce the other half of the titular equation as, back at the Sharpe offices, Ms. Sharpe introduces (i.e. sacrifices the cleavage of) her virginal Christian Youth receptionist (I swear this chick waited on me at Uno’s last night) to her “Board of Directors”, better known to followers of the Church of Chuck (Band) as Baby Oopsy Daisy, Grizzly Teddy, and Jack Attack (a.k.a. Jack-Out-of-the-Box. Which is a “pulling out” innuendo if I’ve ever heard one). Once again, I have to state-the-hate on these new character models. For the most part Teddy doesn’t seem all that different, and well, I think I actually like this new Baby Oopsy better. But as far as Jack goes, he looks like shit! I don’t know if they were aiming for some kind of Pennywise take on the fanged box occupier, but whatever the reason it’s COMPLETELY WRONG. The original Jack’s design was the star of the Demonic Toys movies and unless the Killer Klowns people were threatening legal action, there was NO reason not to have stuck with it. Blegh.
Back to our story (I guess that’s what you’d call it, right?), it looks like Erica has made a pact with the demon Bael (who forgot to take off his “orc mercenary” costume following his earlier Everquest™ cos-play meeting) to bring Hell to Earth by distributing 9 million Sharpe toys to homes around the world, all of which are to be brought to murderous life on Christmas Day following the shedding of the final drops of Toulon blood. It’s almost Christmas Eve and ‘Ric’s done her part, spreading the viral Cabbage Patch Creatures™ across the country. Will the greed demon be able to put the little beasts into blood-letting action, or will Bob and Al save the day with their new line of “burn unit victim” Puppet Master action figures? It’s a rhetorical question kids, we all know how this is going to end. And yes, I know that’s not what rhetorical means, I was just waiting to see if you caught on or not.
While Bob and Al prepare for their miniature war with the unholy playthings, a female cop gets involved because Corey Feldman needs someone to stumble over and sweat in front of. The puppets get “cyber upgrades” that include a plastic knife and hook for Blade, pillow
biting smashing thunder ball fists for Queenie Pinhead, a can crushing mace arm for Jester, and an array of plastic gun arms for Six-Shooter that somehow shoot lasers, because plastics are apparently well known for their abilities to generate intense beams of light and heat.
The good guys get caught “unawares” (to be more specific, while Bob’s christening the S.S. Porcelain Bowl), leaving them and the puppets at the mercy of the upstanding staff at Sharpe Corporation. Vanessa Angel puts on an outfit that would’ve looked a lot better on those legs when she had legs to speak of, and Al’s to be used as the blood sacrifice for Bael’s big global conquest thing. Finally, after over an hour of waiting for it, the title bout (literally) goes into effect and the heroes break free. As the norms around them shoot at each other (and Bael cavorts around in a Santa outfit while the countdown to Judgment Day continues), the puppets and toys trade blows. Blade (along with his very obvious plastic knife and hook) hacks the stuffing out of Teddy and liberates his huggable head, Pinhead squishes Oopsy’s head into a geyser of goo (following one-too-many Oopsy ass blaster joke attacks), while Jester and Six-Shooter make short work of Jack. This all happens in less time than it takes to cook minute rice. The goodies save the day, no Toulon blood is spilled, the great Christmas Holocaust is prevented, Bael takes Erica back to Hell with him as part of their agreement, and Al and Bob have holiday feastings with Bob’s new would-be cop girlfriend.
Whoop-di-shit. I waited over a decade for that?! Fuck! I didn’t have a whole lot of faith that this was going to go anywhere, but I didn’t think these guys would forget the whole point of the movie! You take a movie called Puppet Master Vs. Demonic Toys and you spend 80 minutes pitting the two sides against disposable human fodder while the two C and D-list actors you get for the lead roles hog the screen time, only to climax with a limp-dicked, one-sided conflict of Custer’s Last Stand proportions?! Maybe if I were into anal intrusions I’d love this movie, but as it stands I’m against getting dicked around, especially in a 90 minute marathon of it! At least Dollman Vs. Demonic Toys lived up to its name. And even then managed to fit in all it had to in just a little over an hour! Unlike this fucking waste of time.
As far as the acting I concerned, was Corey Feldman intentionally performing so over-the-top as a sign that he wasn’t taking the role seriously, or is he really so misguided in the thespian arts as to think he wasn’t making a total ass-hat out of himself? I’m sure it’s the latter, but I’m hoping it’s the former for the Feld’s sake. Vanessa Angel’s never been a good actress and the fact that she’s lost 70% of her sex appeal only throws this fact into our movie watching faces all the harder. Everyone else was pretty much by the books (those of course being the “How to Act But Not Get Noticed for Doing So” series) with the glaring exception of Sylvia Suvadova. Sylvia played the part of the Feld’s law enforcing would-be girlfriend, with the major difference being that of ALL OF HER LINES WERE RE-DUBBED. Does she have a horrible, ear drum grinder of an accent that the producers felt needed to be “redacted” from the film? Or, could it be that her actual acting is so bad that it couldn’t even work with the rest of this bowel obstruction? Inquiring minds want to know! Well, my slightly interested minor curiosity is kinda interested in a short and simple answer.
As you can tell from the numerous bitches and complaints dropped elsewhere as my recipe for hate called for them, the special effects ingredients involved were a good use for a dollar store budget, but otherwise a slap in the face to the series, especially following the otherwise groovy efforts of the first three films. Granted, they didn’t go for the cheap fuck like other recent entries by relying on the same stop-action stock footage born of Toulon’s Revenge, but I’m starting to think I’d rather watch those for a 12th time as opposed to the high school jerk around we got instead.
While I’m ‘picking here, the title graphic is terrible too. Look at it! Why has the classic Puppet Master logo been replaced by toy alphabet blocks?! Though I understand the use of the flaming logo for the latter half of this “Rumble in the Toy Box” title, I always liked the alphabet blocks look for the original Demonic Toys logo design (Note from 2015 Anubis: that wasn’t Demonic Toys, it was Dolly Dearest you dipshit), considering they’re toys and alphabet blocks are toys and… fuck it, nobody’s even listening at this point. The movie’s shite and every fiber of my being is nagging at me to go get my eight bucks back. Guess I should go do that now before all this talking to myself gets me another run at Arkham…
Disengaging Complaint Drive Warp Engine™… now!
Xtro: Uggh. That hurt. Like 50 lashes with a wet string of icicle lights. I forgot how genuinely wretched this movie is. For my original review, I gave PMvDT (huh huh, “VD”) 2 ½ stars. Not out of 10, but out of 5. FIVE! What the fucking fuck was I on!? This is a 90 minute shave with a razor made of broken glass covered in salt and ghost pepper sauce! I feel my anger and disgust have been blunted over the years too, so I must’ve been suffering some kind of horrendous personal agony in my life at the time to have crawled through this level of effluvial grime with a “meh” numeric attitude rather than the revulsion I got from watching it this week. Hey, Past Self? Don’t worry. Whatever Hel you were being dragged through by your armpit hairs back then, you get beyond it and realize just how incompetently assembled this Chinese unicycle truly is.
To add some extra torque to this self-inflicted yuletide titty-twister, it turns out that the only copy of the movie I was able to acquire on such notice also happens to be dubbed over in Russian…as spoken by a single, monotone guy. Yep, all of the lines, including those by female actors, are read by a bland-as-non-fermented potato water dude who may or may not have been very tired while doing so. I listened as well as I could for any instances of yawning, but found none. Anyway, the original English track was just audible enough that I could still follow along with the movie, but in all honesty, the cast’s performances are so “just paying my electric bill” quality that they’re barely worth the effort anyway. Watching Feldman run from Oopsy in one scene is hilarious though. His little jog is silly and not at all a pace I’d be comfortable at limiting myself to were I trying to outrun a homicidal doll that really wets itself! Feld’s raspy “fake old man voice” isn’t funny though, it’s distracting. And not in a good way that it would actually distract us from the thrift store production values of this moving picture calamity.
