Featuring: Megan “Jennifer’s Body” Fox , William “’Prison Break‘” Fitchner , Will “The Brothers Solomon” Forte
Director: Jonathan “The Texas Chainsaw Massacre: the Beginning” Liebesman
Writers: Josh “Mission Impossible – Ghost Protocol” Applebaum , Andre “Mission Impossible – Ghost Protocol” Nemec , Evan “Snow White and the Huntsman” Daugherty
Once again it’s that time to give thanks, at least here in the US of A (not to be confused with the US of ‘Eh’ – Canada), as we Tetris our guts so full of food that they make Cambodian mass graves look roomy! It also means it’s time again for the ToA to carry on the classic “MST3K” Turkey Day tradition… though the whole concept’s kinda been made redundant since Joel Hodgson’s resurrected the actual Turkey Day marathonal celebration thing online, coincidentally enough on the SAME year I started my homage… thanks, Joel… lovable, fan appreciating, son of a Mad! Last year’s Thankskilling took the “Turkey” theme literally, but this year I’m taking the Day back to its intended “shitty movie” definition. You know what shares its first three letters with “turkey”? Turtles. You know what else starts with t-u-r? Turd. It’s kismet.
Last year I was walking to the chainsaw store and noticed a bird fly out of a tree. I was directly beneath the feathered fucker’s flight path, and had the nigh-psychic inclination of “I think this bird’s going to shit on me”. Sure enough, a discharge of sphincter napalm caught the light of the waning sun as I watched. Rather than step aside, I remained in that spot and watched that rectal blockbuster for the full extent of its descent until it finally ended up on my “I (CHUD face) NY” shirt. The moral of this story? I’m not the type of guy who steps aside when the Crap Express comes barreling towards me. I knew Michael Bay’s latest molestation of ’80s pop culture would knock on my door sooner or later. Rather than turn off the lights and pretend I wasn’t home, I downed a double shot of Rot Gut, snorted a scoop of Country Time Lemonade, and opened that door with my eyes open, my ears back, and my fists clenched. Now, the hunter becomes the hunted. Make peace with your gods and give thanks for the ass-kicking thou art about to receive! Booker T, take it!
Ape Tomb Law, not only am I not allowed to spoil major story moments, but I’m also required to watch every movie I review at least twice. I had to watch the RiffTrax version to stomach said second sit-through without resorting to smashing my hands with a hammer so I’d have an excuse not to type this. Also, on a final pre-show note, I have a very rare form of Tourette’s that only activates when I’m subjected to conservative republicans or any movie associated with Michael Bay. So, you know, be ready for me to degenerate into random bouts of bad word Pu Pu Platter the likes of which would give everyone around the dinner table a Turkey Day coronary.
The big controversies leading up to the release of this Steamin’ Mimi had TMNT fans (like myself) in an uproar. For appetizers, it’s a product of Michael Bay’s diseased digestive system, Platinum Dunes. For soup/salad, they cast Megan “all the range of a wax statue” Fox as April O’Neil. For the entree, the cold-blooded brothers are ‘roided up goliaths whose gargantuan frames aren’t exactly well suited for the stealthiness of Ninjutsu. And for dessert? Bay made the mistake of saying something to the tune of the titular terrapins being aliens now instead of mutants, which immediately turned into a terminal case of butthurt for nearly the entire pre-installed fanbase that these shit twizzling fuck blanket dick tits probably should’ve been at least trying to appeal to!
After the fallout from his comments though, BMMB (Bowel Movement Michael Bay) backtracked to clarify that he never said the half-shelled heroes would be aliens, just that their origins would be alien in nature, meaning they were either going to be the product of alien experimentation (like Marvel’s Eternals) or the method of their mutation was going to be extraterrestrial (i.e. mutagen is E.T. Jizz). Bay’s misremembrance of history’s not entirely true though, as one of the early drafts of the script reportedly did have the turtles as aliens who escape from a Dimension X prison, but was changed following the shitstorm backlash when fans got wind of it. The same thing happened when the movie’s title was originally announced as just “Ninja Turtles”, but was changed to include the entire moniker when, again, fans drowned the production in geek rage. You can tell by the lazy way “Teenage Mutant” is squeezed in above “NINJA TURTLES” in the title logo that someone was being passive-aggressive about acquiescing.
