Featuring: Alexandra “Boy Meets Girl” Turshen , Keenan “First Person” Henson , Caitlin “‘Continuum’” Cromwell
Writer & Director: Bradley “Clearly wrote his own IMDB biography” Stryker
The Evil Dead Bride and your humble narrator were perusing the alcohol offerings at NileMart the other day when we discovered that, not long after the re-emergence (and re-disappearance) of Crystal Pepsi, fellow transparent ’90s punchline drink Zima is now also back on the market. My long standing theory that the latter is just a fermented form of the former? Confirmed.
Pop culture footnote beverage humor aside, after finally conquering the world’s Russia problem with my last review (The Guardians), it’s time to live up to my promises, play a game of ketchup (“catsup” if you’re nasty) and get the circus train back on its tracks. Well, not the whole circus. It’s more like I’m about to abandon an overbooked clown car on a railroad crossing, let the 7:06 bullet from Tarker’s Mill do the dirty work for me, then all I’ve gotta do is report on the aftermath.
In the interest of transparency, I admit that I’m taking some liberties when it comes to Land of Smiles being a killer clown flick, especially when it comes to the whole “painted horrors” technicality, but if the oozing cold sore on America’s dick can give ethics the tiny middle finger by appointing government positions to his defective offspring and filling his cabinet with the highest bidders, I can bend the rules of the Republic of Tombistan. Though the movie’s antagonists conceal their faces under the visage of sinister jesters, they do so with rubber masks, possibly purchased from the clearance bin of a Spirit Halloween pop-up store. It’s not like the world’s lacking in movies out in the nebulous “there” that center on actual grease-painted murderous mirth makers, I just thought I could use a little change of subgenre scenery. It’s not as if I signed any kind of contract (at least not one that falls under the jurisdiction of any mortal justice system) saying I can’t, so just make like a shed uterine lining and go with the flow, Joe!
The basis for Smiles is nothing new. It’s about backpacking Americans whose vacation to a beautiful country they’ve never been to before leads to the reveal of a seamy underbelly that threatens to swallow them whole in its gaping maw of stranger danger, inducing increased paranoia in any members of its audience who already didn’t need any more reasons to never take a vacation beyond pitching tents and making s’mores in their own backyard. See Wolf Creek, Turistas, A Perfect Getaway, Eli Roth’s Hostel flicks and, of course, The Hangover Part II. I would’ve included The Ruins on that list, but that’s supernatural horror and thus does not fall under the “people from other countries are the real monsters” xenophobia gimmick.
Our vulnerable young travelers begging to never be heard from again are lifelong friends and overly confident American college students Abby (Aleandra Turshen) and Penny (Krista Donargo). Having planned a trip to Thailand together for the longest time (oh, oh, oh, for the longest time), Abby earns her BFF of 19 years’ ire when she backs out of their girls only vacation to stay near her boyfriend Brad (Brandon Nagle), who more than likely didn’t like the idea of his girlfriend being half-way across the globe and possibly getting peanut sauce licked off her ass by some beefcake with jungle herpes.
In a moment that can only be scripted (and poorly at that), Ab’s sacrifice of Pen’s friendship blows up in her face almost instantaneously when her attempt to surprise Brad with a candlelit cupcake (birthday/anniversary?) leads to her walking in on Brad in the middle of a Skinemax bump n’ hump session with Lacy (Charisse Bellante) – a random blonde who comes off just as “trashy party girl who’s upset she never got to be in a Girls Gone Wild DVD” in her sex making as her name would suggest. To any Lacys out there who take offense to that, I’m sorry, but maybe your parents shouldn’t have named you after a style of lingerie trim.
Blinded by confusion and rage, Abby unleashes a few shots of Cowboy Mike’s Extra Bold Red Hot Ricochet Pepper Spray upon the ocular orbs of the indignant fornicators, apologizing at first before revoking said formality and storming out in justified rage. If you think pepper spray’s a little intense, these two are just lucky Abby’s probably too young to remember the whole Lorena Bobbitt episode. However, as is all too common the case, the cupcake is the true victim of the break up. Poor thing’s probably going to be swallowed up by the foster system like so many little lost souls before it. If you would, say a little prayer for the cupcake’s well being tonight while you’re taking your pre-bedtime dump, won’t you?
Of course Abby couldn't have made this discovery before Penny’s departure, so now she’ll play some ketchup of her own and do the first leg of their itinerary solo. No idea why she couldn’t have just traveled ahead and met Nickel immediately, but then we wouldn’t have a movie. Why? Because Dime gets kidnapped. Not ready to cancel your plane tickets to Thailand yet? Well, the people who take her are dressed in those aforementioned clown masks. Calling the airline now to see if you can get a refund? I thought so. Besides, why travel when you can spend summer break crashed on your couch in your underthings (or, if you’re like myself, au natural) with the AC cranked to “Absolute Zero” as you eat can after can of overstuffed ravioli and play your favorite video games? I’m currently working through Saint’s Row IV right now. Did you know you can dress up your character in a MechaGodzilla costume?! It’s true taint-tingling terrificness!
Anyway, Abby isn’t aware of her sister-from-another-mister’s peril, so she simply does the tourist thing for a bit as intended. Her only communications from Quarter involve random pics without any accompanying messages to explain them, which our heroine chalks up to her still having rump rash about the whole “I’d rather spend summer break with the boyfriend that you’ve repeatedly informed me is a heaping piece of pooper pie than go to on a tropical dream vacation with my oldest, dearest friend” drama. Along her travels, she meets a pair of fellow out-of-towners in Ben (Keenan Henson) and Jewel (Caitlyn Cromwell/Stryker, the writer-director’s wife), who approach her under the most suspicious of methods when Ben steals her backpack. He returns it to her right after though, calking it up to a lesson that she should keep on her toes lest she be destitute (given that she’s already Pennyless *rimshot*) and giving bareback Around the Worlds to American businessmen by Tuesday.
A bit douchey, but in that “big brother tough love” sorta way, Abby accepts the advice as well as the offer to tag along with the couple. Their reason for being in Thailand is so Brad can traverse the whole of Southern Asia, shooting a wanna-be VICE style vid about the things backpackers experience while trekking through third world countries. I think. I don’t really know what his point is, because it all just looks like a tourism video to sell Thai travel packages to college kids back in the states. They also fraternize with a fellow outsider named Dale (writer-director Brad Stryker), an Aussie guy there for the nightlife, the pretty scenery, and to bang as many random prostitutes dressed in “sexy (career here)” Halloween costumes as his down under can afford. I’d advise him to make sure the females he’s bedding are actual females, given that it’s Thailand and all, but somehow Dale seems like the type of guy that wouldn’t really care either way once his Foster’s and Cialis cocktail kicked in.
And for anyone protesting that Foster’s isn’t what actual Australians drink, it’s okay. Stryker was born in fucking Oregon, so he’s about as not an actual Australian as a white person can get. His put-on accent (as in “put-on like Kris Kross’ pants – incorrectly”) will support me on that.
When Abby does finally get the confirmation video that Half-Dollar has been Taken-ed, the young lady’s clown cloaked absconders have two simple demands – (1) Do NOT tell anyone about the crime and (2) continue on with the plans to rock n’ roll all night and party every day. If Abs can ignore the anxiety of her best friend’s peril and embrace the drunken American party girl stereotype inside her that she came to Thailand to rediscover in the first place, then they’ll release their abductee and the girls can be reunited. That’s…weird. Have I been lied to my entire life and the point of kidnappings isn’t to demand ransoms, but rather force people to live the Miller High Life?! Because as much as I love some of the people in my life, I wouldn’t be willing to drink excessively of such bottled piss swill for the return of some of them.
Fortunately, it turns out that this isn’t so much the case. When Absinthe breaks the first rule of fight club and talks about fight club with B&J, Ben (last name “Dover”?) introduces her to the world of Southern Asia’s newest craze – staged abductions! Seems that there’s a whole subgenre of today’s Generation Meme culture dedicated to setting up false kidnappings for the sake of “reminding people how to have fun”, then posting the reaction videos online when the victim is told it was all for funsies. Just psychologically scarring, emotionally terrorizing, friendship shattering funsies. Fucking people and their fucking reaction videos. It was funny for about 5 minutes in the wake of the “2 Girls 1 Cup” epidemic, but I never wanna see another one of those stupid things again. Unless it involves the kind of reaction George Clooney had when he found Brad Pitt hiding in his closet. Now THAT’s a multi-million views moment!