Everything is cheap in this movie. Everything. Even compared to the lesser Puppet Master movies. Even by TV movie standards. The sets are small and populated with props that even Ed Wood would look at and say “I think we can do better”. Roger Corman, Hal Needham, and Burt I. Gordon would watch this withered little pickle of a flick to boost their confidence in their own productions. Seriously, where did the reported $2.5million budget go for this fucking movie? To cover some Sci-Fi Channel exec’s mob debts!? The cheap plastic and foam rubber used to make these WOODEN puppets are an ipecac for my eyeballs. Pinhead looks like he Face/Off‘ed with Bea Arthur at some point, then was stricken with savagely aggressive puppet cancer! Blade’s supposedly deadly sharp appendages look about as metal as the toy army knives you get from Dollar Embargo, and only about half as dangerous too. Same goes for Jester’s “spiked mace hand” and Six-Shooter’s laser gun arms and “cyber” facial appliance (all of which I’m almost positive were made using salvaged pieces from an off-market Transformers lot picked up on eBay). The Demonic Toys aren’t as cheap and ugly, put I’m still put off by Jack’s facial redesign, and I don’t know what Past Anubis was thinking, but I definitely prefer Baby Oopsy’s original cold black shark eyes to what his peepers appear like here. Oh well, at least none of the Toys had goofy Terminator shit glued to ’em, so they’re automatically the better looking of the titular playthings by a Mongo mile.
But even the lowest of budgets can be overcome by a talented cast and a gripping story, right?! Since we already established that the “talented cast” part isn’t happening, how about that gripping story? Drop one of those ‘p’s, because there’s a piss and moan storm on the horizon. Since Courtney Joyner brought us Puppet Master III, the pinnacle of the PM legacy (not to be confused with the literal Puppet Master Legacy, which roams the sewers of the series like a C.H.U.D. with a crayon lodged in its frontal lobe), I had some hope for this movie. Not a lot, but enough that it wouldn’t give my Full Moon fanboyism anal leakage. Clearly, I should’ve downed a brick of cheddar with an Imodium chaser before watching. I guess I’ll never learn.
This is the kind of story that makes me want to swat Mr. Joyner with my ring hand and practice my acupuncture on the backs of his knees with splintered chopsticks. Andre Toulon’s great-grandnephew couldn’t have received his family’s infamous legacy via some kind of inheritance? Instead he finds them by chance through a flea market. A fucking flea market?! Fuck your flea market. And why does Erica Sharpe’s modern toy factory have a medieval dungeon in its basement?! Does demonic summoning magic (as done with a high-tech modernized version of an iron maiden) require stone block walls and big rusty chains around to perform? Was the factory built over the remains of a castle and they optioned to just use the original basement for the foundation?! Fuck your foundation. While we’re on it, Sharpe’s cadre of minions have a big evil sigil to identify each other by. Erica and her sidekick wear theirs in the form of pendants adorning their necks, which is fine, but her hired muscle bear theirs as big ol’ tattoos prominently displayed across the back of their hands! Shouldn’t you keep the calling sign of your secret cult, I don’t know, somewhere more secret?! Fuck your tatoos.
I’ve got a few dozen chunks of fruitcake fighting their way through my digestive tract like space marines through a nest of Xenomorphs, so just a couple more points of contention to contend before I (s)hit the bricks. Near the end of the movie, as Alex is trapped in Erica’s needlessly elaborate iron maiden (whose only purpose is to puncture victims and collect their blood in a plodding, gore hiding fashion), she does that doofy thing where a character narrates what’s happening to them, since shooting it would seemingly flatline this already anemic budget. Her half-hearted screams of “Dad! The spikes are starting to move!”, “Dad, the spikes are getting closer! You have to save me!”, and “Ow! Dad! The spikes are poking me!” are equal portions unintentional hilarity and teeth-gritting aggravation.
My last (and by no means least) gripe comes down to the eponymous exchange itself. The offensively cheap DVD box art promises us a “rumble”, and what we get instead is toenails in our chili that are most assuredly not hard-shelled peppercorns (http://www.videodetective.com/movies/texas-chainsaw-massacre-2-scene-family-recipe/472419)! On one side, we’ve got four killer puppets with silly albeit dangerous weapon upgrades, including one who wields six functional LASER GUN ARMS. Meanwhile, on the opposing side we’ve got a teddy bear with sharp teeth, a screaming jack-in-the-box also with sharp teeth, and a baby whose sole offensive abilities are propulsive farts and a douchey demeanor. The Toys are trying to ride a seesaw with the McGuire Twins on the other end, and their short-lived losing effort proves it. As if this weren’t already some of the most disappointing metaphorical build-up sex I’ve ever had with a movie I was looking forward to, the 80 minutes of clumsy foreplay leads to 4 minutes of uncomfortable intercourse, premature ejaculation, and 5 minutes of post-coital crying and apologizing before the viewer takes the walk of shame and wonders why they have such little self-esteem that they keep hooking up with such obvious losers. Happy fuckin’ New Year.
Speaking of embarrassing myself, before I go I’d like to take a moment to apologize to everyone for Past Anubis’ unacceptable mistreatment of Vanessa Angel over her looks during my original review. Reading that was like watching The Monster Squad and seeing kids throw around the term “faggot”. It’s not right. I’d call myself a fuck-o to my face if I had a time slide right now, but I’m no Time Angel, so that’s not an option. (Editor’s Note: Anubis is a fuck-o sometimes. I’ve informed him of this, now we can all move on. Bully to him for admitting his fuck-o-ness, apologizing for it and trying to be better moving forward.)
Here’s to wishing you all the best (of the Best) in these final days of 2015. Mine clearly ended face down in a puddle of pig vomit, but here’s to hoping that 2016 (and the continuation of the World Tour de Farce) brings us all something worth smiling about and a little less worth hanging ourselves naked in a sleazy motel closet about. Peace on Earth and Boyz II Men.
“You have been convicted of high crimes against our glorious magistrate! For that, you shall all be crucified until dead! Pray to your plastic gods now, for they will be the last words you ever speak!”
“Damn it mom, stop swindling the neighbors! Damn it Rose, stop being such a stupid bumpkin! Damn it Blanche, stop being such a slut! DOROTHY SMASH!”
“But how do I know this is the actual syringe Barry Bonds juiced with before his record breaking homerun? Do you have a certificate of authenticity or a picture of him using it?”
Free advice: if you’re in an elevator with two people wearing the same type of evil looking pendant and one/both of them are clutching theirs while grinning sinisterly, you’re about 10 minutes away from being the subject of a secret society’s human sacrifice.
That’s why no one ever tried to come between Corey Haim and his nose candy.
“And who’s she supposed to be?! Between that dress pattern and the weird collar she looks like some kinda fairy queen of Christmas presents! I’ll be here all week! Remember to tip your waiter!”
We have top men working on Corey Feldman right now. Top… men.
This summer, he’s back in the slammer and back undercover! Marlon Wayans brings us the long-awaited mash-up sequel to two of his greatest film epics in Little White Chick Man!
“We told you SyFy bastards what would happen if we caught you shooting another one of your shitty movies down here!”
“I’m telling you you’ve got the wrong guy! I’m not Charlie Sheen!”
Though it never made it past pre-production, a handful of prototype action figures were made for the ill-fated Blazing Saddles 2099 reboot.
“Well… I guess I’ll just have to learn to masturbate with my left hand now.”
Well, I wanted Joanna Angel for Xmas, but I’ll settle for Vanessa Angel. Don’t wanna seem ungrateful, right?
This is why you never have your office Christmas parties anywhere within walking distance of a tattoo parlor. You don’t wanna see where their assistant manager got his.
“LIKE A RAINBOW IN THE DAAAAAAAAAAAAARK!”
He died doing what he loved: attending King Diamond concerts in a business suit and corpse paint. God speed, executive metalhead.
“NO! I don’t care what the contract says! You can’t make me do another Lost Boys sequel! IT’S INHUMAN!”
That’s an oddly specific time stamp for a movie…
Damn it, Bael! If you’re not gonna wear the Santa beard properly, don’t wear it at all! Fucking hack!
Pinhead is disturbingly serious about taking his Kanchō game to the next level. I didn’t realize he was made in Japan.
Johnson & Johnson had to scrap their proposed new No More Tears Green Apple Baby Shampoo dispenser when several mothers in the focus group fainted and one had to be institutionalized.
“Don’t think I didn’t know it was you stealing the crunchy boxers out of my underwear hamper, Jester! We all know the weird shit you’re into! Give ’em back!”