The aliens fuck up was enough that plenty of people to this day still believe that the turtles ended up being HGH fed Spaced Invaders and thus refuse to sit through this movie. Lucky them. As much as I loathe this worst kind of schlock, I make it a note to point out the truth to these misinformed people when I can. If this crapscapade flick’s going to be shit on and/or avoided, it shouldn’t be due to misconceptions, but because of how legitimately terrible it is. I’m a vindictive asshole of a human being, but a fair and balanced jackal-headed God of Death.
The movie opens with an extreme Fruit Ninja montage, as various items ranging from fruits to cinder blocks to VHS tapes are smashed and slashed out of the air by four very familiar ninja weapons. Who’s swinging them isn’t made bluntly apparent (though you might wanna check yourself against the DSM-4 and make sure you haven’t crossed over the Retard Town city limits), but said destruction of otherwise innocent inanimate objects is narrated by Tony Shalhoub, who most will remember of “Monk” fame, but whom I prefer to remember from “Wings”. Fuck you, I liked “Wings”. At least until Michael Bay remade it as Pearl Harbor. You didn’t know? Would I lie to you? Probably. Doesn’t make my statement any less true though.
Anyway, we’ll get back to Shalhoub-job later. Our story begins with April O’Neil (Megan “Not nearly as smart as a” Fox). She’s a news reporter for New York City’s Channel 6 (apparently the only channel in NYC without a broadcast affiliate or call letters) who laments that her 4 years in journalism college resulted in her covering morning news bullshit stories like how to do old person jumping jacks on a trampoline (don’t get excited, kids, this isn’t “The Man Show”) as taught by a guy who says that there’s no such thing as fat birds. Look up “fat birds” in the search engine of your choice and you’ll see this man clearly enjoys shoving his head up his own ass like some freakish M.C. Escher ostrich.
All she’s given are fluff pieces. Fluffy on the kind of level where you’d have to put a Himilayan-Persian in an industrial sized dryer for an hour to get something of similar fluffiness… though actually doing that would result in something far gruesomer, but you get the intended idea. Since her boss Bernadette (Whoopi “cushion” Goldberg) won’t give her a chance to prove herself as a hard boiled investigative reporter, April goes in search of trouble herself, determined to get to the bottom of the recent theft of some rare chemicals from a shipping dock at the piers. In doing so, she witnesses another burgling at the same pier by shadowy militant figures known as The Foot Clan, led by an Asian woman (Minae Noji). Their deeds of misappropriation are broken up this time by a shadowier figure who batters the baddies into retreat using the giant shipping containers (is this guy The Hulk?!) before Batmaning away into the night, leaving a Japanese kanji graffitoed onto one of the shipping containers. Miss O’Neil nabs a pic of the hero’s calling card as her solitary piece of proof, and is laughed out of the office when she goes into work the next day with the story.
If Whoopi ever gave me back sass for anything, I’d just return fire with “Sit down, Theodore Rex!” and watch her curl up into a ball on the floor. Little known fact – that’s one of her Manchurian Candidate trigger words. You don’t wanna know what she does when you say “Jumping Jack Flash”.
And the wind whispered “Boooyaaaaaaaaaaaaaah”.
Tagging along with April is her cameraman sidekick Vernon Fenwick (Will Arnett), who tries to get the headstrong lass to be more like Eric Idle and always look on the bright side of life. He’s happy just following her around with his camera and awkwardly trying to flirt with her while she desperately struggles to convey emotion and interest as her job requires. For those familiar with the name, Vern Classic was a staple of the original animated series, but as a professional rival for the original be-jumpsuited April, always trying to sabotage her and steal her big stories for himself. Speaking of that banana suit, see the pic below for those ’90s TMNT fans who always wanted their animated dreams made flesh. Shwing! Anyway, I love Will Arnett like a wacky uncle (not the one who always wanted to “tickle” you as a kid…), but I think he would’ve been perfect as antagonist Vernon more so than the chummy optimist he is here. Ever seen Hot Rod? No? Watch it. That is the Will Arnett character I wanted to see as one Mr. Fenwick. Besides, it would’ve worked way better for the “older creep hitting on the younger woman” dynamic. Then again, making the older guy perv on Megan Fox was probably another one of Bay’s ideas. Art imitating life and all that.