(Today’s lesson: don’t come out of the closet to Worst Batman)
Additionally, what the frosted fucks does that ambiguous “reminding people how to have fun” description mean? In this case, “people” refers to adults and “have fun” refers to intoxicating ones self to the point of long term brain damage because your friends apparently only like you when you're making as asshole out of yourself in public, throwing up $60 in margaritas, and blacking out so you can put yourself at risk of being sexually assaulted by any horny festering pustule excuse for a human being that happens to be passing by. Given the length of that explanation, you can see the need for the “TL;DR” version provided.
And so we’re left with the mystery of whether this is a legitimate criminal situation by a Thai maniac clowning with their prey, or if it’s all just a really shitty scheme by Hay Penny to make Abby abandon the maturity of adulthood and “loosen up”. Which is just a dickhead way of Sixpence (who’s none the richer… *rimshot*) saying that she fundamentally intends to drag her friend down so she herself doesn’t need to be alone in her terror of growing up and assuming responsibilities that she’s not ready for. Could she have opted for a less vindictive, “Reverse Jigsaw” method? Maybe. But that would kill Stryker’s entire effort to make something he likely mistook as being “visionary”.
Not only does what could have been a decent little flick foil itself in the finish with a fumbled finale, but Stryker opted to be the seventy-thousandth indie movie director to think they’re the one who’s going to breathe unasked for life into the fetid, deflated lungs of the “found footage” movie, completely ignoring the Do Not Resuscitate notice the subgenre has hanging around its neck. And it’s not even some semi-reasonable bullshit like the Paranormal Activity security cam footage concept, it’s just yet another instance of the characters shooting their own videos of the proceedings, likely until they all die, never putting the camera down no matter how much immediate peril they’re put in. Once they’re dead, all of this “found footage” then gets spliced (I guess “merged” would be the modern digital version?) by some unknown editor who cobbles together a single project whose final cut just happens to be very movie-like, both in structure and length, and includes numerous clearly not found helicopter shots and professionally framed footage of the landscapes. Sounds like mister first-time feature couldn’t play it casual and stick with his own theme. I guess you can’t “make the environment a character” without pricey aerial establishing shots, eh?
Land of Smiles makes some attempt at explaining itself in the finish, but does about as well as a stoner trying to explain to their probation officer that their eyes are red because they “just have bad hay fever”. It even comes with a lazy, forced Shyamalanian pseudo-twist hanging off of its ass, metaphorically wrapping the whole thing up in a way that’s equivalent to actually wrapping a broken toaster with soiled newspapers, not unlike those I put around Bastet’s litter box so she won’t track her shit grit into my bed during one of her 2am “u up?” booty calls. I haven’t been this aggravated about such a fucking stupid, pointless, shoved-in-dry, “for the sake of getting one over on the audience” Chubby Checker conclusion since The Bone Collector (aka “That there Bone Crusher” to quote a private joke). It’s not even the whole ending, either! If you circumcised Styrker’s failed attempt at being cutesy with his end credits sequence, it would’ve been a perfectly fine ending to a mediocre thriller. As is, though, you may audibly boo it the same way I did. Try not to wake up your downstairs neighbor when you do so the same way I did, otherwise you too will have very awkward mailbox interactions for the next few days also…
All of that nonsense aside (if you can put the last minute alteration of the entirety of the movie’s story “aside”), Stryker’s other major effort goes into the “ugly behind the beauty” theme he seems to believe he himself created. In case the fact that you’re watching a HORROR movie titled Land of Smiles is too subtle for you, the guy includes numerous shots of beautiful locales populated by beautiful people having beautiful good times with beautiful beautiful party party yadda yadda blah blah inter-cut with moments of our protagonists freaking out (again and again and again) and vids of Penny maybe-or-maybe not being tortured. It’s juxtaposition overload! It’s the hallmark of a film school student who doesn’t respect their audience’s intelligence/awareness, so they spend too much time hitting us over the head with it to make sure we get the point. Though, as we all know, no one will ever truly get the deep introspective point of Mr. Stryker’s art because, well, he’s a creator while we the audience are simply refuse in his path to brilliance.
Except for those who leave 8+ star reviews on IMDB. Clearly they “get it”…
In case you require more evidence of my claim (like the police insisted on that time I accused my aforementioned downstairs neighbor of shitting on my doormat), observe the name of Stryker's self-production company as Exhibit D –
That’s not a ‘shop job, kids. He actually calls it “Stryke-Force Films”. A guy who wants us to take his very serious horror movie very seriously sticks a name like that onto the opening. For Francis Ford Fuckula’s sake, this is not a hoax, not a dream, not an imaginary tale. This is for real. He’s Tommy Wiseau without the charming Ed Wood-ian naivete. I can only hope that whichever family members he conned into putting up the money for this vacation-turned-movie are the “more money than brains” type, otherwise I fell sorry for them.
But, despite all of this fresh personal contempt I’ve discovered for one Bradley Stryker, Land of Smiles isn’t a terrible movie. It’s better-than-bad without quite reaching the lofty levels of “good” as established by Log (*from BLAMMO!™). It at least makes an effort to do something uncommon if not new (even going so far as name dropping The Game as the in-continuity inspiration for the fake kidnapping business), and the cast (excluding Stryker’s needlessly Australian Dale that is) does a well enough job conveying their fear to keep playing along while Ben urges the girls on. Whether his motivations are as altruistic for Penny as he claims them to be, or he just wants to finish his video project like the girls have growing suspicions of is never entirely clear, which works in the flick’s favor. Oh, and if you close your eyes, there are times you’d swear Keenan Henson’s lines were being delivered by a manic Vince Vaughn. It’s neither a pro nor a con, really, unless you’re Isla Fisher’s character from Wedding Crashers, in which case it’ll probably create a babbling brook down your thigh.
I have a titanium firm “no toilet sex” rule, but ever since that movie she gets an exclusive pass. Well, her and Barbara “Megan Halsey” Crampton, but she’s of an unlimited classification all her own. Don’t ask me the acts I would do for that woman, lest ye have a cast iron constitution or have long lost your soul to the dark horrors of the internet.
Oh, back on topic, as much as I hate The Blair Witch Project for its piss poor “let’s just say ‘fuck’ a lot because we can’t ad lib to save our thrice damned lives” improvised dialogue, it was at least more realistic than a lot of the supposedly “real footage” exchanges in Land of Smiles. Blame the actors for not being able to make it believable or blame Stryker for a clunky script, but either way it doesn’t help sell the lie that we’re meant to get lost in. In spite of my gripes about this, the crap ending, and a shooting style too schizo to settle on whether it’s trying to be a traditional movie or a vacation video, the movie is still oddly watchable! Weird, right?! I know! I’m as shocked to type it as you are to read it! So, yeah, there are way worse ways to wear out your eyeballs for an hour or two and if that’s enough of an endorsement for you to seek LoS out, have at it, friends.
Whether Brad (the director, not the cheating boyfriend…though Stryker could very well be the type who needs a woman to tell him he has a big dick to perform) can parlay his first feature into a career win in the long run or not, only time will tell. Whether the sparks of potential are enough to feed a flame of success, at least he can fall back on his extensive work as a bit part player in TV shows and direct-to-DVD movies. It may not make him a household name, but at least it pays the bills!… I presume.
My role as the grand marshal of this parade of fools continues next time (and four or so times again after that) with a movie that’s, well, less a movie than a digital version of a lost Hippolytus de Marsiliis torture method. While you look that name up, I’m gonna casually slip away via the escape hatch I had installed under my desk… CIAO!
“I never understood how these stupid horoscopes work. What does my having been born in the first week of November have to do with not being compatible with someone born in mid-June?! I call bullshit… So, what does mine say?
I understand that this guy’s probably doing the clown thing to work out some deeply depressing personal issues, but you may not want to do the “limp flower as a metaphor for my erectile dysfunction” bit around the ladies.
“Shit! That’s the fourth iPhone I’ve lost to the porcelain Sarlak pit this year! There goes the rest of my savings.”
Sarah and Elaine’s attempt to resurrect the “Girls Gone Wild” series with all of the drinking and partying minus the nudity and “lesbian stuff” proved grossly unsuccessful.
“Why do you need such a big backpack?”
“So I can sleep inside it at night while hanging it from a tree to avoid bears!”
“I keep telling ya, love, even if there were sharks this far inland, they wouldn’t come after ya! Just because you’re on your period doesn’t mean you’re ‘bikini chum’!”