Anubis will return next time in
Featuring: Sornram “Dreamers” Theppitak , Sara “The Thai Thief” Legge , Dan “You’ll understand why he doesn’t have any other movie credits after this review” Fraser
Writer & Director: Monthon “I Miss U” Arayangkoon
You know, kids, Uncle Anubis has been having a hard time recently. There are a few things going on that have been bringing down my mood as of late, both in my personal world and the world overall. Life’s been a bit of a buzzkill for me these last few months. My thoughts are generally a Junior Jumble and I’m feeling dyslexic as fuck. My brain is stuck on shuffle, but I hate all of the tracks playing. It’s frustrating. But, as Pearl once told Mike, “I find that in times of crisis, watching a skin-peelingly bad movie can truly help. To that end, I offer you the balm that is Soultaker.” And, since I don’t have Soultaker, Dr. Blackenstein has written me a prescription for Garuda.
But, this is a World Tour review after all, so before we get started with the movie, shake hands with Thailand! No, I didn’t mean literally. Damn it, just put your hand down.
Formerly known as Siam (Yul Brynner looked so badass in The King and I), Thailand is central of the Indochinese Penninsula, and bordered to the North by Mayanmar (not Mallomar) and Laos (not Gyaos). 95% of the nation is Buddhist, which will become a big deal once we get to the movie meat of this chicken curry. Speaking of food, Thailand held the World Record for longest line of washed plates with 10,488! That record was stolen from them by India less than a year later, though, when they upped the ante to 15,295. Fucking India can’t let anybody have anything. Pricks. Don’t worry, Thailand. You still hold the records for the world’s largest gold Buddha, largest crocodile farm, largest restaurant, tallest hotel, longest single-span suspension bridge, and largest Christmas log cake (hilarious since less than 1% of their population are Christian). Put that in your public streets and shit on it, India!
Thailand’s bestiary includes the world’s largest fish (the Whale Shark), smallest mammal (the Bumble Bat), longest snake (Reticulated Python), longest poisonous snake (King Cobra), largest living lizard (Monitor Lizard), a fish that can walk on land and climb trees (the Mudskipper), 10% of the entire world‘s bird population (!), the world’s hairiest child (Supatra Sasuphan), and is the birthplace of the legendarily conjoined brothers Eng & Chang (who had 22 kids between them!… not literally, of course) from which the term “Siamese twins” was coined!
On the darker side of things, the air pollution is so bad that traffic cops wear face masks and 20% of their law enforcement officers suffer some form of respiratory disease. Thailand’s also one of the 3 corners of the infamous “Golden Triangle” (along with Myanmar and Laos) that produces and traffics notorious amounts of heroin and opium to the rest of the world. Thailand was also the home of the first reported case of HIV/AIDS and has the most prevalently HIV infected citizenry in all of Asia. No surprise since its prostitution population is believed to number somewhere in the high six-figures. Whoring isn’t legal there, it’s just rarely prosecuted. Speaking of, Thailand is also the most notorious country in the world for child sex trafficking. A horrifying statistic that they probably leave out of the tourism brochures, but always reminds me of that “Kids in the Hall” skit where Dave Foley negotiates with child prostitute Bruce McCulloch while on vacation in, you guessed it, Thailand. It’s good to laugh about the hideous atrocities that go on in the world that you have absolutely no control over…
Oh, and stay away from Thailand’s “Full Moon Parties”. Just like the Charles Band production company after which they’re named (I’m presuming), things aren’t what they seem and you’ll end up regretting your involvement after. Only, you know, instead of losing 90 minutes of your life, it’ll be more like 9 years in a Thai prison. You don’t want to go to Thai prison. Ever seen Brokedown Palace? Me neither. I’ve heard Thai prison sucks though. And yes, they have one big prison, so shut up.
Alright, that’s enough of the nation that pinched this cinematic defecation. Let’s get down to business!
Considered Thailand’s first foray into the kaiju subgenre, Garuda takes its name from the giant humanoid bird people of Buddhist and Hindu mythology. Ancient enemy of the Naga (giant snakes), the top birdman was given the title “Garuda”, a deity in its own right that was also the whip upon which head honcho Vishnu rode. So, it’s a birdman who worked for Vishnu and is the topic of a feature you’d be better off remaining ignorant of, hence the alternate title for this episode. Get it? Think Michael Keaton. Still don’t get it? What do you mean you haven’t seen Birdman yet!? Meh. Neither have I. And now that I’ve explained the joke, it’s ruined. Blart. Anyway, Garuda is also the national and royal symbol of Thailand, not unlike how the bald eagle is a big deal national pride symbol of America. Their avian mascot could kill our avian mascot any day. We need a cooler winged mascot now. Like Batman. He could probably beat a Garuda. I mean, he kicks Man-Bat’s ass like once a year, right?
Our movie opens on a bit of background establishment, as a narrator tells us about the generally peaceful Garuda species. In ancient times, before the hairless apes of humanity moved in and started trashing the Earth, the biggest and meanest of the Garudas got pissed off about his small penis size and murdered and consumed the other members of its ecosystem with reckless abandon to overcompensate for his perceived shortcomings. Sick of their brother’s bullshit, the other fowl folks ganged up on the bully, kicked his ass, and trapped him in the roots of a giant tree that later sank into the Earth. They abandoned him amidst the landscape he had stained with the gore of his avian avarice, where he stayed for 80 millennia or so. Guess when he’s getting out. Go ahead. If you said “now”, reward yourself with an Abba-Zabba or a fifth of scotch or whatever you usually reward yourself with!
Here in the modern age (for us, it was 10 years ago), ambitious young archeologist Leena Jeanvier (Sara Legge, the Thai Jessica Alba) proposes that the Thai government allow her to pursue a dig and search for evidence of an evolutionary offshoot of birds whose existence she believes influenced the founders of Eastern religion to worship these as the Garuda. Her theory is that dinosaurs became birds became humanoid raptors much in the way that a string of ape DNA eventually gave way to early man. Stringy ape DNA. Ewww.
Leena’s s.o.l. though (and I don’t mean Satellite of Love), because the people of Thailand are incredibly religious to the point that anything science-y that might disprove something about their mythology is immediately denounced as heresy and shot down. As such, Lee’s request is refused and she’s ridiculed for being a “half-caste” foreigner. See, despite her mom being Thai (just like Tiger Woods!), her father was a French archaeologist, so we see from the start that Thailand is a racist, superstitious place that no one should ever go to ever. As if the grade school sex slaves weren’t bad enough!
The reason Leena’s so determined to research the possible Garudal evidence in the area is that she wants to continue her dear deceased dad Pierre’s work. 30 years prior, he discovered a full birdman skeleton in the grounds beneath Indian Kashmir (Bollywood rendition of the Led Zepplin song?) on the border of Pakistan! Too bad for him that he made said discovery mere moments before Pakistani soldiers bombed the crap out of his dig site. His friend and partner Rashid died pushing Dr. J from a (hilariously bad shaky cam) cave-in, and all the poor man’s Indiana Jones was able to recover from the remains was a single talon. While looking it over, he tells Rashid’s corpse, “At least you didn’t die in vain.” Too bad that he totally did die in vain, because when the doctor tried to bring his findings to the people of Thailand, much riot rage was thrown his way and his blasphemous findings were denounced by everyone. He became sick and died not long after, leaving the talon on a necklace for little Leena to keep with her always. And here she is, all grown up and adorable in that “almost too cute to masturbate to” way. Also, this being Thailand, she could be a ladyboy for all I know.
Side note: good on Thailand for being so forward thinking and accepting of its transgender people, but if I ever wind up within their borders, I’m keeping my dick to myself. I’m not one to say “Phucket, let’s Bangkok” anywhere really, but better safe than sorry. By which I mean waking up in a cheap hotel room with my wallet and/or kidneys missing and my phone full of pictures that make me question the sexuality I was pretty sure I’d established firmly post-college. I have a friend who didn’t realize she was a lesbian until she was 40 though, so it’s never too late to discover things about yourself!