(Porn actress April O’Neil cosplaying as her namesake!)
Pissed by the shadowed avenger’s intrusion into their scheme, the Feet are ordered by their master (a bald Japanese man whose face is covered in scars) to lay a trap for their antagonistic nightcrawler with innocent civilians as bait. Taking a group of hostages in a subway station (including April, whose nose butting inning may cost her this time… though I betcha it won’t), the heavily armed ninja commando squad hold everyone at gunpoint, line the walls with explosives, and call out to their foe, who Karai (the Asian lady ninja from before) knows is “out there”. First, how exactly does she know they’re “out there” playing audience to this random act of terrorism? Second, if “Heavily Armed Ninja Commando Squad” isn’t already the name of something related to G.I. Joe, I’d be very shocked. Cobra Shock Trooper shocked, even.
Naturally, before Kar-Bear can put a bullet through Miss O’Neil’s wooden face for taking pics with her cell phone, four hulking humanoid martial arts kappa (not nearly as catchy a name) swing in courtesy of a conveniently passing express train. These amphibian vigilantes (amphibilantes?) dismantle the trained assassins with so much ease that I’m at a loss for a word to describes something easier than “ease”. Then, just as quickly as they appeared, the midgetine Gameras escape through a similarly convenient construction tube thingy as the dozen or so eyewitnesses who eyewitnessed them try to figure out what the fuck they just saw, rather than running above ground to call 911. Not April though. She hoofs it up a fire escape to the roof of the building the yellow tube is connected to and finds the quartet of so-called ninjas LOUDLY SHOUTING about their accomplishment during a mutual back patting party. “Like shadows in the night” my hairy ebony ass.
They snag the she-peeper and try to intimidate her into forgetting about them, which is hard to do when one of them keeps saying creepy inter-species Jersey Shore scumbag stuff like “She’s so hot I can feel my shell tightening”. Holy shit eating fuck chunder cunt blister cock monkey whore cheese! I’m a skeez, and that shit made me gag! April faints (not a good thing to do around a guy who keeps talking about how much he wants to excavate your womb with his salmonella stick), then comes to with the four hovering over her like aliens prepping an abductee for a poop chute probing. They introduce themselves together as ninja mutant turtle teenagers (“who can still have adult conversations”… VOMIT! BARF! SPEW!), and individually as Leonardo (voiced by Johnny Knoxville… because when you think “I need a hero!”, the first person that comes to mind to provide their voice box is the lead of Jackass), Donatello (vb Jeremy Howard), Raphael (vb Alan Ritchson), and the group’s sexual predator, Michelangelo (vb Noel Fisher). They all have their traditional personalities – Leo is the responsible big brother, Raph is the rebellious a-hole with a chip on his shoulder, Donnie is the DIY tech savant, and Mikey, is it true that you’re the funny one? “Yes. Yes it is… Now somebody watch me while masturbate or I won’t be able to cum!”
Remember those racist stereotype Transformers that got Bay into a boiling cauldron of shit during one of the sequels? Turns out Michaelangelo was originally supposed to wear a big gold chain and be played up as a more “urban” (i.e. what white Hollywood calls the black inner city stereotype) character before outrage over said racial insensitivity forced yet another revamp of the script, giving the doofus back his traditional “Cowabunga, dudes!” gnarly surfer-dude persona. So, due to the outrage of the fans (and people who just don’t like racist schtick!), my spirit turtle went from hip-hop back to flip-flops. Bravo.
When April catches their monikers, it’s like someone finally turned the lights on in the vacant office that is her brain. From here, you’re better left to just turn the friggin’ thing off and walk away. Save yourself the needless loss of brain cells for something more fulfilling, like drinking paint thinner. Don’t knock it till you’ve tried it! Without spoiling too much of the 3ft deep pool of turtle turds we’re led through, I’ll give you the “childproof safety cap” version. You’re welcome.