“I don’t get it. I ask you what a ‘lemon party’ is and now you’re recording me watching a video? You’re so weird.”
“I hope you’re at least not being cheap and paid extra for a reach around, Greg.”
“Welcome to ‘Clowning Around’ with your host, Zippo VonLaughsalot. This week’s contestant is Janet, and she’ll be playing ‘What’s Crawling On My Leg?’ for her chance at a $25 Best Buy gift card!”
“I know it’s tradition to swallow the worm when drinking a bottle of Mezcal, but that thing last night… it had a face… a human face! I swear it looked at me and mouthed my name before… before… oh god, what have I done?!”
Oh jeez. I hooked up with her at last call a month ago and the bitch gave me crabs. Let’s just go before she… DON’T MAKE EYE CONTACT WITH HER! GAH! RUN!
It’s sad to know I will never be as happy as she is right now. Let’s not ruin it and tell her that every stray cat in the neighborhood makes that place their litter box.
Uh-oh! Looks like some tourists discovered their hotel’s hidden toilet cameras!
I’m not the most culturally educated man-jackal, but I can’t imagine it’s very sanitary of Thailand letting elephants just leave piles of number two in their human restrooms.
Laugh all you like, but lonely weirdos pay $200 a night just to watch her sleep on a webcam site!
“You know what I hate? Stupid assholes in goofy rubber clown masks that sneak up on people to try and scare them… Damn it, there’s one right behind me, isn’t there?”
“Wow! These Gushers fruit snacks really are bursting with fruit flavor!”
This is why I stopped going to the local beer garden during carnival season.
And this is why I started going to the local strip club during carnival season!
Anubis will return in
“The Inbred Clown Posse”
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All materials found within this review are the intellectual properties and opinions of the original writer. The Tomb of Anubis claims no responsibility for the views expressed in this review, but we do lay a copyright claim on it beeyotch, so don’t steal from this shit or we’ll have to go all Farmer Vincent on your silly asses. © October 1st 2013 and beyond, not to be reproduced in any way without the express written consent of the reviewer and The Tomb of Anubis, or pain of a physical and legal nature will follow. Touch not lest ye be touched.
Featuring: Georgia “Vampire Biker Babes” Chris , Joe “Experiment 7” Davison , Jack “Experiment 7” Amos
Director: Marcus “Rot” Koch
Writer: Joe “Experiment 7” Davison
You know what I hate? Ironing. You know what else I hate? Irony. Not all irony, just the kind that inconveniences me personally. Like when I’m taking bottles back to the store and their machine, which accepts brands sold exclusively by other stores, will NOT accept drink bottles of their own fucking in-house brands! Slanderman’s Amerika just started and already shit’s going to Hel in a knock-off Louis Vuitton. SAD.
I wish I could indulge in the blissful levels of cognitive dissonance that Cheeto Chiang Kai-shek’s supporters must live in to not only vote the fuck face into office, but continue to sing his praises after the litany of idiocy he continues to vomit from his ass day in and day out. Oh well, ignorance is bliss so I’ll forever be a pessimist. And pissed. And impossible to resist. But not a pacifist. Nor a partaker of the Eucharist. I prefer my flesh and blood consumption to be legitimate and not just some weak cheese metaphor for sipping wine and eating salt-free crackers. Speaking of flesh and blood, let’s review 100 Tears!
The heroes of our picture are Mark Webb (Joe Davidson) and Jen Stevenson (Georgia Chris). The duo are co-writers of made-up articles (you know, ones about “alternative facts”) for a grocery store checkout line tabloid rag called The Midnight Star. This may or may not be a reference to the newspaper Weird Al sang about in the track of the same name, but either way I’d like to clutch my heightened nerd awareness and continue with that line of thinking. It’s assuredly not to be confused with the band Midnight Star, who taught us all the dangers of parking on the dance floor. Thank you for your service, gentlemen. We salute you.
Unable to decide between the raising of the Titanic or the further adventures of Reptile Boy, the pair put their paying job on the back burner for a few days and turn their focus instead on trying to be real reporters by cracking the case of the infamous Teardrop Killer. According to the info provided to her by Jen’s sister in the FBI, Teardrop has iced in excess of 160 people up and down the East Coast over the course of the last 2 decades. Their only info about the monster? He leaves a bloody teardrop smeared at the scenes, hence the name… and that’s all they know?! A maniac violently dismembers people in the triple digits for TWENTY YEARS and all the fucking FBI have come up with is a sugar-free gum equivalent codename for him?! Herbert Hoover must be rolling in his muumuu and high heels!
As “only in the movies” luck would have it, that very night said slayer takes it upon himself to maul, maim and dismember an entire halfway house of fresh victims! What do we know that the FBI doesn’t? The killer is a big & tall guy dressed like a clown who wields a giant meat cleaver that he may have stumbled across in an abandoned slaughterhouse while looking for a place to get in out of the rain and slip in a quick gherkin jerkin’. After the facial devastation of an unfortunate gent in the basement, this Walter Paisley art expedition’s second project is a presumed ex-military dude (unless his dog tags are from Hot Topic and have pictures of Shrek on them) whose best haymakers don’t even faze the grease-painted assailant! Maybe G.I. Joey here got a dishonorable discharge because he throws punches like a Keebler elf? Gung-Ho he’s not.
(Bet you didn’t know the US Military subliminally advertised to gay children in the ’80s.)
The evisceration of a half-dozen people not withstanding, I have some quick thoughts about this killing spree. First, human anatomy. Did you know that you can kill a man instantly by jamming a meat clever into his taint? One whack and two seconds later you’ve got yourself a fresh carcass. It’s true! Speaking of truth, despite being told since childhood that seppuku resulted in literal hours of agony before the participant would finally give up the ghost (I had a good childhood), it turns out that was a lie. As one young female victim shows us, slicing someone’s stomach open also warrants an immediate need for a body bag. All the death without the wait! Additionally, despite what movies like American History X would lead us to believe, the human skull is not nearly as strong as you might think. As our killer clown demonstrates for us, a single stomp from a man’s foot (at least one encased in a comically oversized novelty shoe) causes an adult woman’s head to burst like a balloon full of crimson Karo syrup. No brains, no skull fragments, just a splatter of red goo. Slim Goodbody lied to us all! No wonder he always hid his head under that afro!
As for the halfway house itself, the kitchen seemingly double as a laundry room given the washing machines and coin-op detergent vendor stuffed in the corner. I can’t imagine that’s up to snuff per local health codes, given the risk of cross contamination between the food and shit like laundry soap and whatever microbial eldritch horrors might be living in the occupants’ bedsheets, towels and *dry heave* their skivvies… BLART! Additionally, what kind of halfway house has a big sign on its front door broadcasting that there’s an ATM on the premises? Aren’t those usually saved for corner shops and liquor stores? Unless of course it’s advertising the presence of a prostitute on the premises who offers ass-to-mouth. Yeah, that’s probably it.
Come morning, after Jen wakes up atop Mark (in their shared futon, because they’re also roommates and I guess they don’t have their own bedrooms?) and they have more wacky “fat guy and hot girl” sexual tension (including her offering to fuck him in the shower if he can do 100 sit-ups, followed by his farting in her face as he stands over her) before a hot tip about last night’s bloodbath prompts them to rush to the scene of the crime. They bribe a detective associate of theirs (Rod Grant) to let them take pics of the slaughter before the clean up crews come in to scrub the gore. Finding a terrified girl in hiding, our heroes rightly chastise the cops for not finding her themselves during their own sweep of the premises and learn from the lass that the killer in question was dressed like a clown. So, having been on the case of the Teardrop Killer for all of 15 hours, the pair have already learned more about the mofo than the FBI has in twenty years? Crow T. Robot.
J & M also learn from the attending pig that two other residents of the house are unaccounted for, prompting us to an as-yet-undetermined locale where Bloodthirsty Bozo is revealed to have nabbed the missing couple and taken them home to finish off like human doggy bags. But why? You’ve gotta imagine it’d be more effort than it’s worth to drag two live people across town just so you can kill them there shortly after. Why give yourself additional work to do disposing of them on top of getting them there rather than just adding them to the rest of the mutilated bodycount at the scene of the crime?! How has this putz successfully evaded the feds for this fucking long doing dipshit stuff like this?!