Following her dismissal by the authorities, Leena’s uncle Wichai (Yani Tramod) promises to do what he can to sway opinion in her favor and get the project approved. Until then, she’s back to an excavation site in nearby Kalasin to do more research and teach kids about dinosaurs and stuff along with her co-worker Tim (Dan Fraser). Oh boy. Let me tell you a little about Tim before we go any further. For starters, these two aren’t dating. It’s not even a “Friend Zone” situation, as they’re both apparently cool with just being peers beyond a comment Tim makes later on about how “If you weren’t so boisterous, you’d be my girlfriend already”. Strange that they don’t date though, since he looks exactly like her father what with the short messy hair and glasses, and the whole “being an archeologist” thing. Maybe they’re just holding off until he’s positive she’s not a ladyboy and she’s sure he’s not gay?
The most important Tim characteristic possesses though are his goofy faces. He’s intended to be comic relief, what with his non-threatening flirtations and easy going demeanor in otherwise pants-wetting situations, but it’s his weird faces that make him stand out. Remember how sidekick cop Frank Washington in Samurai Cop was always yucking it up and mugging to the camera with over exaggerated faces like a party clown on Molly? Tim is Garuda‘s Frank Washington! While other people talk, he’s unable to just stand still and pay attention. He’s constantly looking back and forth and his face is trapped in improv actor “expression practice/warmup” mode! He’s okay as the resident chucklefuck minus the face thing, but…but…THE FACE THING! ARRRGH!
“2 months later”, Uncle ‘Chai calls Leen and slack jaw Tim to Bangkok (Dangerous?). An entire pop-up military operation (or “pop-mop” if you like) has been established around a dig site, populated by generic camo-ed army soldiers and led by a special ops government unit that brings to mind the S.T.A.R.S team from the original Resident Evil games. When we first see them, they’re all standing around in tough guy action poses, smoking cigarettes, proudly bearing their facial scars and unshaven faces while everything goes all slo-mo! Much like the rest of Asia, Thailand’s still playing catch up with American pop culture. Looks like they’re only up to 1992 in their “action movie hero tropes” department. KWIMV? (Know What I Mean, Vern?)
Being the guests of honor to this block party, ‘Chai introduces L&T to the group’s leader Tan (Sornram Theppitak). Tan exposes himself as yet another xenophobic bigot in a government appointed position, wasting no time referring to the pair as “just a foreigner and half-foreigner”. The way Leena reacts, I’m pretty sure Tan called them whatever the Thai ‘N’ word for outsiders is. Granted, the KKK is a horrible group of bigots over here, but at least they’re not holding office and running the army (openly)! Krispy H. Kreme!
Anyway, Tan begrudgingly does his job and escorts the pair underground. Seems the city’s expansion of their subway system resulted in the excavation of a skull that looks especially human, but especially bird-like! Oh and there’s a huge wall of stone that the drill mysteriously couldn’t penetrate. Actually, this was all uncovered back when the nerdly duo were last in town, so what the government spooks were doing the last eight weeks with it is anyone’s guess. Wachai tries to explain it, but he just stutters as if he was trying to improvise an answer on his own before Tan backstory blocks the proceedings and tells him to get to the point. Somebody probably spilled peanut sauce on that part of the script…of which I guess they only had the one copy…?
The nerd pair check the wall of rock out and guesstimate that it’s over 80,000 years old. They also determine that there’s a cave behind it (by putting their ears against it) and request that the National Geology Department be brought in to inspect it. Not a fan of wrapping this metaphorical mummy in any more bureaucratic red tape, Tan vetoes the suggestion and orders his demolitions guy Wit to blow it to shit! Inside of the stone cell they find the tree in which the Garuda bully was imprisoned. Speaking of incarceration, Tan has L&T detained when she goes on this weird tirade about how Uncle ‘Chai and these jackbooted thugs have stolen her father’s work and won’t allow her to investigate the cave. Kids, when a racist dickhole and his heavily armed, government sponsored militia are just looking for an excuse to turn your dome into paste and dump what’s left of you in the sewer, I would suggest you not antagonize them when they tell you to sit down and shut up. Can’t exactly change the world when your entire existence can be wiped from the face of this mudball in less time than it takes to upload a copy of I Bought a Vampire Motorcycle to YouTube.
That reminds me. Could someone do me a solid and upload a copy of I Bought a Vampire Motorcycle to YouTube? Groovy. I loaned my DVD to a friend who lost it in a house fire (that I set) and I wanted to revisit it.
Tim picks the lock to their holding pen with his excavating tools (because nobody bothered to frisk them before locking them up…) leaving the pair to escape, so they can try and catch some visual evidence of their findings in the cave with the video camera that their captors also didn’t confiscate. Nearby, while Wichai is scraping samples from the trees within the cave, he notices the comatose Garuda and starts praying for its forgiveness. Watching this from a monitoring room, Tan has a flashback to a prior mission with his task force where he lost a member who was too busy praying for mercy from their enemy instead of just shooting it in its big, stupid, computer generated face. Said enemy? A giant Naga snake monster! Cue the “Wait! Is this a sequel!?” moment of confusion before realizing that the ops this special ops team was assembled for is to fight monsters! Yes! Spoiler alert: in case you overlooked the big turd rating at the top of the review, this movie sucks. That being said, I’d still watch an entire series of movies based on the exploits of these mythological monster mashers, no matter how deep down the toilet their production values went.
Tan’s teammate Krai (Chalad Na Songkhla) snaps him out of the PTSD episode with a “get over it” and a stick of gum. Who needs Celexa™ when you’ve got Doublemint©?! Thailand – the nation of “walk it off” psychiatric therapy! Lee and Timmy too discover the sleeping giant, but are immediately rediscovered by their gun-toting oppressors. Tim tries to fend off their pursuers with a broken spotlight while Leena hoofs it outta there, but he only knocks over a grunt or two before getting his coconut cracked and being restrained again. This time he’s given a personal guard – a testosterone factory named Harn who wields a big-ass knife inscribed with some mystical whatchamacallit symbol. So he fights giant dangerous beasts with an oversized bowie? Well, that at least explains the game of Connect the Dots going with his numerous facial scars!
40 minutes in, we finally get our Birdman of Bangkok when a misplaced length of electrical cable gives ‘Rudy a Kong-sized hotfoot and revives the beast. Why is it that every time I zap coma patients with the magical sky fire they just die and/or go up in flames, but these accidental Frankensteins breathe life into a prehistoric anthropomorph with ease!? Maybe it’s because the creature’s entirely computer generated (from the dreggiest dregs of SyFy Original Movies Purgatory) and the power surge rebooted the seized up laptop it was running on? Regardless, GarGar’s back in business and pissed that nobody changed the shredded newspapers lining his cage. He takes his anger out on Uncle ‘Chai and a random extra in fatigues before moving on to further prey.
Tan and his men catch up with Leena, and the pair clash over opposing viewpoints, guaranteeing that these two will be working together (and likely staining some sheets together too) before long. Intelligence and faith will learn to co-exist, brains and brawn will be attracted to each other, foreigner and full-blood Thai will gain mutual respect, and the world will be a better place. Until then, our eponymous monster (“eponymonster”, perhaps?) picks up where he left off 80,000 years earlier and just kills every living thing in sight. Guess he didn’t “think about what he’d done” during that extended stay in Time Out, did he? Harn declares to Tim that their unit are “soldiers who kill Gods”, but I’d bank my collection of mint condition Movie Maniacs figures that this time they’re just going to be “soldiers who(m) the Gods kill”.
Shazam! If Tan was having survivor’s guilt before this, he’s gonna need shock treatment after all the underlings he’s bound to lose tonight! But not the weak cheese follow-up to The Rocky Horror Picture Show of the same name. The only thing watching Shock Treatment will cure is any respect you had for Richard O’Brien.
Tim’s escort tries to take on the ‘Ruda Boy cuchillo-a-gara (knife-to-claw) in one of the least intentionally guffaw inducing “actor vs. cgi monster” pieces of mortal-on-immortal combat ever filmed. As we’re less than sixty minutes into this two hour tour, you can probably hazard a decent guess on which participant of Thailand’s answer to the Peter Griffin & Giant Chicken feud walks away from this encounter. Hint: it’s not Agent for H.A.R.N… no Harn, no fowl! (Had to get those last puns in before moving on. (Forgiveness please!)