This version of the Turtles’ origin reads like so: the four reptiles and their furry Mr. Miyagi were all guinea pigs in a science lab seeking to utilize a green mutagenic liquid purported to have been from outer space. Titled “Project: Renaissance”, the shelled ones were named after noted artists of the Italian Renaissance period. The rat was named Splinter… for no fucking reason either. Probably because the script monkeys wrote themselves into a corner and figured “Fuck it. Nobody’s gonna care that his name makes no sense, so just go with it”. Prior to its destruction from a mysterious fire, the lab was run by a guy named Eric “nut” Sacks (William Fichtner). In the years since, Sacky has become the head of the self-titled Sacks Industries and a darling son of NYC, meaning he’s in good with the NYPD, the mayor, and probably hunts homeless illegal immigrants with Donald Trump at a private upstate lodge on alternate weekends. Given his high social status and engorged bank account, naturally he’s going to be the Lex Luthor of the movie. Or at least a four-color Gordon Gekko. There’s no spoiler in that, because if you didn’t already figure that part out then you’re either a 4 year-old or you’re a member of the GOP who’s too preoccupied with being sad that Sacks isn’t a real person whose member you could massage with your uvula in exchange for a new Super PAC.
Amidst the blaze, the quintet were saved from their tank and ended up in the sewers. There, the mutagen in their system caused them to gradually grow into their current humanoid bohemoth forms. Splinter knew that the misfit siblings would be ridiculed by society for their appearance (and their rancid sewage b.o. doesn’t help that), so he sought to teach them how to defend themselves physically, hopefully also instilling them with the emotional confidence to execute the “sticks and stones” defense. To this end, Splints discovered a martial arts training manual amid the refuse of their surroundings, and taught himself the ways of armed and unarmed combat before passing that knowledge and skill on to his “sons”… and making them wear masks just because.
It was the blind leading the blind, and all it took was a shit smeared book to become good enough to defeat an army of killers personally trained by the deadliest assassin in the world (Shredder) and wielding the deadliest in military grade munitions?! Fuck you. Though, to be fair, the Foot here are little more than masked guys who probably answered a wanted ad in the back of Soldier of Fortune, but still. Anyway, despite their huge lumbering frames, the Turts can flip through the air like Tony Jaa… and although he learned his own fighting prowess at about the same pace as he in turn taught them, Splinter is still somehow miles ahead of them… Maybe it’s his tail? That thing doesn’t operate like an actual rat’s tail with bones and cartilage, but instead like a squid’s tentacle (one long muscle) that can grasp things and bend like a contortionist in a Russian circus act. Given that classic mutagen was always explained as transforming any living thing it touched into an amalgamation of said living thing and the last other-species thing it came in contact with, maybe somebody in the lab fed Splinter their leftover calamari from lunch the same day of his last injections? Shhhyeah! And maybe the Wicked Witch of the West’s winged monkey bellhops will fly out of my butt! *BLART*
In case you missed this amid the rest of this toxic waste spill of a story, allow me to bring another important notion to your attention: Splinter is just a lab rat. Not the pet of Shredder’s rival, Hamato Yoshi. Not Hamato Yoshi himself. Just a lab rat. Thus he has ZERO connection with the main villain. What he does have though, as our writers expect us to swallow like we’re virgins on prom night, is an extensive knowledge of Shredhead, including his dealings as the most dangerous and powerful criminal in the Far East, and his unmatched lethality when it comes to combat… FOR. NO. REASON.
I want to punch a hole in my screen just typing that! Seriously, if somebody doesn’t “split the uprights” of whomever okayed this all-you-can-eat dookie buffet with a pair of steel-toed boots with knives duct taped to the end of them, I will have lost faith in karma as a universal force for justice. I will piss in the cosmic cereal bowl.
The rest of the run time is spent on your basic good guys vs. bad guys stuff. Shredder has a plan to murder all of New York with a poisonous gas, the Turtles fight him (and his hugely retarded, errr “developmentally challenged” made-from-Decepticon-remains cyber battle juggernaut armor) until they lose, they fight him again until they win, lone-wolf Raph learns the meaning of
Christmas family, the day is saved, and every law of physics is brutalized beyond repair along the way. You know, paint-by-numbers stuff, only the numbers are a Chinese alphabet soup taken from a dozen different dialects and the paint is just an assortment of fluids drawn from the body pit that opens Texas Chainsaw Massacre III. Shit cunt twat snot ball sweat taint sucking hairy asshole slut farm discharge.