Following up on the clown gimmick, our intrepid off-brand Lois Lane and Jimmy Olson seek a lead at a nearby carnival, interviewing a foul-mouthed old bartender (whose shouting voice sounds oddly like Super Dave Osborne) named Ed (Jerry Allen) and a bite-size circus barker porn mag enthusiast named Draga (Norberto Santiago). Though both peg the pair as cops at first, once our protags ID themselves as tabloid writers hunting a lead the carnies are more than happy to accommodate. Right around here is when we focus our attention elsewhere in the neighborhood and are introduced to Christine (Raine Brown) – a thrift store Harley Quinn who professes an affinity for clowns and a violent dislike for those pesky “normies”, which is a term that Norm Petersen fanboys call themselves. Didn’t know such people existed? Sure they do! They converge for their own convention in Boston once a year, where they cosplay as the iconic alcoholic and occupy the stools of the local drinking establishments for a weekend long bar crawl, nursing beers and shouting “NORM!” every time one of them comes through the front door. No, seriously! Google it!
Oh, and since George Wendt almost never comes up in casual conversation, I’d like to take this chance to tell everyone that he played Dean Halsey in a production of Re-Animator: the Musical that The Evil Dead Bride and I attended some years ago when we still lived in the teeming, heaving mass of bodies and filth you call New York City. He was…okay. True story!
Christine will have a more important role in our tale later on, but for her first few scenes we just kinda watch her get dressed up, go to a bar, pick up some random perm-haired nerd who she convinces to go down on her in an alley (not even with an immunity to STDs and all of my taste buds burned off would I do such a thing to someone I’d just met in a bar) before slitting the chump’s throat and leaving him for a wino to stumble upon later while, she goes home to carve emo etchings on her abdomen for further jollies. Despite this portrayal, keep in mind that the majority of self-cutters aren’t interested in hurting others, just themselves. So if you should see someone with scars on their arms/legs/whatever, fear for them more so than for yourself. Anyway, yeah, now our movie has two killers. When they inevitably meet in the second or third act, do you think they’ll have a team-up or a face-off? Before we answer that…
While Mr. Webb and Miss Stevenson follow up on some other potential leads, Drags is confronted by the obese mirth murderer who threatens short legs’ tiny life until he trades Clowny his continued existence for a piece of paper containing the address of a woman named Tracy. When our would-be Woodward and Bernstein come back to check on half-pint, he spills the garbanzos on all the circustral shenanigans and gore-soaked goings-on. Roll that beautiful bean footage!
The clown’s name is Gurdy (not a great clown name…too close to “Turdy”) and he used to work with Draga at the same circus 20 or so years ago. At the time, two teenage girls named Roxie and Tracy ran away from home and joined said three ring mobile home as carnie groupies. Some ladies just love tiny hands and the overwhelming stench of month old boiled cabbage. I don’t get it either, but every relationship I’m in has to be inter-species, so I don’t judge what gets the blood flowing to your genitalia. Anyway, Roxie shacked up with sideshow strongman Ralphio, while Tracy indulged her fetish for balloon sex toys by sharing sheets with the Gurdler. Turned out that Roxie, despite getting the less nightmare inducing of the potential suitors, was still a cockblocking cunt that didn’t want Tracy being happy too. So, while Trace was getting her womb seltzered, Rox told ‘Phio that Gurds was actually raping her. You know what’s the only thing that makes the idea of being sexed by a clown worse? Being sexed by a clown against your will. The sound of his horn honking as it’s repeatedly mashed between your bodies…
Uggh, I just threw up. Not a little either. It looks like someone just dumped a gallon of Dollar Embargo vegetable soup and a sleeve of mashed up Saltines on my couch. Who wants to take bets on how long I can keep typing through the smell?
A social justice warrior for his time (not a bad thing, despite what tiny penised douche boys would tell you), Ralph didn’t take Roxie’s declaration well and laid a wall-to-wall walloping on Gurdy, stomping his ass like it was flaming bag of dogshit. And just like stomping said immolated brown paper IED, the strongman instantly regrets his actions, because Big Top Shakes responded by strangling Rox and jamming a tent stake through the back of big boy’s brain case. Citing the landmark case of Eye v. Eye, the rest of the circus folk “dealt with Gurdy for good” in a way whose specifics are never explained. Unless Gurds is a literal ghoul (which might explain why he doesn’t talk), I’m presuming “dealing with him” didn’t include killing him, as you might expect. Whatever the case, the painted madman has been cutting throats and gutting folks, following his old place of employment up and down the East Coast ever since. Draga says you could always “feel his presence” at the circus despite having never seen Gurdy in person since the incident. So, now big murderous old Gurdy has finally found Tracy, who he’s been searching for all this time…while slaughtering people for…no…real…reason.
I know it wasn’t easy to find caulrophiles back in the ’80s, but if someone had just shown Gurdy OkCupid or Craigslist or JuggaLove, he could’ve given up his desperate quest to find Tracy and a whole lot of nameless extras would still be alive today.
Speaking of dead extras, while all this has been playing out, Gurdles has been adding a whole lotta notches to the handle of his giant guillotine blade with a handle. His current crash pad is the basement of a local warehouse, and when the place’s realtor stops by with a pair of potential tenants, all three are turned into stew meat for a cannibal potluck. Not exactly smart given that the realtor’s secretary knows where the guy was when last he spoke to her, so when neither he nor the two other guys he took with him return, that’s an easy call to the police to send someone by to check the property out. She doesn’t and they don’t though, but a rent-a-cop instead finds the bloody remnants of the guy in his SUV later that night, which Gurdy just LEFT OUT IN FRONT OF THE WAREHOUSE. Again, HOW THE FUCK DID THIS GUY LEAVE THE FBI CHASING ITS OWN FUCKING TAIL FOR TWENTY YEARS?!
Gurdy’s decades long search for his lost love is all for naught though, as he finds her on the floor of her home with her throat slit! Who could’ve done such a thing? Yep, you guessed it, Christine is Tracy’s daughter and she just killed dear old mom. Rather than hanging the girl by her own intestinal tract for killing the woman he’s spent half a lifetime hunting, Gurd kidnaps Chris (seems she’s only good at killing people who don’t expect it), takes her back to his wretched basement apartment and reveals to her what we’ve all been expecting this whole time – she’s his daughter. Contrived as it is, it’s much better than the other possible outcome, which would’ve been Christine being his new groupie. Not only would that have likely resulted in an ipecac of a sex scene, but it also would’ve made zero fucking sense that a random civilian thrill killer would have known about Gurdy and been able to track him down when, again, the FBI (Fucking Bunch of Idiots) are all too busy giving themselves first-person colonoscopies.
Despite the initial horror of a big psycho clown materializing in her home mere moments after giving her own mom a botched second-chinectomy, Christine seems pretty nonplussed by her poppa’s sudden appearance. She also doesn’t seem all that confused as to why he’s a mute, nor does she question the validity of his claim, and instead just accepts the whole thing as legit. The pair have an instantaneous connection and waste no time getting to the daddy-daughter bonding stuff either, when a gaggle of convenient twenty-somethings out to rave the night away pick the absolute wrong seemingly abandoned warehouse to pass their tress…tress their pass? Whatever, Officer Leroy! (Sifl & Olly joke, so don’t feel bad if that one lost ya) Brandishing the massive slice n’ dicer and a sledgehammer between them, Gurds and Whey make quick work of the kids in their typical gory fashion. Naturally the prey are all too terrified to stop and realize they outnumber their attackers 5-to-1, or that Tweedledaughter shouldn’t be too hard to disarm while awkwardly wielding that big clumsy hammer around, but this world is generally populated by the kind of morons that always come to mind when you ponder just how the “so-and-so wouldn’t know the difference between their asshole and a hole in the ground” witticism gained so much traction.
In our flick’s big finale, Matt & Jen are clued in to the locale of our killers by FBI sister (based on the guard’s SUV discovery the night before) so they head out to investigate before the place is taken over by feds. On the way, they call in their local police squad pals (one of which just wants to bone Jen, not that I blame him) so they won’t be without some form of backup. Rather than wait for the 2 guys with the guns to show up (and it is just the two, since neither apparently thought it a good idea to call in the rest of the pig parade precinct to take down a SERIAL KILLER RESPONSIBLE FOR 200 OR SO MURDERS), our intrepid investigators search the basement of sins (that appears to be lit by some battery powered stick-up lights and a blacklight from Spencer’s Gifts) and end up face-to-painted face with Gurdy. A struggle ensues and Matt shows us that he’s never fired a gun in his life, shooting off a few rounds without so much as a scratch. All the sadder because Gurdy’s of sizable carriage. Have I mentioned that? That he’s fat? I did? How about old? Did I mention that he’s also old? I did. Okay. Just making sure.