Leena rescues her would-be-beau from his confinement in a locker (and no doubt a litany of traumatic flashbacks to every day of his years in high school) and reveals her plan isn’t to stop Col. Sander’s worst nightmare (or wettest wet dream), but to help it escape to a life of freedom… in the skies over Asia… where it will probably be sucked into the engines of a Thai Airways jet mere moments after its ascension. Great plan. Despite his initial protests of “Are you crazy?!”, Tim changes stances faster than the Karate Kid (CRANE KICK!) and offers to help in any way he can. Because of course he does. The guy looks and acts like he hasn’t been laid since parochial school, and I don’t blame a single member of the female gender for it either. In fact, keep up the good work, ladies! Pity sex hurts more than it helps in the long run. Believe me, I know. My Evil Dead Bride gave me some when we first met. It’s been 16 years and she still can’t get rid of me!
While L&T formulate their plan to lure the feathered fiend out of the tunnels (i.e. scraping her talon necklace against a hard surface to create a noise that sounds like a Garuda mating call), Tan and his men steel their resolve by clutching their fallen comrades’ dog tags and vowing not to be pushed around by no bully Gods who think they’re better than us! In fact, he denounces it as even being a deity, instead calling it a “beast”, since no God would unjustly punish man the way this motherfucker’s doing. I guess this guy’s never actually read a religious text and just believes what he’s been told all his life. Tan also accuses their deceased allies as having “given up”, which is birdshit. With the exception of the one guy in his earlier flashback who opted for the power of prayer over the power of a full clip of armor-piercers, the rest of his crew fought to the death when their times came, so fuck you, boss man. Chip nothing, Tanner’s got stacks of Pringles on both shoulders.
The team sets a trap for the Heavy G, lining the floor of the cavern with grenades and trip wires. Leena wanders into the darkness, giving the group’s sniper an easy shot to take her out, but Tan tells his man to hold off. Once again his leadership skills shit the bed, as she wanders into the minefield and, through movie magic, manages to casually walk amidst them without tripping a single one. She must have Mr. Magoo’s mutant power of subconscious danger evasion. This goes on for what feels like an absurd amount of time before she finally fucks up this game of Thermite Twister and, just as she’s about to trigger one of the explosives, Tan intervenes, holding her in place while demolition man (John Spartan?!) Wit comes in to disarm it…after getting hyped up by taking a whiff of an unlit cigarette? What in the name of Kali’s g-string was that about?!
While this is going on, Garuda’s just watching from the ceiling with his piss colored beer goggles-vision, probably wondering to himself how such a stupid race of creatures managed to survive for so long. Determined to rectify this obvious evolutionary error, the beast strikes, launching a grenade wielding Wit pirouetting through the air at his sniper teammate, killing both upon the explosive’s detonation. Of which sniper guy makes zero effort to avoid, no doubt captivated by the majesty of his teammate’s trajectory. The spin that Garuda gives that man would bring a tear to any billiard master’s eye. Tears of laughter, because when faced with such madness, all you can do is laugh or go into complete gray matter meltdown. Between this moment and the knife fight sequence alone, you should be doing everything in your power to find a copy of this movie. It won’t be easy, but by Jupiter, it’ll be worth whatever pounds of flesh and sanity you’re forced to sacrifice in its name.
Tan manages to make his men’s deaths worthwhile when he gets Leena to safety before the rest of the bombs go off. He didn’t really need to worry though, because it seems Wit must’ve accidentally planted smoke grenades instead of frags, as they go off in big blossoms of fog rather than like the flaming blast that killed him mere seconds before. Blart. The chain reaction blows a hole in the cave that allows the river above to flood in, flushing out the tunnels and giving our remaining protagonists a new found sympathy for what their turds go through. Tim gives us an amazing slow-motion “HO-LY SHIIIIIT!” (which doesn’t make it onto the subtitle track of my copy) before turning tail like a reverse lemming, as Leena and Tan are swept away (still a better movie than the actual Swept Away) together and wash up in a water treatment plant. Or a sewage treatment plant. The former if they’re lucky. But given the way shit’s been going for them so far tonight, it’s probably the latter, no pun intended. Okay, pun intended.
Blaming the waifish little lady for his associates’ deaths (though I’d say they’re both at fault), Tan isn’t shy about putting on his best Billy Idol sneer, calling Leena a selfish atheist who can’t just let religious people live in happy ignorance (not exactly his words, I’m just doing some biased paraphrasing) and asks why she doesn’t just die and save everyone else the trouble. History’s most awkward first date continues as Lee turns on the water works (appropriate given where they are) and argues that she didn’t ask for these people to die, she lost people important to her too, all of her evidence was destroyed in the flood (and he’s probably happy about that), she’s just doing this because she wants to honor her dead father by redeeming his name, and finally pulls the “Why do you always blame me?!” trump card. Not to be confused with the Donald Trump card, which just blames Mexicans for everything. Leena doesn’t mention it, but it was also his bumble fucks who woke the friggin’ monster up in the first place!
Having been put in his place and completely overcome by Leena’s pity party, Tan makes a big deal about pulling a tiny fragment from a barely leaking scratch on the gal’s arm and giving her a strip of fabric from his sleeve to use as a bandage. Meanwhile, he’s got several gashes on his own arm that are bleeding like the proverbial stuck pig and covering his hands in his own blood, but let’s make sure her tiny wound is taken care of first!. Hell, it probably would have clotted up on its own just fine! But no, cue the cheesy romance music because these two are clearly sharing a manufactured moment. That’s how movies work. But when I offer my sleeve for a woman on the bus to blow her nose on, I’m a disgusting freak! Stupid fantasy worlds.
Oh, and having lost her jacket during their logless flume ride, Leena’s also now sporting a John McClane Special (bloodstained wife-beater) so she can look both hotter and fiercer. You know, like when Savini and Romero “Ellen Ripley-ed” Barbara in their sterile Night of the Living Dead re-hash.
They come across Tim, and the dingus third wheels himself back into the proceedings. This comedy of errors next turns into an error of comedy as the trio walk headlong into an intended joke break next, finding their way out of the tunnels to a subway platform being chaperoned by a clownshoes-looking security guard (played by some moderately successful Thai comedian, I’m sure) who talks to himself while also harassing teenagers, waving his walkie-talkie antenna at them like a long, skinny, black rubber dildo as they do teen things like make out in public and stand on the “do not cross this line” line. Yes Janet, life’s pretty cheap to that type!
Garuda comes in on the next train, kills Chubs, then gets into it with the three. Tan tries to bullet-fu it (watch the incredibly poor work done with the monster’s shadow now that he’s amidst lights!) but winds up knocked on his ass. Big Bird has an Alien 3 face-to-face with our heroine before a SWAT team swarms in and drive it off with tear gas. They pursue it back into the tunnels, but wind up slaughtered like the good little fodder they are. Garuda makes his grand re-entry soon after, emerging from beneath the street (and expanding his wings for the first time, which seem 20 times larger than they were when curled up on his back until now) to snatch an unsuspecting Tim. Serves him right, as the prick was munching some poor soldier’s abandoned McDonald’s Samurai Pork Burger (an actual sandwich I looked up to make that reference!) at said moment of snatchery. Now that he’s out of the picture, no one has to feel resentful toward Leena when she gets serious with the new sweet ‘T’ in her life either. A gory finish would’ve been better fan service though, given how long we were forced to sit through the big doofus’s antics, but I do at least take solace in knowing that he’s DEAD.
Since the rest of the action takes place above ground in the glowing splendor of the Banged Kok, let’s have a timeout for a trivia break! Thailand’s capital is the proud owner of the world’s longest place name. Yep, the capital city the rest of us know as Bangkok (did that once, hurt like a bitch) is just its stage name. It’s real name is Krungthepmahanakhon Amonrattanakosin Mahintharayutthaya Mahadilokphop Noppharatratchathaniburirom Udomratchaniwetmahasathan Amonphimanawatansathit Sakkathattiyawitsanukamprasit. Though it looks like two cats in heat had a fuck fight on the keyboard of your laptop, that orgy of vowels and consonants actually translates into: “City of Angels, Great City of Immortals, Magnificent City of the Nine Gems, Seat of the King, City of Royal Palaces, Home of Gods Incarnate, Erected by Visvakarman at Indra’s Behest”. I’ll take their word for it. Fuck’s sake, even if you just go by its acronym (CoAGCoIMCotNGSotKCoRPHoGIEbVaIB), the damn thing’s still half an alphabet longer than the longest city names in the US!