Michael Bay. I know he didn’t direct it, since you can actually SEE what’s going on during action sequences (at least there’s that, so thank you Jon Liebsman). Nor did he write it, because I doubt he would’ve bothered to put in all of the little fan service winks we did get (at least there’s also that, so thank you, 3 guys whose names I don’t want to re-type). Alas, as the increasingly punch worthy face of Platinum Dunes, I personally hold every man-made pox they introduce into the populace over his head. Between this, what he’s done to the Transformers franchise, and all of the merit-less horror remakes sifted from the Dunes like so much cat shit from a litter box in the last 15 years, I’m declaring Michael Bay the new Uwe Boll.
Cue The Who – “Meet the new Boll, same as the old Boll. Circling the toilet bowl, fans want him cornholed.”
My thanks to the Evil Dead Bride for influencing the second half of that little musical interlude. Boom goes the dynamite.
Rather than make his own movies with his own ideas (Intergalactic prison break movie? I’d watch that. Guardians of the Galaxy and all.), Bay instead gets the rights to make movies based on pre-existing franchises, then helicopters his lily white pecker in the faces of the fans of those franchises by projecting his own ideas onto said established properties. He’s the grand champion of fixing what ain’t broken. And he does it simply because he’s a petty cunt who wants to ruin the things that other people love. The ’80s must’ve been some of his darkest years too, since the victims of his cinematic rap sheet are some to the few bright spots of the Reaganomics era.
Bay’s more dangerous than Boll though, because he’s got enough financial backing to hire entire teams to gangbang these beloved properties for him, and because he can afford to buy the rights to ANY franchise he wants… that isn’t already owned by Disney or Warner Bros.
As I’m always open to others’ opinions, when I mentioned which movie I was reviewing for Turkey Day, this was the unprompted response by my friend, Ashley –
“There are a lot of things that the phrase, ‘Well, you gotta just accept it for what it is’ that I’m more than happy to accept for what they are. If you make a TMNT movie and don’t stay true to the story, I MIGHT be able to accept that. HOWEVER, if you do so then make the characters, their personalities, and their voices SO LAME, and then don’t at LEAST put in Ken Watanabe (that’s right, I know him, without Google) as the voice for a JAPANESE character, and you use a JEWISH MAN, I’ll spit on it and call it shit cuz you’re kidding yourself, buddy.”
A valid point (except for the part about Tony Shaloub being Jewish, which he’s not) from a fellow fan who’s also been there from the days of “Hot Rodding Teenagers from Dimension X” and “The Case of the Killer Pizzas”. For fuck’s sake this movie is the worst incarnation of Kevin Eastman and Peter Laird’s source material I’ve ever seen, and that includes “The Next Mutation”! I’m not saying that things should have stayed 100% faithful to the material, because you’ll never be able to pander to all of the fans, be they of the original comic books, the current comic books, the original cartoon, the movies, etc. Trying to please everyone is a peril best evaded. The number one rule of comedy is to use humor you think is funny, not what you think others will laugh at… hence why no one else reads these reviews. But that’s comedy. When you’re making an adaptation of someone else’s creation, that you’re exploiting for its name alone and you decide to use your own junior high fanfic for the script? No. You’re a tit face dick snot apple cunt soft serve shit twister!
Though Eastman and Laird did ask fans not to pop a squat all over the whole “now they’re extraterrestrial expatriates” garbage and reserve their judgment until seeing the movie for themselves. Not something that the internet does, but at least the two said something. Then again, if Platinum Dunes threw a bunch of money at me to make The Tomb of Anubis into a feature, I’d sell out faster than a heartbeat, tell the fans to get the fuck over themselves, then just live the rest of my life in hiding so no one could track me down and verbally dick punch me. Not that I have fans anyway, but never let facts get in the way of a good story. Did I ever tell you about the time I tried to stab a family member and the only thing that saved them from total evisceration was their big belt buckle?