Discount bin Crockett and Tubbs show up soon after, but in the interest of expediting these final 15 minutes, let’s leave it at this – the daddy-daughter duo are too much for the quartet. Despite the movie’s earlier exchange of the ex-military dude punching Evil Binky repeatedly in the face to no effect, Mike socks the lummox once in the mouth and fatty’s left reeling like friggin’ Glass Joe. His Tyson-like punches (less the boxer and more the frozen chicken products) notwithstanding, the illegitimate son of Louis C.K. ultimately takes a bullet in the mouth and sheds his mortal coil. The white cop gets his throat slit by Christine (who pretends to be poppa’s prisoner), the black cop (Kibwe Dorsey) gets his head lopped off by the novelty sized butchering implement, and Jen gets slashed up by Chris’ razor blade, has her spine tenderized twice via sledgehammer and finally has her face smashed into the floor multiple times before being left for dead…which she clearly isn’t, as her eyes are wide open and she’s still breathing and writhing around. Rookie mistake on daddy’s little monster’s part. Speaking of, Chris shoots her father in the head (cuz bitches be cray-cray, y’all!) before leaving the scene of the crime. She ends the flick Bill Bixbying down an empty backroad before bursting into 100 Tears‘ final splatter of hemoglobin when she’s street pizza-ed by…Jen. Do Greek women have adamantium skeletons by nature? I mean, even if she didn’t endure multiple concussions from having her face repeatedly bounced off of concrete, I’m pretty sure those SLEDGEHAMMER SHOTS DIRECTLY TO HER SPINE should’ve turned her into b-horror Ironside!
But, you know, movies. What are ya gonna do?
And that’s our movie. It’s truly an HG Lewis flick for the modern age (besides 2001 Maniacs, Blood Feast 2 and so forth). Not because it’s in any way revolutionary or controversial, just because its only real selling point is its graphic violence! It’s a gore whore’s goregasmic delight to behold. The red stuff and chunky inner bits are so prevalent that the movie was given an NC-17 rating for “extreme horror violence”. A badge of honor I’m sure those behind it are proud to display! As they should be. Said splatter showcase is one of the finest (if absurdest) bloodbaths to hit my screen since the last time I watched Evil Dead 2, which any fan of cinematic viscera will recognize as high praise. Give me practical effects for the win, Peter Marshall!
In contrast, 100 Tears‘ story is the whitest of white breads in terms of slasher fare. Think Wonder Bread dipped in a jar of Miracle Whip and fed to an albino polar bear. Whiter than the sheets the republican party wear on their weekend “retreats”. A man and a woman track down a serial killer with a gimmick? Meh. His gimmick is that he’s a clown? And he’s hunting down a figure from his past? Meh again. His murder weapon of choice is a massive meat cleaver? Okay, it’s not just another machete or power tool, so that’s fine. Sadly, making matters worse, this shoestring plot’s got more holes in it than the dozens of apple pies in Jason Biggs’ linen closet. When you’re telling us that the FBI have near-zero info on a serial killer responsible for the deaths of more than 160 people over a twenty year stretch, all of which just happened to be done along the coastal route of the same traveling circus every year over that period, it’s mentally comparable to getting a fucking sliver! It just sits there, stinging and infuriating me more and more as I gnaw at it unsuccessfully in impotent frustration.
Don’t read anything more into that last part, either! Those pills I ordered from Canada are for my liver and nothing else!
On top of that, we only ever get to see Gurdles either in full clown regalia or in the final stages of applying his makeup. Given as such, he must spend time without the greasepaint on if he has to paint himself up again. He has to have more duds in his wardrobe than just his work clothes too, otherwise that shit would’ve been reduced to tatters, cuffs and a collar after twenty years of constant usage! One would have to presume that Gurdy has a secret identity, right? A persona under which you would image he does odd jobs or something to contribute to his basic nutritional needs and travel budget? Or has he just been dumpster diving half-eaten corn dogs from the carnival’s midway trash cans, hence his constant “presence” since his disappearance that Draga refers to? And mayhaps he was just really good at hiding amid the trucks and trailers so no one ever caught him hitching a ride every time they pulled up stakes and moved on? If the devil is in the details, I certainly wouldn’t recommend this flick to any Satan worshipers…
Of which Satanists are not included, so stop being so egocentric with your ignorance to the workings of religions that aren’t your own.
The cast is every bit as amateurish as you’d expect from a homemade horror movie, with writer-star Joe Davison playing comedy relief and giving himself the best lines of the script. At least he delivers them better than I imagine most writers probably would. Georgia Chris and Raine Browne were okay. If nothing else, Raine wasn’t nearly as bad in her pseudo-Harley Quinn role as Margot Robbie was in her actual Harley Quinn role, so…there’s that. I guess. Santiago, sadly enough, seems to have been cast simply for his stature rather than his acting talent. The guy staggers over his lines as if he were a first timer, of which I’m relatively assured he was. If you told me he had even a week of acting classes, or Hel, even some high school drama club experience, I’d probably slap your mother for raising such a foul liar.
As for Amos’ portrayal of Gurdy? For starters, he didn’t have a single line to utter, so he’s off the hook there. His physical stuff was good though. His imposing size and massive cleaver did a lot of the work for him, but his use of the classic movie-killer head tilt was well done. On the downside, the way he’d fling Ol’ Chopper (my name for his cleaver) over his shoulder with a heavy cockiness to his mannerisms and a sneer on his lips just came off as silly bullshit. I’d ask for some leeway when it comes to the cast though, as I’m guessing that a number of these scenes were made under the Roger Corman “one and done” method, because if there were multiple takes and these were the best performances they opted to keep, that’s going to keep me up at night.
So goes today’s feature, 100 Tears. Come for the gory clown violence, stay for…more gory clown violence. If fake blood drenching the screen ain’t your thing, don’t bother tracking this one down, as that’s about all it has to offer. Can’t say a lot for Koch’s directing (especially the lack of fucking lighting in the last 15 minutes), but his special effects are worthy of a girthy upward pointing thumb! Good to see that’s where he’s spent most of his 20 year career.
Before we go, I’ve got one final bone to pick. During Draga’s first scene, things get jarringly goofy when Matt and Jen resort to chasing him on foot through a lightly wooded area. Fat guy awkwardly running after a midget? You betcha.
“Get in mah belly!”
It’s not the chase itself from which said bone protrudes however, but rather the accompanying music that gave me cause to pause. Why? Because it steals the opening to Gogol Bordello’s “I Would Never Wanna Be Young Again”, the 2nd track off of their 2005 album Gypsy Punks: Underdog World Strike! I only say “stolen” because there’s no credit accredited said band anywhere in the credits. In other words, well, it’s stolen. So here I am, making sure the lads from the Lower East Side get as much recognition for their work as, well, posting it here will give them.
You don’t wanna know where that finger’s been. Clowns are disgusting creatures by nature.
“You’re putting too much effort into the jokes actually being funny. We’re writing a sitcom about a fat guy (me) married to an attractive wife (you). Whether it’s funny or not, there’s no way one of the major networks won’t give us a 2 season deal!”
She thinks she’s on hold with the Suicide Prevention Hotline, but it’s actually one of those morning radio show prank calls.
“Heh heh. Just look at that bisection job! Damn, I’m good. Look out world, Gurdy’s coming for ya!”
If “The Truck Stop Massacre” isn’t already in production at Troma, I’ll be disappointed.
Portrait of a man who will never have sex with his hot female friend. Been there, done that, walked out of the sequel.
“Of course I’m a detective! Just look at my long coat, my taint-length tie and my dress shirt tucked into my high-waisted pants!”
Ladies, no matter how sexy it makes you feel, this is why you never go out in a skirt or dress without underwear. You never know when Aunt Flo is gonna make an unwanted visit.
“Alright, baby. Now I’m gonna show you how a real man… FUCK! YOU TOLD ME YOU’D ALREADY HAD THE SURGERY! GROSS!”
I hear they sold their original SCAT ride to a wealthy German Count.
I see somebody turned my worst Porta John experience into a logo. How fun.
“Sure, the internet may be filled with every kind of porn you can imagine, but you just can’t beat the feeling of a crinkled magazine between your fingers during ‘foreplay’. I guess I’m just a romantic!”