After yet another uproariously incompetent scene of half-assed (or even just one-third-assed) cgi work with Garuda flying around the city and pestering citizens, the beast finally settles for roosting atop a skyscraper. Hoping to kill the fiend once and for all, Tan proposes that Leena offer herself and her pendant up as bait to bring Gary into a trap. Once he’s out of the sky, he won’t be able to outrun their attacks (which sure didn’t seem to cause him many problems when he was in the confines of the subway tunnels!), and they can nail him with a rocket launcher…which would probably also kill Tan’s new girlfriend in the process, given that she’d be in the immediate blast radius, but let’s not argue semantics! If they think their game of “blow up the birdman” is going to go off as planned though, they’re in for a Garud-awakening. Yeah, I said it. So what? Wanna fight about it?
The guy wielding the rocket launcher, Tanong, gets all gun jumper and fires too soon, confident that he knows better than his team leader on how to kill legendary monsters. Turns out playing every Pokemon game to completion doesn’t make him an expert in monster extermination after all. Garuda just suckers the delayed heat-seeker (“HEATSEEKER!”) right into the building Tan and the other soldiers are stationed at, leading into YET ANOTHER HILARIOUSLY HORRID ROUND OF CGI! The floor lights up with numerous ignitions (including one BIG delayed reaction explosion from outside the building), resulting in a fireball that VAPORIZES every grunt soldier it touches! And when I say it was delayed, I speak no diggity: the fucking thing goes from being right on ‘Rudy’s tail to disappearing for FIFTEEN SECONDS while he’s hovering outside the windows of the building before finally reappearing to turn the place into an inferno! I counted the running time.
Severely pissed for having his intelligence insulted like that, Garuda stops by the building roof from which the missile was launched, and proceeds to keep the local funeral homes’ schedules well packed for the next few weeks. We don’t get to see any of it really happen though, as no deaths are shown and all we get to watch is a storm of bullets fired at the monster, all of which have zero effect. Speaking of zero effects, despite the rocket explosion’s incredibly destructive power to turn everyone near it into atoms, Tan escapes unharmed because his hero-of-the-movie badge gives him death exempt status. Used to be, the only two sure things in life were death and taxes. Then tax exemption became a thing and now, so is death exemption, provided you get to headline an action movie as the hero. Not that it worked out so well for Leon in The Professional… but then, that was more of a drama with action elements.
Also like a ’90s American action movie hero, Tan arrives just as Garuda’s about to make a mess of Leena. He spouts what’s guaranteed to be the next great hero catchphrase in “Hey! Die!”, then lays into Gary with a heavy machine gun. I know what you’re thinking: “But, Anubis! If Garuda wasn’t affected by bullets or shotgun shells or explosives or any of that stuff for the entire movie, why would Tan think this machine gun would work any better?!” Well kids, it’s because he’s a hero. And he’s fighting to save the “opposites attract” girl of his dreams. If her personality is strong enough to get him to look past his own bigotry and religious beliefs to fall in love with her and tear the sleeve off of his jacket to bandage a little scratch on her arm, then surely his bullets will fly with the intensity of his determination to save her behind them, thus ending their shared nightmare!
…And they do. Yep. Unlike all of the other guns in the movie (that must’ve been loaded with blanks or rubbers), Tan’s heavy machine gun swiss cheeses the creature’s big manly pecs, shreds one of its wings, and finally, following an extended sequence where he has to save Leena from falling off of the building (she matadored the monster over the edge using the talon necklace, the Garuda’s attraction to which is given no explanation), Big Man Tan puts a single shot between the beast’s eyes to send it tumbling to its final destination at the corner of Corpse Boulevard and Broadway. Just like King Kong. Except Kong was at least shot down by a small squadron of armed planes, not just one guy making an impossibly precise shot with a big unwieldy firearm created for quantity of rounds over quality of accuracy. Lucky for him ‘Rudy inexplicably pauses for a few moments, allowing Mr. T to shoot around Leena (who’s covering up a good half or more of her hero’s shot), with ONE-HAND, and from a sideways position so it’s not even sighted up in ANY WAY. And he even has SO MUCH confidence that the shot’s going to be perfect, that he defiantly shouts “Go get it in the next world!” before pulling the trigger!
This is the type of movie that doesn’t ask you to so much suspend your disbelief, but straight up lynch it. I can’t murder my common sense though! I’d miss it. Logical thinking is already rare enough as it is anymore, so I’d probably be violating the Endangered Species Act if I did. Upon completing Garuda (twice), I’m reminded of the Murray Head song “One Night in Bangkok”, only with some slight alterations:
One viewing of Garuda makes a hard man humble
– Not much between despair and ecstasy
Two viewings of Garuda and the tough guys tumble
– Can’t be too careful with your company
I can feel the devil walking next to me
This movie is absolutely horrible. With even the most minute sliver of doubt. The cgi just burns holes into my soul. Garuda makes the creatures in “Hercules: the Legendary Journeys” look like Jurassic Park. Watching the monster jump around and the actors pretend they’re interacting with it (likely the old “tennis ball on a stick” method) is like staring at the sun. You know you shouldn’t, but you do it anyway to see how long you can hold out before that glowing smudge in your vision becomes permanent.
One thing I haven’t mentioned before now that drives me nuts about the movie is one of the same problems I had while watching 23:59: what’s with all the fucking English dialogue!? Tim’s character speaks fluent Thai, yet he and Leena break into English conversations for no reason! If they were trying to use it as a way to converse without Tan and his men knowing what they were saying, that’s fine. But they don’t. Even more annoying is when it happens in the opening scene, as the French Dr. Jeanvier and his Indian dig partner are speaking English to each other! For fuck’s sake, if you’re trying to market your movie to US audiences with shit like this and the numerous uses of American brands in your product placement spots (Pepsi shows up TWICE, including a plastic cup with the logo on it being thrown at Leena’s dad during a protest against him), you probably should’ve hired some competent FX people to make your titular terror look, you know, terrorizing rather than terrible. American audiences don’t settle for this garbage!
Having openly burned through all of the offerings this shit show has to give already, there’s no real point in going over all of its crimes against humanity again. I will say that it makes for perfect Riff Party material, though. Get friends and/or loved ones together, maybe imbibe a little of the mood enhancing substance of your choice (as a Death God, I literally get high on life), and watch as this clusterfuck falls so far below a zero that it comes back around to a ten like an overzealous kid on a swing. Laughter is the best medicine, so laugh. Laugh at the hard work these people want you to think they put into making it. Laugh so hard that any current cancerous cells leave your body, and all future cancers avoid you for fear of the raging uproarious tremors you will bury them with.
Garuda is so fucking awful and stupid, but it’s cinemasochistic fun. Fitting that it hit theaters on April Fools Day 2004, though I don’t think Thailand celebrates April Fools Day. Maybe? Who cares. It’s all a tangled cat-o-nine tails of ineptitude that hurts so good as it lashes across your back. To make it go down a little easier though, here’s a game to play with those aforementioned substances!
The Officially Official TheTombOfAnubis.Com Unofficial Drinking/Smoking Game: Garuda Edition!
Take a drink/hit during the following moments of the film:
That should be more than enough to get you rightly wasted within the first hour, but if you manage to get to the end credits without blacking out, take a moment to brag to me! Let me know what substance you used and how your experience played out and I’ll add your message(s) of triumph to the review for all to see!
So there you have it: Garuda. The worst thing to come out of Thailand ever, if you don’t count the heroin, HIV, and child prostitution rings.
Okay. I feel better now. Good therapy session. This website is a very complicated version of when people text pics of their bowl-busting brown anacondas to each other. It’s a more socially acceptable way of sharing my shameful experiences and physically destructive consequences with close friends and total strangers in a twisted display of pride. I hope you’ve taken some enjoyment from this bathroom snapshot of Garuda‘s digestively devastating results. Some people think I do myself more harm than good by shoving such raw plutonium straight up my nose, but it’s the kind of pain I gladly prefer to the crippling misery of the real world. Maybe one day I’ll find something better to do with my life. Something that’ll make people proud to share the VonMojo name. But for now, as AC/DC said, “One of these days I’m gonna change my evil ways. Until then, I’m just gonna ride on.”
On that note, I’m aiming to Double Stuf two more episodes of The Tomb in by Halloween, but they’ll be a departure from the World Tour. I’ll be back on the road again in November, starting with India. Until then? Come and knock my door! I’ll be waiting for you! I’ve a lovely space (on my wall) that needs your face! Trick or treating with you!