Watching this blue waffle (Google it, I dare ya!) of a flick for me had to be an experience tantamount to what Neil Degrass Tyson would suffer through while watching Space Mutiny or Star Odyssey. Wouldn’t be surprised to get a CAT scan after this and find out I had at least one moderate stroke from watching it twice. The prospect of ever having to do so again makes me want to slam my dick in a car door instead, in the most lopsided round of “Would You Rather” I think I’ve ever been presented with. Damn it, I could’ve watched Sexual Parasite instead of this movie. Shit, I could be getting a sexual parasite right now instead of typing this review!
Given all of the other “reworking” of the characters and their origins, it would also make sense to rework the initials from TMNT to HIV while we’re at it, because watching this garbage made me feel sick. Very very very sick. Like I’ve got some of that Charlie Sheen “tiger blood”… which it turns out is just HIV. It’s fitting that this is the 69th episode of the Neo-Tomb run though, because watching this shit cASSerole ruined TMNT for me the same way that deviant art of Raphael and Leonardo “making the Sign of Cancer” (i.e. mouth-fucking each other) stabbed my inner child in the spine with a sharpened broom handle.
The really obnoxious part about TMNT is that despite all of the fan demands that Bay and his co-conspirators gave into, the end result still came out a loaded diaper of poo stew! Once it was all over, I was left perversely wishing once more for that alternate dimension I’m always referencing where the various “what if…” versions of movies were actually made. In this case, my dream version of TeenBay MutBay NinjBay TurtBays consists of telling the loyal franchise followers to fuck themselves furiously by sticking with the initial script! I want every stupid idea laid bare so the budgetary blockbuster blumpkin pies itself so bad that their world’s Platinum Dunes is crippled beyond the point of recovery. Mayhem breaks out in the streets, the world is consumed in the flames and fallout of fan rage, and their George Carlin (who’s gifted with Nick Fury’s Inifinty Formula) just sits back on his observation deck high atop the Carlin Helicarrier and gets high off of the chaos.
And what better mental image to part company on after enduring this ball gobble-gobbler. Happy Thanksgiving, folks!
A rarely seen 1991 commercial promoting LaserDiscs as a superior entertainment format. The same advertising firm was hired to create ads for HD-DVD, much to the same success…
See? Told you this scene wasn’t as fun as it sounded.
An unfortunately perfect screen shot that makes the case against female actors deserving equal pay.
Megan Fox poses for her celebrity Real Doll. I prefer the Sasha Grey model, myself. It’s just as hot but lets you do a lot more to her for a tenth of the cost!
This is why you don’t shave your head with a straight razor after 17 cans of Four Loko.
And there she is! Just like the can says!
Robert Downey Jr.’s character from Tropic Thunder went full retard and kidnapped Not Sasha Grey!
Did I miss the part in ancient Japanese history where ninjas wore old bamboo window blinds on their chests?
Shit. Father Time’s been a motherfucker to poor Shaquille O’Neal. Shaq-Fu can’t save you from the ravages of age, Sir.
You know what makes this image all the more horrifying? Michelangelo’s dick is probably rubbing against the back of the head of whomever is underneath him. Think about it. No, really, think about it. Don’t stop thinking about it. See it in your nightmares. SHARE MY PAIN!
Awwww! This movie is now the greatest film ever made! Look at baby Gamera! Eeeeeeee!
Whoopi Goldberg reacts to Ted Danson’s proposal to reunite for Made in America 2.
“Pizza Rat ain’t got shit on ME! That’s right! That’s right!”
If you think this looks absurd, the salesman tried to upgrade him to the DELUXE model. That includes an air conditioner, microwave, power sun roof, can opener, and two massive cork screws that pop out of the elbows.
“Oh no you don’t, you reject from a Food of the Gods sequel! You know that ‘better mousetrap’ everyone’s always trying to build? That’s me.”
April found the last functional payphone in New York City! Clear out your desk, Lara Croft, cuz we just found our new Tomb Raider!
And here we have unused concept art for one of Michael Bay’s “lost” Decepticons, Crappatron.
“God damn it, Bay! I told you I wanted BLUE Slush Puppies in my dressing room, not this green swill! Read my fucking contract!”
After proving his point that turtle farts are indeed highly flammable, Vernon never doubted Donatello again.
Anubis will return next time in
“Another ‘Slice of (After)Life’ Story”
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