He’s the writer, the male lead AND he does his own stunts! Watch out Hollywood, because Joe Davison is a genuine triple threat!
“21 across – ’45th president of the United States’; 5 letters; begins with ‘P’. Any idea?”
And this, children, is why you never eat an entire package of Gushers fruit snacks at once.
“Try not to blow any of your lines on this take. We need to finish shooting this scene before the Olive Garden employees realize what we’re doing in here.”
On the drive home following Burning Man, Lisa realized that she had a lot of life choices to make that she just couldn’t put off anymore. She’d probably never be able to forget the things she saw that fateful weekend, but she preyed that somehow, somewhere down the line, she would one day be freed of those demons and learn to be human again.
Anubis will return next time in
“The Murderous Misadventures of the Crisco Kid”
Featuring: Natasha “‘Orange Is the New Black’” Lyonne , Chloë “American Psycho” Sevigny , Meg “Psycho II” Tilly
Director & Writer: Danny “Oddsac” Perez
Origin: Canada | USA
Hey kids. It’s September 30th. Somebody wake up Billy Joe Armstrong, cuz he apparently can’t figure out how to set a fucking alarm clock. Speaking of kids…
Children. Uggh. I’ve never been a fan. My DNA has been requested more than once to contribute to the spawning of an Anubis Junior, but such a nightmare never occurred because I convinced the women in question that not only would having my child be a poor idea (family history of mental illness, alcoholism, diabetes, and general assholeness) , but ANY intentions for reproduction would only lead to a lifetime of regret for all involved. I’ve seen it happen. Too many times. From would-be dads who bail as soon as the first sonogram image proves they were wrong that their lady “just ate too much chili” to mothers on the verge of becoming the next Andrea Yates (one of which I literally had to talk down over the phone while at work, I shit you not), the idea of having children unnerves me. Almost as badly as the idea of a Rush Limbaugh Speedo calendar or Uwe Boll making a movie crapdaptation of Eternal Darkness. In the darkest depths of this hypothetical Hell, it would star Jenny McCarthy as Alexandra, Casper Van Dien as Pious Augustus, and Paulie Shore as the voices of each of the Elder Gods. Uggh, I just gave myself mental indigestion.
As I was saying, I hate the concept of babies and everything to do with them. So much so that I used to wear a t-shirt in high school of a fetus on a coat hanger that said “PRO DEATH” across the chest. Some mistook it as a plea for negative attention, others incorrectly interpreted it as an extremely anti pro-choice statement (it was not), while in the end all it was meant to be was exactly what it looked like: a public illustration of my advocating for the violent physical termination of parasites. Do you know what the difference is between a tapeworm and a fetus? Most people don’t keep the tapeworm after it’s been removed and raise it as their own. Poor tapeworms. Somebody should start a petition to establish a publicly funded tapeworm adoption agency. But not me. I’d rather bisect my own tongue with a piece of notebook paper than try to convince people to sign a petition.
In addition to the whole conception concept, Antibirth also addresses another mostly female-centric nightmare – date rape drugs. No sooner does our feature set sail, then it immediately crashes upon the jagged rocks of discomfort as our intoxicated leading lady Lou (Natasha Lyonne), who’s suddenly having issues maintaining consciousness, is led away from a raucous midnight warehouse barrel fire rave by the living, breathing definition of a “skeezoid” with blatantly bad intentions. Her friend Sadie (Chloë Sevigny) sees this and makes the bare minimum effort to assist her protagonist pal, but is ultimately dissuaded by her presumed beau Gabriel (Mark Webber) to just ignore the implied peril and get back to indulging in their drunken merriment. Ladies, be sure to properly vet your rape prevention buddies before engaging in a public night of mind altering activities, and even then, be sure to travel in a consortium of three or more friends if possible in case of outside interference. Oh, and be sure to pack an Xacto knife or shiv of some kind too. If there’s one thing that terrifies a guy with his dick hanging out, it’s sharp objects!
Antibirth throws us face first into the figurative wall with its tale, so let’s take a quick sidebar and let me introduce you to Lou, based on what we observe throughout the runtime. She wants more out of her aimless life, but due to her downward spiral of self-esteem these moments of clarity are always quickly obscured with another haze of bong exhaust, or drowned in an amber sea of Old Milwaukee and painkillers. As for her personality, the best I can boil her down to on a relatable level is thus: Lou is that “live out loud” tomboy type that has more male friends than female. She prefers to be direct and avoid the false face backstabbery and bullshit of the stereotype woman. It could have something to do with her dad being dead and all.
Lou’s the friend who asks her best male amigo to go get her tampons and offers to suck his dick in payment. As said friend though, you never call her out on cashing it in (despite getting blue balls every time she does it) because you know she was just joking, yet you still buy her the cotton ponies because you knew you were gonna end up doing it either way. She talks about how one night the planets will align and conditions will be just right for the two of you to swap fluids in a tangle of sexual kismet that you’ve been building toward for years. Chances are she’s just stringing you along because she thinks she needs to keep you interested in a self-professed loser like herself, and she feels genuinely bad at times since she knows said metaphorical celestial construct will never come to pass. Lou’s the kind of friend that masochists fall in love with despite knowing they’ll never have her because, well, I guess that’s part of being a masochist, right? She’s a Super Bowl of self-abuse, but you can’t help picking her back up every time she falls on her ass…
Well, if said “you” is me, anyway. Maybe the you “you” reading this hasn’t ever had a friend like that before. Anyway, now’s not the time to delve into the sinkholes of my personal memory lane. We’ve got a movie to review, you Sonoma bitch!
The aforementioned ambassador of the Skeeze Nebula is Warren (Max McCabe-Lokos), whom we later discover to be Gabriel’s henchman. Why would Gabriel need a henchman? Because he’s the local supplier of their small town’s citizens with pay-for-play poontang and illegal pharmaceuticals. He also may be holding a young woman hostage (it’s a shady shade of legal gray) for the purpose of harvesting her urine to sell to job seeking junkies. Even if you excuse his business practices as “providing services for people who are responsible for their poor decision making”, based on his simple merits as a human being, Gabe’s still a diarrhea Slush Puppie. And if you don’t know what a Slush Puppie is, memorial services for your childhood will be Thursday from 4PM to ‘?’.
Lou wakes up the next morning with no memory of what happened after Warren made off with her, but over the course of the following days one thing’s made very certain – she’s pregnant! She’s in denial about it for a while, but once her midsection starts to inflate like a meat balloon it’s clearly more than a heavy case of constipation. Given the rapid progression of said impregnation, there’s something way more complicated than the simple fetal fallout of a date rape at work in this lady’s womb. The question now isn’t just how that something got there, but who put it there, what it has to do with a strange woman (Meg Tilly) that’s seemingly stalking Lou, what its connection is to a ramshackle Chuck E. Cheese rip-off restaurant, and what exactly said something IS. The answer may surprise you!
Or maybe it won’t. If you’re into Area 51 “X-Files” type shit, I’m gonna guess it probably won’t.
Much like my last episode, The Neon Demon, there isn’t a lot in the way of horror going on in Antibirth. The dread comes from the discomforting voice in the back of your head that keeps telling you this is all leading to some nightmarish payoff, but the cause isn’t made clear until the finale, when the whole thing get thrown in our faces like a water balloon full of amniotic fluid. Unlike The Neon Demon though, Antibirth doesn’t give us the courtesy of some beautiful visuals and brain altering background tracks to keep us neck deep in the experience while we wait for the eventual menace to surface and resolve. Of the pair, oddly enough, it’s the one with a hardcore drug abuser as its main character that involves the less psychedelia. Yep. Despite Lou’s frequent pot smoking, booze drinking, and pill popping, there’s not a lot for the audience’s sensory apparati to indulge in outside of a little acid rock, a brief time lapse scene and some minor flashbacks to the night of her womb squatter’s immaculate conception.
The trippiest shit we get actually comes from whatever bizarro TV channel it is that Lou keeps her boob tube tuned to. Must be one of those weird ass “channels between the channels” digital air wave stations too, cuz our pregged-up protagonista’s trailer abode is so far out in the middle of nowhere that there’s no way a cable company is coming all the way out there to install service for her box! Though, I would gladly drive such a distance to service Natasha Lyonne’s box. There’s just something about her that makes my protruding Pineal stalk stand at attention. Not that I owe anyone an explanation as to whom or what pitches a tent in my celestial loincloth. If you’ve got a problem with it, you can blister your biscuits for all I care.