“Twins, Jack! TWINS!”
“Sweet! This’ll make for an epic bottle opener!”
The special effects shartist’s computer every time he’d start working on Garuda.
Featuring special guest appearances by Stand and Deliver Edward James Olmos! 1992 Shane McMahon! And Jessica Alba!
Given the headphones and glasses, he’s clearly the team’s computer/tech expert. He probably reads manga in his spare time and gets nosebleeds when pretty girls are around too.
“Oh yeah, I’m definitely overcompensating! When the ladies call me the ‘2 inch killer’, they’re not exaggerating!”
Gah! Stop it! You’re gonna give the audience eyeball cancer if you keep doing that!
That’s not water. Pepsi© paid Thailand for the dumping rights to dispose of their unsold Crystal Pepsi™ inventory there. That man’s face will be riddled with tumors in a manner of weeks.
Tim is WAY too excited about being held at gunpoint here. I’d say he’s packing heat of his own, but the idea of Tim with an erection makes me nauseous and all I had to eat today was ghost pepper sauce and Crystal Pepsi™. I’d rather not melt my esophagus bringing all of that back up.
“What an important archaeological discovery! This is clearly Frog Thor (yes, that’s a thing that happened)’s mythological hammer Mjolnir!”
Leena catches sight of Garuda’s penis. She’s quite taken aback.
And there’s Garuda’s penis now! Toldja it was shocking.
And that, gentlemen, is why you don’t shave with a straight razor in the middle of an avalanche.
Also featuring a special appearance by Burgess Meredith from the “Time Enough at Last” episode of “The Twilight Zone”!
Stan’s wife knows how much her menstrual period upsets her husband, so she always pranks him by not telling him when she’s on it before initiating sex! He falls for it every time! Punk’d!
Looks like someone forgot to put the bowl of green M&Ms™ and freezer bag full of cocaine in David Lee Roth’s dressing room before the concert…
It’s an ancient mystical inscription that says “Made in China”.
Why does Garuda look like a bad Photoshop of David Cassidy’s mugshots morphed with Big Bird?
“I thought these would be so cool when I ordered them from Hot Topic. Why the Hell did I pay $86 for them!? Fuck. Maybe I can get a refund…”
“It’s okay Tan, you really don’t need to fuss over me and ruin your shirt for this! It’s just a popped zit. It’ll be fine in a minute!”
Guy Fieri impersonators are shot on sight in Bangkok! And for good reason! Do it! Do it! Do it! DO IT!
“Hello, ‘Mom’s Old Fashioned Mothballs’ consumer complaints line? Yeah, I put my favorite shirt into storage with a full box of your product, and now my sleeve looks like swiss cheese!”
“I really like your ‘Lady Die Hard’ costume, lady! Very sexy! Your cosplay game very pro!”
It’s Batman! Oh wait, it’s just Garuda. Never mind. Nothing to see here, people.
Knowing there’s no hope for a sequel to his own movie, Garuda prepares an audition reel in case Disney ever does a live-action “Gargoyles” movie.
Anubis will return next time in
“It’s Not Easy Having a Good Time”
Featuring: Iko “Merantau” Uwais , Arifin “Macabre” Putra , Alex “Rokkap” Abbad
Writer & Director: Gareth “The Raid” Evans
Also Known As: The Raid: Retaliation , The Raid 2: Berandal
Sequel to: The Raid: Redemption
Yep, I decided to stick around Indonesia for an extra week and knock out The Raid 2 while I’m here. I will neither confirm nor deny the rumors that I’m still here because a giant shark leapt from the ocean and ate my private helicopter, as that’s a matter for my insurance company to decide. Instead, let’s talk about Raid Harder and get this undercover boogaloo underway!
Oh. Uhm, before we get started, despite my best efforts to keep the twists and results of the first movie unspoiled, the simple act of reviewing this sequel is going to require that I undo my own efforts. So, if you don’t want me to pull the thread and unravel the poorly stitched monstrosity that was my Raid: Redemption episode, I suggest you take Lord Humungus’ advice and “Just walk away.” At least until you get a chance to watch the first one.
Are they gone? Cool. Now, everyone reading beyond this point has either seen the first flick or doesn’t give a dry hump about seeing a cheat sheet for it, right? Cuz even though I’m still restricted from typing word one about anything that could prematurely hasten the sequel’s “Sell By” date, I will be turning some MAJOR events of the original into a mold maligned mess in a matter of moments, starting……..now: – Jakartan SWAT team rookie Rama (played by real life Silat martial arts champion Iko Uwais) survived the eponymous raid upon the apartment complex from Hell. Crimelord-turned-slumlord Tama’s fortress of operations made him seemingly untouchable, but Rama’s Jenga™ game (and the help of his brother Andi) was just too legendary to withstand, and Tama’s Tower was toppled.
Well, supercop Ramadan is back. Picking up almost immediately where the previous film left off, our hero has uncovered the terminal cancer of corruption in the Jakartan justice system that allowed Tama to operate unabated. Upon Andi’s advice, he gets in touch with a man named Bunawar (Cok Simbara), who is one of the last corruption-free cops left on the police force. With a few of his trusted men, BunWarmer has the injured Bowo (yeah, he survived too) taken to a safe hospital, feng shuis captured traitor Lieutenant Wahyu’s brains outside of his skull, and recruits Rammy into their small operation of on-the-level officers. He promises to protect Rama’s wife and son-to-be but wants to send the Raid-er of the last arc (har har) undercover. The plan is to get him deep enough into cahoots with the syndicate that he can get the names of all the pigs on the bad guys’ payroll and flush ’em out fiercer than the trans-dimensional warp toilet that took Mario and Luigi to the Mushroom Kingdom in “The Super Mario Bros. Super Show” intro.
While Ram considers whether he wants to get this dedicated to his work or not, brother Andi (Donny Alamsyah) gets wasted by underworld figure Bejo (Alex Abbad), who plans on overtaking Jakarta as its new kingpin once current head bad guy Bangun (Tio Pakusodewo) is removed from power…or gets his face blown off. Whichever happens first. According to Bejo, Andi apparently pulled an Icarus and let his ambitions carry his ass too close to the sun when he succeeded his previous employer Tama, following his death in the prior flick. Unlike Tama, Andi didn’t know well enough to know his role, shut his mouth, and smell what The Rock was cookin’. He dipped his finger in the brownie batter and ends up on the receiving end of a Nicky Santoro Special as a result. Don’t get it? No, it’s not a sandwich. Or a sex act. Go watch Casino. Joe Bob Briggs has a cameo! I’ll wait.
Before we get back to progressing with our protagonist, here’s the quick-and-dirty on the Jakartan underbelly. As mentioned, Bangun (which is presumably more powerful than a ban hammer) runs half of the city, while the other 50%’s governing faction is a family of ne’er-do-well Yakuza from Japan known as the Goto. If you need bad things done and laws broken, you might say they’re your “go to guys”… After which you’ll likely be stabbed in the stomach for making the same gut groaningly bad pun they’ve no doubt heard more times than Connor MacLeod’s katana was folded. The two sides have been at peace for the last decade, staying out of each other’s business. Crime and let crime. They each have their own bribery deals with the police, headed by the evil Commisioner Reza (Roy Martin), who’s the big fish BunBun is hoping to land with Rama’s help, provided that he agrees. Which I’ll bet he does, otherwise we wouldn’t have much of a movie.
And what is Bun’s means to his end? Ram Man’s going to prison under the alias of Yuda: a nobody from nowhere that nobody knows about. Yep, our big man’s going to the big house. Once there, it’s his job to get in good with ‘Gun’s sole son, Uco (Arifin Putra), which may or may not be short for “Yucko”. It’s never really addressed. To make sure Rammstein catches the bad guy’s eye right out of the gate, the crime he gets arrested for is beating the shit out of the son of the politician who got Ucky put there in the first place. Like any good actor, what’s Rama’s motivation for beating said offspring’s ass? He works with Bejo. Yeah, after seeing what this guy did to all those machete assholes a la Redemption, I wouldn’t want to be in the British Knights© of anybody under the employ of the guy who shotgunned Andi’s face straight into a shallow grave.