All in all, the movie’s cast is pretty good. Lyonne makes Lou oddly affable (and f-able) despite her flaws, but that may just be me hooking my wagon of personal life experiences to her hitch. Sevigny (who’s been superseded as the go-to Chloë by both Chloë Grace Moretz and Khloé Kardashian) make Sadie moderately interesting as both Lou’s co-conspirator and Gabe’s girlfriend, seeming genuinely ignorant that she’s using him for the free drugs. It keeps with the movie’s underlying message that everyone uses everyone else for their personal gains. That may make me a pessimist, if you must insist, but I tend to live in a sugar-free reality. My logic diabetes makes me allergic to naivety. And despite my cripplingly low self-esteem, I can’t seem to stop making this review about me. Let me go look in a mirror and remind myself why I’m not to be a topic of praise.
That’s better. Where was I? Oh yeah, the cast. Meg Tilly’s Lorna is motherly and warm, while also tin foil hat paranoid and always ready to cut a bitch. She’s like Kitty Forman with shellshock, thus making her my favorite character. Webber and Lokos are what you’d expect out of a small town wanna-be crime lord and his bruised second banana. Neither one is especially dynamic, but these aren’t exactly career making roles. I will give it to Webber though, he almost makes you feel bad for Gabriel when the guy points out to Sadie that she’s using him for drugs and he begrudgingly accepts it. One of those “I’m just a means to an end for you, but I’m a user too so fuck it, we’re good” exchanges. Kudos.
Though it’s become far more commercial in recent years than the Independent Film Channel it was created to be, IFC’s movie unit lives up to the “independent” part with Antibirth‘s super low budget feel, especially its limited number of scene locales. It’s sold as a horror movie, but looks and feels like a slice of life slacker picture. Downtrodden, lower class twenty-to-thirtysomethings just getting by and living lives without real purpose, just kinda dickin’ around until it’s their turn to feed the worms. Minuscule on production value, but in no need of a big price tag to warrant its existence. Take out the Mulder and Scully stuff and you’d be left with a Juno + Suburbia hybrid flick.
All in all, it’s an okay movie. Better remembered for its ending (which I’m not at liberty to divulge, given its infancy) and a scene that will make podophobics curl their toes in revulsion (trigger warning!), Antibirth is a fair feature to take in if you’re feeling nostalgic for the ’90s nihilistic punk pics sub-sub-genre, but still like a side of mild body horror and the unknown with your meal. It doesn’t make me chomp at the bit for another Danny Perez feature, but I may check one out if I get the odd pregnancy craving somewhere down the line.
Oh, and bonus points for the scene where Lou expounds the finer points of “Manimal” to Sadie! When’s that remake coming, NBC?!
With the sun setting on “Ladies Night!”, what will the striking of midnight and the dawning of the devil’s month have in store for The Tomb? Take my hand and let’s find out together…that’s not my hand…okay, you should just stop that now. I’m just not into you like that. You’ve made it awkward. I’m going to go now. Bye.
“Get off me, man! If that dude juggling the chainsaws fucks up, I wanna see it!”
We all had the same reaction when we heard Trump was running for president. Now we’re just praying someone invents a working time machine before election day.
Having missed out on her chance to be a contestant on “The Swan”, Split Face Girl instead moves from Japan to Canada in the hopes that their superior healthcare system may be able to finally get her the care she needs.
Trust me, leaving your piss cups and a big jar of olives in the fridge together will only lead to comical mishaps. Also, who the fuck put the COMPLETELY EMPTY KETCHUP BOTTLE back in the fridge?! Assholes!
The rest of his shirt says “When you can sit around and shove fried excuses for chicken parts into your face and cut your lifespan in half”.
I don’t care HOW big your American flag is, you’re not fooling anyone! Only Canadians bowl with those weird little ski ball spheres, ya hosers!
Fearing the inevitable sleepless nights that come with parenthood, Lou tries to keep her future spawn high as hell in utero in the hopes that it’ll be a mellow baby.
“Not so tough now ARE ya, Sunny Jim! Somebody’s definitely getting a mouthful tonight, but it’s not gonna be me. I suggest you pretend you’re eating a Choco Taco if you wanna see the sunrise. On your knees!”
Think Wheaties is the breakfast of champions? Fuck no! Cold pizza and a Camel are where it’s at.
Just another prom night victim of an American “abstinence only” school district…
Much like baby alligators in the ’70s, it looks like one of those porcelain preemies managed to reach adulthood in the sewers and become a successful model for “Gorezone”! The American Dream is alive and well, (white) people!
Pepsi recently brought back their Crystal Pepsi product by popular demand, but they forgot to fix the “flesh melting” side effects that caused them to cease its production in the first place!
By the time Billy’s mom realized she’d purchased a voodoo birthday cake by accident, it was too late…
Speaking of accidental conceptions, this is what happens when Tinky Winky and Po get wasted on cough medicine and take turns face fucking one of those water gun carnival game heads. Pure, uncut nightmare powder.
Anubis will return next time in
or “Black (Pete) Christmas”
Featuring: Egbert “Bollywood Hero” Weeber , Bert “Drift” Luppes , Caro “Johan” Lenssen
Director & Writer: Dick “Killer Babes” Maas
Also Known As: Saint
“Congratulations. This is the sixth dildo of the year and it breaks last year’s record of five dildos.”
Well, it’s that time of year again. The chants of the cultists are being broadcast over radio stations the world over, the Tribute Trees are being raised in living rooms by the faithful and decorated with pendants bearing the likeness of Our Lord, ceremonial black candles made from the fat of heretics burn in the windows, fireplaces glow with the warmth of timbers torn from the desecrated prayer houses of the false idols, and the protective sigil wreaths hang from the front doors. Soon Cthulhu Claus will rise from his lair in the depths of R’lyeh to spread his shadow across the Earth, carried by the stars themselves, consuming the non-believers and rewarding the loyal thralls with the gift of another year of life to spend in servitude to His glory. Yes, it’s Cthulhumas time again children, and I’m in the mood to deck the halls with some festive nightmares!
Okay, I know that some of you (too many of you) don’t celebrate Cthulhumas and, whether for reasons of religion, consumerism, or just going along with the crowd, opt instead to do the whole Christmas thing. Unless you’re the “ignorance in bliss” type, you already know that your holiday of choice is an amalgamation of other cultures’ celebratory practices, designed for optimal appeal to potential converts and have little or nothing to do with any actual christian practices or beliefs. Jesus’s actual birthday was in the summer, the decoration of evergeen trees (as well as the use of mistletoe, holly, and wreaths) was swiped from Middle Eastern Pagans and originally DENOUNCED by christian leaders because of their heathenistic roots (no pun intended), and Santa Claus is just a pussyfoot knock-off of several gift giving myths, including “borrowing” heavily from the subject of today’s movie – Sinterklaas.
Based loosely on Odin of Norse Mythology (Anthony Hopkins in Thor), Sinter strides the rooftops of people’s houses on his white horse (which goes by many names), giving chocolate letters to kids, leaving money and gifts in the shoes of the poor, kidnapping juvenile delinquents, and relying on his minions the Black Petes to report back to him the good and bad deeds of the children throughout the year. Way before this could even be misconstrued as a racist thing, the Black Petes’ faces are smeared with soot (which… well… has become white people in black face… cuz… yeah… Europeans are racist) because they hang out in everybody’s chimneys so they can eavesdrop. Instead of Christmas, Sinterklaas’s holiday is Sinterklaasfeest, which celebrates the acts of Saint Nicholas, the patron saint of children and/or sailors, on December 6th.… so I REALLY should’ve done this review a friggin’ week earlier… damn it. Well, this adaptation of the adoption of Sinter added a steamboat to his repertoire, which is what the myths attributed to his ability to reach people in the Netherlands. Anyway, that’s all you really need to know for the sake of this review. You can learn more about Sinterklaas at your local library, cuz knowledge is power! Or, if you’re a lazy fuck like me and can’t read anything that isn’t backlit by a screen, just check out the following wiki page – http://en.wikipedia.org/wiki/Sinterklaas
In case you weren’t aware of the kind of site you’re reading, this isn’t going to be a pleasant stop motion Christmas family event a la Santa Claus is Coming to Town, or a “grunting coke head with a heart of gold (and a prison record) saves Christmas” bout of spiritual indigestion like The Santa Clause. And even though my inner child has a soft spot (and a bloodlust) for yuletide terrorizers about serial killers decked out in the ol’ red, white, and beard, we’re doing something different today. While the seasonal slashers are the way we like to do things in the US, Netherlander Dick Maas has something else in mind. Come along with us, won’t you?