Ramrod goes through with the plan, kicking the shit out of the senator’s son (not such a “fortunate one” now, eh?) and getting himself incarcerated. When trying to get the attention of the major players in the clink, it doesn’t hurt to single-handedly take on fifteen guys in a toilet at once (in a fight, not a gangbang, ya perverts), which Rama does to moderate success. Punching out the biggest guy in the place? Not good enough when you’re doing time in the Eastern Hemisphere! You don’t cripple at least 5 guys in the first hour, you may as well get “fuck hole” tattooed around your mouth. Peacocking his titanium beach balls makes our hero the number one draft on wanna-be-Greaser haired Uco’s recruiting drive, especially given that he needs all the protection he can get what with his high profile status.
The two hit it off (kinda), and before you know it we FF>> a pair of calendars to Rama finishing out his sentence. The since freed Uco greets him at the prison gates and ushers him back into the fresh air of freedom, immediately taking his new BFF to meet dear old dad. After some awkward introductions and a getting a new set of threads, Rams is tasked by Bangun (seriously, his name sounds like an Ultraman villain!) to babysit Uco, making sure his brash, youthful aspirations don’t make the lad too big for his britches and put him on the wrong side of the wrong people. Speaking of the wrong people, Bejo’s consolidated his power enough to get some attention by the bosses, and may be eyeing his own ill-fitting pair of Dockers.
Our main man falls by the wayside for the middle piece of the movie, as the focus shifts to all of the basic crime movie political stuff: factions pitting factions against one another, struggles for power, illicit activities, peace treaties, backroom scheming, assassinations and so on. Rama’s really just there to keep Uco from killing karaoke call girls for this section. He comes back adamantium hard for the final act though, breaking limbs, splitting lips, and cracking skulls like ass kicking is his business and he’s having a clearance sale! There’s even a cool (albeit it oddly music deprived) car chase sequence that’s pretty damn spiffy, along with some righteous fisticuffs between Big Hero Ram and the movie’s trio of gimmick antagonists (credited as “Hammer Girl”, “Baseball Bat Man”, and “The Assassin”). It’s some of the best action I’ve seen since Set gave that classroom full of 1st graders PCP and duct taped razorblades to their fists! Every one of them got an A+ that day, I tell you. Except little Duncan. Poor kid never learned to guard his left…
Speaking of psychotic violence for personal enjoyment, for anyone (like myself) who was a big fan of Yayan Ruhian’s “homeless man murder machine” Mad Dog from Redemption, Ruhian returns for the sequel as Prakoso: the homeless man murder machine who works as the personal assassin for Bangun and family, and has done so for so long that Uco calls him uncle. ‘Oso is far more humanized than Mad Dog was (no surprise, since his name was Mad Dog, after all. Duh.), doesn’t share his antecedent’s predilection for unassisted conflict, and manages to look even more like an unwashed hobo. I can’t wait to see him pop up in The Raid 3 dressed like Jed Clampett and wielding a bindle like some crazy-ass Boxcar Willie Chan! That’s a joke that completely shits the bed since Willie Chan was Jackie Chan’s talent agent-slash-co-producer and not a performer. Fuck. Moving on!
This was originally intended to be Evans’ sophomore feature following his debut picture, Merantau, but as a barely proven writer-director at the time, the Welshman had to put it on the backburner and come up with the much more thrifty Redemption first to prove that he was indeed worthy of his original dream’s asking price. It became an international hit and Indonesia’s highest grossing movie of all time (a statistic I just pulled out of my ass, so I wouldn’t quote it if I were you), and as such, Raid 2 was born. The only problem here is that this is only tangentially a sequel. Not a shock, as it was written first and not intended to be a follow-up, but the idea of a rookie SWAT officer thrown directly into an undercover operation grates my cheese. I guess NetFlix training by sitting through half-a-dozen similar movies is enough to get by in the Jakartan crime world.
There’s obviously more story here, so the action isn’t as nonstop as before. But, as I said in the last review, Evans’ strong point isn’t writing, so adding more story and script to the formula does him few favors. Sadly, barring a few exceptions, if you’ve seen one undercover-pig flick you’ve pretty much seen them all. As well-versed in fighting chops as the cast is, they’re not a shade on Donnie Brasco when it comes to acting chops, nor is the tale half as intriguing and well twisted as Infernal Affairs (or its ‘Merican-izing, The Departed). I’m far from being a crime fiction fanboy, but I could smell the (french) twists on this one coming like Nozone can smell Junkyard taking his morning shit in the backyard 5 minutes before he even squats.
That reference is probably gonna require a Google or two, so don’t feel bad if it sounds like I was speaking Aramaic for a minute there.
Not wanting to sacrifice what got him this far to begin with, Evans still puts plenty of bang-pow into his movie. As a result though, the runtime on R the Deuce hits a harder to swallow 2.5 hours. Blame my underdeveloped gag reflex if you like, but 150 minutes for something like this is a bit much. The original cut came in at something short of 4 hours though, which is probably the stuff they’re going to Frankenstein Raid 3 out of. As much as Mr. Evans knows how to shoot a fight scene too, there are needless bits of shaky cam during non-action scenes, as if he’s got some kinda hyperactive disorder and can’t let the camera stand still for more than a few minutes at a time. It kinda kills the drama of the moment when you’re too busy getting dizzy to stay engaged. Oh well. Still not as amateurish and off-putting as Michael Bay’s bowel movie-ments.
As a guy who cites Jackie Chan, John Woo, and Sam Peckinpah as his action objects of idolatry, it’s nice to see Evans make movies that would do them proud. He also does the classic “director who’s also a fanboy” thing and puts in a few nods to other movies while he’s at it, including a *wink*wink* to Oldboy and a *nudge*nudge* to Versus. Shit, he even drops a reference to his freshman feature Merantau, since Rama’s alias Yuda was also Uwais’ character’s name. Pretty sneaky, Sis.
On a whole, The Raid 2 is a groovy slab of movie. Though he won’t win any writing awards, Gareth Evans is still a stellar action guy. He may be one of the best fight choreographers in the world! I probably won’t watch this again without doing the Fast Forward Fandango to soak in the beautiful brutality and glorious goriness, but my complaints are limited. Bring on the finale to the trilogy!
Before I go, I’d like to give every moviemaker ever a bit of solid advice: do something incredibly memorable and parody worthy with your movie’s subtitle. Don’t do something so generic as “The Revenge” or “The Final Chapter”, but do something that will make people remember your movie years after everyone has forgotten what the fuck it was or who starred in it or even if it was good or not. Truly unforgettable subtitles like “The Legend of Curly’s Gold” or “The Destruction of Jared-Syn” or, the inspiration for today’s alternate title, “Electric Boogaloo”. Trust me, I’ve never even seen Breakin’ 2, but I’d have to be subjected to some fucking Manchurian Candidate level brain rape before I ever forget something like “Electric Boogaloo”. Hell, it’ll probably be my activation code when I become a sleeper cell agent!
No matter which continent you’re on, “douche bag” is a universal language.
“Uggh! Was that you?! Have you been eating brussel sprouts lately, or did something just crawl up your ass and die?!”
“You may not have noticed, but my hair is beginning to thin slightly. Where do you stand on the ‘keep it natural’ vs. ‘shave it’ debate?”
“You’ve failed this city.”
Looks like the Taco Bell men’s room after Fifty Cent Burrito Happy Hour.
“Can I interest you in some of my homemade ‘Jailhouse Rockin’ hair gel? I mix it in my cell toilet. Just 7 cigarettes for an all-day hold you can depend on!”
Woodstock ’99: the Morning After
Indonesian Bruce Campbell!
“Pfttt! I pay an extra dollar for the Premium Alpo© and it tastes the same as the regular stuff! Waste of money.”
“If you EVER eat the last S’Mores Pop Tart again, I will make it so you spend the rest of your life sitting down to pee. Do you hear me!?”
“No! Please! I had to save up 6 months pay to FINALLY buy this Incredible Hulk #181! It’s the last book I needed to complete my Wolverine collection! DON’T TAKE THIS AWAY FROM ME!”
They’re practicing the new men-only partner yoga – Broga.
“I’m telling you, man, if you bend your fingers up like this when you’re doing it, you’ll hit the g-spot every time! It drives the women CRAZY!”
Anubis will return next time in
“What’s Eating Gilbert Chan?”