In Maas’s merry holiday horror show, St. Nicholas wasn’t a present presenting philanthropist of chocolate alphabets and shoe stuffed playthings. Instead he was the patron satin of pirates and pillage, crewing a cadre of cutthroat corsairs who terrorized terrified townsfolk, murdering and marauding monthly in demand of tribute (tithe?) under the light of the full moon. Well, in 1492 (when Columbus sailed the ocean blue) one village had all they could stand and couldn’t stands no more. Fueled with a fresh can of spinach inhaled through their corncob pipes (by which I mean mob rage boiling over in their hate guts), they trailed the abominable bishop and his remorseless raiders (who are a looooooong way from LA… sorry, I mean Oakland) back to their big black death ship and burned the motherfucker down, along with the sinister swashbucklers still in it. I only wish people these days were more proactive with their violent rebuttals. Those west baptist dick snots would’ve had their flesh melted off of them in napalm baths years ago and world peace would’ve been a reality by now. Napalm: the solution to all of life’s biggest problems! This review is brought to you by a generous grant from Napalm Co., where we turn women and children into the Incredible Melting Man. They’re incredi-meltable! 😀
“Thanks Napalm Co.!”
Apparently St. Nick wasn’t just an asshole in a big hat and cape though, because his execution by barbecue may have been a temporary solution to the monthly murder visits (also what Isis refers to her period as, coincidentally enough), but it also brings about a curse – on every December 5th (St. Nicholas Eve), when there’s a full moon (approximately ever 32 years), the ebb and flow of annual holiday celebrations turn to an ebony flow of Black Petes, who release a crimson flow from the circulatory systems of their victims. Yes, the twisted visage of the true St. Nick returns to murder the merriment of the holiday that bears his namesake by kidnapping scads of rugrats and killing anyone with the misfortune of crossing the path of he and his zombie pirate horde of horrific helpers. Their faces aren’t smeared with soot though, they’re fried like Cajun chicken skin. Damn, now I’m getting hungry. Think I’ll go to Long John Silver’s for lunch and see if I can find any pirates’ faces to chew off.
As you can guess, Saint Nick is about such an event… uhm, the full moon holiday thing, not eating a pirate’s face as an alternative to microwaved fish tacos… huh huh, “fish taco”. December 5th has arrived, the moon hangs full in the sky like a fat guy at the all-you-can-eat lard buffet, and only two people stand between the Ghost of Holiday Holocaust and an Amsterdam full of festively decapitated citizens – high school student Frank (Egbert Weeber) and police detective Kurt Hoestra (Burt Luppes). Frank is your average slasher flick hero, whose mom suffers from a crippling condition that requires expensive surgery to fix, and whose girlfriend just broke up with him in front of their entire Physics class (whose Secret Saint Nicks apparently all work at the Dildo Emporium) for cheating on her with his new heart throb Lisa (Caro Lenssen). He also plays the titular icon during the annual St. Nicholas Eve holiday beer bash… if I and Rony had a baby together, we’d name it Irony.
As for Hoestra, his parents were slaughtered like holiday hams and his siblings snatched away like… things that are… frequently stolen… during the demon bishop’s last workday in 1968. He has an unhealthy obsession with the “myth” of the savage saint as a result, which is funny since these holiday slaughters ARE recorded every 32 years and NOBODY else seems to make the connection due to an apparent government cover up. Sounds like a job for Mulder and Scully, in “The X-Files Christmas Reunion Special”! Anyway, Hoestra’s commissioner forces him to take an extended leave for the month lest his mania adversely affect the rest of the department. Or, in case he just goes postal and guns down every person he sees in black face… which, to be fair, is an acceptable response to meeting anyone who actually wears black face… unless Kurt’s just one of those LAPD types and would use it as an excuse to Rodney King ACTUAL black people… Now THAT would be an interesting excuse to hear from a hate crimer.
As with any slasher movie hero, Frank must play the pariah when his newly self-exed girlfriend shows up dead in her chimney and he’s the prime suspect. It doesn’t help his innocence when the cops arrest him, finding a severed arm hanging from his bumper and ranting about his buddies having just been dismembered by a mob of Black Petes while a guy dressed like Saint Nick astride a zombie steed watched… When the police car he’s being transported in gets an APB about a crazy man riding a horse over the rooftops, the resulting chase is a perfect opportunity for Detective Hoestra to liberate Frank and recruit him to help in their now-two-man crusade to bring the curse of Saint Nick to an explosive finale… with explosives… lots and lots of explosives.
Unfortunately, I can’t speak for the talents of the actors involved here, as the only copy I could get my hands on was a dub whose voice cast sounds like the same three people. Moving on, Saint Nick is another regrettable case of a movie whose budget can’t quite keep up with its creator’s ideas. There are momentary computer effects that nut/tit slap your immersion in the movie, despite the necessity of not having an actual guy riding an actual horse on actual rooftops. Also, I won’t ruin the big finish for anybody, but having your big explosive ending conveniently obscured entirely by heavy fog is… what’s a bigger word for “disappointment”? Hmmmm, what was it my teachers all called me at my class reunion? Oh yeah, “tremendous disappointment”. Speaking of lackluster, the movie takes a dip in enjoyment for the last half hour or so, when it shifts away from Nick’s bloody rampage and puts too much focus on Frank and Kurt. Between the over-explaining of the detective’s motivations, and the hurdles they’re presented with on their way to enacting their plan, things don’t just slow down, they slow down in that way where you add a bunch of extra ‘o’s to the words: sloooooooooow doooooooooooown. The less-than thrilling cinematography and dynamicity (I love making up words) deficient score don’t help matters.
At its heart, Saint Nick is like a Dick Maas xmas card to Freddy Krueger and Jason Voorhees movies. From the persecuted hero to the maimed undead urban ledeng antagonist killing teens to the secondary character with a vendetta to enact against said ghoul to the government cover ups (albeit on a much larger scale here), even wrapping up with an epilog partially reminiscent of the final 5 minutes of Friday the 13th: A New Beginning. I take this more as an homage than a plagiarism though, so no harm no foul, Mr. Maas. I enjoy that we’re getting something more than just another asylum escapee donning his gay apparel and knifing naughty parents and perverts, not that there’s anything wrong with that! I enjoy that we’re getting something that doesn’t just perverse the icon of its holiday, but also the religion behind it. Also, glad to see something other than American Christmas as a basis for some horror. It’s a cultural learning experience! It’s just too bad the movie pulls a Switzerland and rides the fence between moderately serious slasher and balls out psycho splatter circus. Dedicate yourself to a side and stick with it next time, Mr. Maas. Thanks for giving me something new to add to my annual holiday horror-thons though! May Cthulhu spare you for another year. Fa la la la la, Fhtang Fhtang.
While we’re on the topic of movies made around holiday traditions unknown to most beyond we morbid curiosity seekers, where the fuck is my Krampus movie?! Wait… there IS a Krampus movie?! And it’s right here!? Well fuck. I know what a certain Death God is getting himself for Cthulhumas this year! You know, to go along with that righteous Bad Religion shirt with the lesbian nuns. Merry Cthulhumas indeed.
The Moral of the Story: Children shouldn’t be rewarded for good behavior. I find that threatening them with abduction by nefarious religious figures to be a much better motivator in making them mind their shit!
That’s exactly how Fangoria reacted to my first review submission.
Looks like that dude’s got… wait for it… A SPLITTING HEADACHE!
“This is my fiance Brad. We’ve been together for 4 years and we’re getting married in June.”
Hey, you sitting down. Donal Logue Jr. Yeah, unless you’re just the messiest chocolate eater ever, stop. Just stop.
Those Cyber Monday deals like to lure you in with stuff like free shipping, but in the end you wind up losing an arm… and a leg… now cut off your leg… sorry. I’ll stop now.
“I’m here for the Tor Johnson look-a-like contest.”
“No, I have no idea who skinned the cheetah at the city zoo. What are you implying?!”
“You silly corpse, life preservers are for people with life to preserve. Give me that.”
They’ve stumbled upon the shooting for Night of the Seagulls 2. Fuck.
Resident Evil’s Nemesis retired from Umbrella and followed his true calling by joining the Catholic Church.
Anubis will return next time in
“Santa Claus is Coming to KILL!”